None of the exasperating guilt on display in Crash has made it into In the Valley of Elah, a solidly made genre movie: the Army mystery.
In the Valley of Elah (2007)
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Reviews Counted:150
Fresh:108
Rotten:42
Average Rating:7/10
Consensus: Though some of Paul Haggis's themes are heavy-handed, In the Valley of Elah is otherwise an engrossing murder mystery and antiwar statement, featuring a mesmerizing performance from Tommy Lee Jones.
Rated: 15 [See Full Rating] for violent and disturbing content, language and some sexuality/nudity.
Runtime: 2 hrs 1 min
Genre: Dramas
Theatrical Release:25-01-2008
Synopsis: Tommy Lee Jones plays Hank Deerfield, a retired military man investigating the mysterious disappearance of his soldier son, Mike, in this somber mystery-drama from director Paul Haggis (CRASH).... Tommy Lee Jones plays Hank Deerfield, a retired military man investigating the mysterious disappearance of his soldier son, Mike, in this somber mystery-drama from director Paul Haggis (CRASH). Charlize Theron is the civilian homicide cop in the small town near the base where Mike recently returned from a term of combat in Iraq. When this unlikely pair ends up investigating the mystery together, they encounter some suspicious covering-up from the army. Deerfield gets access to his son's camera phone which contains startling video footage from combat overseas. Using a muted palette of military browns and greens, Haggis shows the same sharp eye for humanistic detail that served him so well in CRASH, infusing desolate scenes of civilian life--sterile concrete barracks, sleazy strip clubs, homey but empty diners, drugs, fast food joints, and ghostly motels--with vivid detail. Performances are all Oscar-worthy: Jones's craggy, weather-beaten face hiding grief and anguish beneath a steely facade until they threatens to boil over. His mug becomes a symbol for an America with no other choice but to confront its own grave flaws if it's ever to find any answers. Susan Sarandon bring the pain to the surface as the anguished mother waiting at home, and Theron is strong and sure, as a single mother who bravely faces, among other challenges, harassment in the workplace. Josh Brolin is her ex, the chief of police, and Jason Patric and James Franco are among the impassive faces of the military. [More]
Starring: Tommy Lee Jones, Charlize Theron, Frances Fisher, Susan Sarandon
Starring: Tommy Lee Jones, Charlize Theron, Frances Fisher, Susan Sarandon, Jason Patric, James Franco, Josh Brolin
Director: Paul Haggis
Director: Paul Haggis
Screenwriter: Paul Haggis
Story: Mark Boal, Paul Haggis
Producer: Paul Haggis, Larry Becsey, Patrick Wachsberger, Steven Samuels, Darlene Caamano Loquet
Composer: Mark Isham
Studio: Warner Independent
Reviews for In the Valley of Elah
A heartbreaking story that is told with honor and intelligence in a stirring film that will haunt you long after seeing it.
After watching this riveting film, you will have more compassion than ever for the soldiers who have served and are serving in Iraq at great danger to their bodies, minds, and souls. One of the best films of 2007.
Like Missing, a critique of U.S. government policy disguised as a mystery about a father searching for the truth about his son. And a rather heavy-handed one at that.
In and of itself, the story offers rich dramatic material that Haggis exploits well, but the writer-director's unsubtle condescension to his audience represents small thinking.
Haggis may be our patron saint of noble cinema, yet he's cagier than such a title would suggest.
[Jones] can't single-handedly save this frustrating film from its overly earnest impulses, but when he's onscreen, at least the hokum burns cleaner.
With "In The Valley Of Elah," his follow-up to the absurdly overpraised "Crash," writer-director Paul Haggis solidifies his position as this generation's Stanley Kramer.
Underneath the deceptively quiet surface of In the Valley of Elah is a raw, angry, earnest attempt to grasp the moral consequences of the war in Iraq.
Fine performances from Tommy Lee Jones and Theron and the investigation itself maintain interest, but Haggis's film disintegrates just when it should be delivering its final punch.
Neither affecting nor cerebral; it's a case of going through the motions.
Haggis is an extremely talented man, and much of the film works brilliantly. But it misses the mark.
A lot of very good films have a distinct drop-off point, usually occasioned when the gods of character are shoved aside for the gods of plot. In the Valley of Elah is one of those very good pictures.
In Paul Haggis' In the Valley of Elah, Jones' face is a poignantly detailed map of skepticism, simmering rage and, in the final count, self-recrimination.
... it doesn't hurt to have Tommy Lee Jones driving the film with a beautifully realized performance.
The considerable power of the film is contained in Jones's hard-bitten, movingly understated performance.
A different and devastating look at the residual effects of war, presenting the small pieces of purity its survivors and victims lose, whether or not the battle is won.
Jones is terrific, as is a barely recognizable Theron ... [but] an awkwardly tacked on subplot implies our soldiers in Iraq are sadists and psychopaths.
Haggis reduces America's problems to a series of slanders and then hangs a flag upside down just to bully home the point.
Latest News for In the Valley of Elah
February 18, 2008:
RT on DVD: Cram For The Oscars With Michael Clayton, In The Valley of Elah, And More Out This Week
Ready those Oscar ballots! With the Academy Awards around the corner, it's time to start catching up on what you missed in theaters. Snap up this week's offerings for... More...
January 24, 2008:
Director Paul Haggis on In the Valley of Elah: The RT Interview
We sit down with the Crash director and Bond scribe to find out more about his political latest, In the Valley of Elah. More...
January 10, 2008:
Amy Ryan and Greg Kinnear Join Paul Greengrass and Matt Damon in the Green Zone
"Making a movie about the war in Iraq" is quickly turning into just another way of saying "losing tons of money at the box office," but director Paul Greengrass isn't letting... More...
December 14, 2007:
Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...
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