A terrific attempt to express a young boy’s moral awakening using intense colour schemes, wide-angle lenses and unforgiving close-ups
I'm Not Scared (2004)
Tomatometer
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Reviews Counted:96
Fresh:87
Rotten:9
Average Rating:7.5/10
Consensus: A well-acted and thrilling coming-of-age tale that captures a child awakening to the frightening world of adults.
Runtime: 1 hr 50 mins
Genre: Foreign Films
Synopsis: Italian director Gabriele Salvatores (MEDITERRANEO) masterfully directs this eerie and engrossing suspense thriller involving a 10-year-old boy who lives in rural southern Italy. It is summertime... Italian director Gabriele Salvatores (MEDITERRANEO) masterfully directs this eerie and engrossing suspense thriller involving a 10-year-old boy who lives in rural southern Italy. It is summertime and Michele (Guiseppe Cristiano) is free to spend the long sunny days riding his bike and running through the wheat fields. In fact, the wheat could be considered Michele's costar, as it often consumes the entire scope of the screen, showing how Michele plays, hides, and ponders life in the vast expanses of flowing yellow stalks. Because there are only a few other children in the village, Michele often plays alone, and one day he discovers a hole in the ground, obscured by wheat, where a boy his age is chained and imprisoned. The boy has clearly been starved and mistreated, yet Michele approaches him fearlessly and attempts to make friends with him. With the dreaminess that is a 10-year-old's truest treasure, Michele doesn't ask too many questions, nor does he draw conclusions about why the boy is in the hole, or who put him there. Through the expressions on young Michele's face, viewers can read his light questioning of human existence, human morality, and human rights. However, as the film draws on, subtly revealing shocking secrets about the adults in Michele's village, the beauty of this utterly simple yet deadly powerful plot come clear. I'M NOT SCARED is a moving film built on crystal-clear images of the Italian sun, sky, and wheat fields; strangely offset by its startling loss-of-innocence story. [More]
Starring: Giuseppe Cristiano, Aitana Sanchez-Gijon, Dino Abbrescia, Giorgio Careccia
Starring: Giuseppe Cristiano, Aitana Sanchez-Gijon, Dino Abbrescia, Giorgio Careccia, Mattia Di Pierro, Diego Abatantuono
Director: Gabriele Salvatores
Director: Gabriele Salvatores
Screenwriter: Francesa Marciano, Niccolo Ammaniti
Producer: Maurizio Totti, Riccardo Tozzi, Giovanni Stabilini, Marco Chimenz
Studio: Miramax Films
Reviews for I'm Not Scared
The beautiful photography will have you booking flights to Sicily, while the unsentimental rites-of-passage drama can't fail to touch your heart.
Proves once again how accomplished Italian cinema is at seeing the world through a child's eyes.
Offers a startling mix of genres: a memory piece drenched in nostalgia for a lost childhood, clothed in the form of a thriller that grabs you by the throat.
In the end, its elements come together with the kind of genuinely thrilling, deeply satisfying climax that even the better Hollywood movies just can't seem to pull off anymore.
Acted in one flavor of broadly sliced prosciutto, and marred with familiar digital punctuation, I'm Not Scared needn't be prepped for Hollywood recycling -- it is its own homogenized remake.
A well-crafted cross-breed that utilizes cruel power-plays of both youngsters and adults to support the ominous mood of a first-rate thriller.
Odd coming-of-age movie is gorgeously shot and emotionally involving, and features some truly exceptional performances from its young cast.
With its unique perspective on both the coming-of-age and thriller genres, the movie deserves to be seen by a wider audience than the one that normally frequents subtitled movies.
Salvatores remains admirably literal throughout the story, but his camera evokes all kinds of mystical possibilities.
The performances are all terrific. Each one suggests an entire story that we can only glimpse.
A visually magnificent film in which the camera will help you remember just how the world looks to children.
This sounds like prime fodder for a fast-paced thriller, but the movie is actually something more special: a tender-hearted rumination on the loss of innocence among children.
An engaging Italian film about a pint-sized hero in a poor small village where the adults are acting very strange and hiding something.
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