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In Praise of Love (2001)
Runtime: 1 hr 38 mins
Synopsis: Jean-Luc Godard has returned to the existential, surreal world he mined in the 1960s with IN PRAISE OF LOVE, which was up for the Palme D'Or at the Cannes Film Festival and was chosen as the closing film for the 39th Annual New York Film Festival. Godard's film is about nothing and everything as a... Jean-Luc Godard has returned to the existential, surreal world he mined in the 1960s with IN PRAISE OF LOVE, which was up for the Palme D'Or at the Cannes Film Festival and was chosen as the closing film for the 39th Annual New York Film Festival. Godard's film is about nothing and everything as a man continually speaks of his "project," with many of the characters conversing offscreen in fabulously vague and confusing parables and platitudes. The plot comes in bits and pieces, in memorable shots and bizarre scenes: a man reads a blank book; an attractive woman passes by a car and flashes the passengers; Hollywood wants to buy the story of an older couple who fought in the French Resistance; and such familiar Godardian themes as death, art, politics, and religion are discussed, however anamorphically. And then, suddenly, the 35mm black-and-white film is awash in reds and oranges as Godard switches to color digital video when the story goes back two years into the past, and the camera starts and stop, freezing on various shots, then moving on. As with the best of Godard, IN PRAISE OF LOVE is challenging, difficult, nonlinear, and wholly original, so unlike anything else. [More]
Genre: Foreign Films
Starring: Bruno Putzulu, Cécile Camp, Jean Davy, Françoise Verny, Philippe Lyrette
Reviews
This is the first Godard film released in the UK in 14 years ... and on this evidence we can see why.
A densely constructed, highly referential film, and an audacious return to form that can comfortably sit among Jean-Luc Godard's finest work.
Love, in Godard’s case, is indistinguishable from cinema and thus he sees the growing capitalist machine as a threat to both.
Free-associative, unreasonable and stubborn, unresolved, and elegiac in tone, In Praise of Love is a great meditation on memory, aging, and love.
What keeps me coming back to a filmmaker I never warmed up to, is that I find the rascal irresistible.
Ultimately, though, In Praise of Love is about themes, about the anti-Hollywood sentiment that Godard feels so passionately about, and this is where the film begins to crumble.
Godard has created such a hermetic, uncompromising world that only the hardiest cinematic spelunkers are likely to appreciate its depths.
It's the intellectual ride of your life, as far as moviegoing goes.
A haunting, intense work, intellectually exploratory yet too emotionally acute in its melancholy to be considered merely academic.
The movie's ripe, enrapturing beauty will tempt those willing to probe its inscrutable mysteries.
When a character comments 'too many changes are in the air that lack a means of expression,' one senses that Godard, at 72, is still struggling to communicate those changes through the medium of film.


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