Seduced by "blue tomorrows," entranced by dancers, you're watching too. What you're seeing is about you.
Inland Empire (2006)
Tomatometer
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Reviews Counted:98
Fresh:70
Rotten:28
Average Rating:7.1/10
Consensus: Typical David Lynch fare: fans of the director will find Inland Empire seductive and deep. All others will consider the heady surrealism impenetrable and pointless.
Rated: 15 [See Full Rating] for language, some violence and sexuality/nudity.
Runtime: 2 hrs 59 mins
Genre: Dramas
Theatrical Release:09-03-2007
Synopsis: With INLAND EMPIRE, David Lynch--creator of such mind-bending works as ERASERHEAD and LOST HIGHWAY--delivers his most avant-garde, abstract, and impenetrable vision yet. A three-hour fever... With INLAND EMPIRE, David Lynch--creator of such mind-bending works as ERASERHEAD and LOST HIGHWAY--delivers his most avant-garde, abstract, and impenetrable vision yet. A three-hour fever nightmare of a motion picture, INLAND EMPIRE takes the basic structure of Lynch's 2001 masterpiece, MULHOLLAND DRIVE, and spins it even further out of control. A blonde actress (Laura Dern) is preparing for her biggest role yet, but when she finds herself falling for her co-star (Justin Theroux), she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy. And that's the only the beginning. Soon, a seemingly endless onslaught of indescribably bizarre situations flashes across the screen: a sitcom featuring humans in bunny suits, a parallel story set in a wintry Poland, a houseful of dancing streetwalkers, screwdrivers in stomachs, menacing Polish carnies, and much, much more. By the time the film's electrifying closing-credit sequence arrives, even diehard Lynch fans will be gasping for air. What most glaringly differentiates INLAND EMPIRE from Lynch's previous work is the format on which it was shot. This is the first time that he has chosen to shoot on digital video, as opposed to film, and while the decision is jarring at first, the grainy imagery nonetheless casts a creepy, haunting spell. Laura Dern's multi-fractured performance is downright heroic. She gives the film the human grounding that it so desperately needs. Not for the fragile or timid, INLAND EMPIRE is a full-blown assault to the senses. [More]
Starring: Jeremy Irons, Laura Dern, Justin Theroux, Harry Dean Stanton
Starring: Jeremy Irons, Laura Dern, Justin Theroux, Harry Dean Stanton, Scott Coffey, Ian Abercrombie, Terry Crews, Grace Zabriskie, Julia Ormond, William H. Macy, Naomi Watts, Nastassja Kinski, Diane Ladd, Mary Steenburgen
Director: David Lynch
Director: David Lynch
Screenwriter: David Lynch
Producer: David Lynch, Mary Sweeney
Studio: 518 Media Inc.
Reviews for Inland Empire
Inland Empire might just be the funniest movie of the year. Or maybe its the most horrifying. Trust me: It’s difficult to tell.
Imagine what the cinema world would be like if more great directors threw caution to the wind and followed their artistic vision.
You say 'impenetrable', I say 'thrilling'; let's call the whole thing a near-masterpiece.
Lynch's brilliant and bizarre films have often come to us as a puzzle wrapped in an enigma, but his latest is enshrouded with two layers of 'who cares?'
In his 36 years of filmmaking, David Lynch has never been more fearless or more fearsome...Inland Empire brims with surprising and scary images.
A free-fall plunge through David Lynch's imagination, a curious and often astonishing place. The film is dazzling and bewildering in equal measure.
Undeniably, Inland Empire has moments that seem like transmissions from cinema’s future.
Lynch has fully taken control of the filmmaking apparatus... and you can feel that sense of freedom for commercial concerns in virtually every frame.
Inland Empire is full of good and bad girls, but [Lynch] gives this obsession an interesting spin by having most of them played by the same actress.
While you suspect Lynch's digital video acumen will flower into something extraordinary in coming projects, this one's intermittently extraordinary at best.
... the avant-gardism feels less born of Lynch's bizarre brain than there to prop up his reputation.
Lynch obviously loves to mess with our minds, but if you try wading to the bottom of this thing you'll hit your head on the floor.
Inland Empire is essentially a journey inside David Lynch's mind, sometimes burrowing very deep indeed. Nobody else could have made this film; nobody else should try.
Those willing to give themselves up to Lynch's sensibilities will find a hypnotic and richly textural experience that challenges them to make their own connections through the imagery, echoes of repeated dialogue and metaphor.
It's a bit like watching the final 40 minutes of Mulholland stretched to three hours and filmed with digital-video cameras available at a Circuit City near you.
Lynch is so singular a talent and so pure a filmmaker that he almost can't help but produce moments that rattle your preconceptions of what a movie can be, and that's always a treat.
It's worth watching as yet another example of Lynch's extraordinary collaboration with Dern. It may be overstating things to call her performance heroic, but it's nothing if not brave, as she dares to embody Lynch's most brutal impressions of Hollywood.
Latest News for Inland Empire
December 12, 2006:
2006 NYFCO Awards Announced!
It's that time of year again: Right before the fancy awards are doled out, all the different critics' groups chime in with their favorite flicks of the year. Here we have the... More...
December 09, 2006:
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December 07, 2006:
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November 14, 2006:
RTIndie: A News Wrap-Up, Plus David Lynch's Latest Antics
Faced with "Volver" performing well (again) and "Babel"'s expansion into wide release (big time), "The Queen" lost a bit of box office momentum... More...
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