All that was painted grey in Capote becomes black-and-white here.
Infamous (2006)
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Reviews Counted:143
Fresh:102
Rotten:41
Average Rating:6.7/10
Consensus: Though comparisons with last year's Capote may be inevitable, Infamous takes a different angle in its depiction of the author, and stands up well enough on its own.
Rated: 15 [See Full Rating] for language, violence and some sexuality
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:19-01-2007
Synopsis: Hollywood studios are notorious for liberally borrowing ideas from each other, with the resulting clutch of similarly-themed films often bewildering the public as they try to decide which movie to... Hollywood studios are notorious for liberally borrowing ideas from each other, with the resulting clutch of similarly-themed films often bewildering the public as they try to decide which movie to go and see. In 2005 Bennett Miller directed CAPOTE, an Oscar-winning dramatization of Truman Capote's traumatic experiences writing the celebrated novel IN COLD BLOOD. In 2006 Douglas McGrath (COMPANY MAN) directed INFAMOUS, a movie that follows exactly the same premise. Although it's difficult to see why such a story would need to be immortalized in celluloid for a second time, McGrath does throw in a few tricks to help separate the two films. Talking head interviews with some of Capote's contemporaries, such as Gore Vidal and Babe Paley, are used, and the movie has a lighter--almost comedic at times--feel to it than Miller's movie. The basic premise of INFAMOUS is exactly the same as that of CAPOTE, so we witness Toby Jones's Capote traveling from New York to Kansas, settling into the town, interviewing the murderers, and developing an obsession with one of them--Perry Smith (Daniel Craig). Despite the similarities, salvation can be found in the performance of Jones, who lights up the screen with a performance that closely rivals Philip Seymour Hoffman's turn as the infamous author. Other notable appearances come from Sandra Bullock, who just about manages to nail Harper Lee; Sigourney Weaver and Isabella Rossellini, who both camp up their roles as socialites; Jeff Daniels as the detective who befriends Capote; and Gwyneth Paltrow, who makes a brief appearance as the singer Peggy Lee. [More]
Starring: Toby Jones, Sandra Bullock, Daniel Craig, Gwyneth Paltrow
Starring: Toby Jones, Sandra Bullock, Daniel Craig, Gwyneth Paltrow, Sigourney Weaver, Jeff Daniels, Isabella Rossellini, Hope Davis
Director: Douglas McGrath
Director: Douglas McGrath
Producer: Jocelyn Hayes, Sidney Kimmel, Christine Vachon, Anne Walker-McBay
Composer: Rachel Portman
Studio: Warner Independent
Reviews for Infamous
Toby Jones defies the odds with an extraordinary impersonation of the author in Douglas McGrath’s Infamous.
Impressively made, brilliantly acted and superbly written, this covers the same ground as Capote but comes at the story from a slightly different angle.
On its own terms, this is an elegant, stimulating homage to a singular talent. Compared to Capote, though, it can’t help but feel wanting.
British actor Toby Jones plays Capote and certainly looks the part -- more so than Hoffman. It's a very good performance and Jones deserves his time in the spotlight.
Toby Jones's impersonation of Truman Capote is as uncannily accurate as Philip Seymour Hoffman's and even more camp.
A bristly, jazzy tone and a perceptive script that plays on the characters' flamboyance.
A strange one this - Capote is a superior picture but Toby Jones is the superior Capote.
While less beguiling than Capote, Infamous remains a soulful and searching portrayal of the writer, carried with immense charm and vivacity by its leading man.
If the cogs of the movie-making machine are going to keep turning out the exact same movie, why do I have to write up a whole new review?
Infamous' powerhouse casting doesn't add much, since most of the big names -- Sigourney Weaver, Gwyneth Paltrow, Isabella Rossellini, Hope Davis, Juliet Stevenson, and director Peter Bogdanovich -- serve as little more than window dressing.
Regardless of the liberties taken, there was an integrity and character-complexity to the 2005 release that's missing from this glossier biopic.
Once he gets to the Midwest, the movie's arch tone becomes tiresome and, more importantly, out of place.
The second Capote film in a year, Infamous is decent and well acted by Jones, but marred by narrative strategy of witnesses as a Greek chorus (with campy one-liners that trivialize the yarn), too much of Capote the entertainer and implausible sex scene
Una aproximación más bien superficial y declamatoria a Truman Capote y su investigación previa a A Sangre Fría. En comparación, la versión de 2005 sale mucho mejor parada.
even without comparisons to Capote, Infamous is not particularly good.
Should have come first for it would have been a perfect example for screenwriting students to see the difference between a first draft and a finished product.
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