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Movies / On DVD / The Intended
The Intended

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The Intended (2004)

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Reviews Counted:26

Fresh:8

Rotten:18

Average Rating:5/10

Consensus: Predictable and pointless melodrama.

Runtime: 1 hr 50 mins

Genre: Dramas

Synopsis: The film begins when a couple, Sarah and Hamish, travel by the Menkuang river to a small trading station deep in the heart of the jungle. The year is 1924. The trading station consists of a... The film begins when a couple, Sarah and Hamish, travel by the Menkuang river to a small trading station deep in the heart of the jungle. The year is 1924. The trading station consists of a collection of faded timber houses, a small jetty and a storehouse. The rain forest envelops this whole setting with a humid, oppressive heat making this outpost heavily claustrophobic. For here in the jungle nature rules. The river rises and falls with the rain, and when the river is dry there is no means of access or indeed escape. The jungle is home to a local tribe with whom the station deals in the ugly trade of ivory. Sarah and Hamish have escaped the depression of post war Europe and are here to make their fortune and find peace. Sarah is a 40 year old woman. She seems strong and idealistic. Hamish is in his mid twenties, a surveyor by trade, and an idealistic joyful dreamer. He is deeply in love with Sarah and believes in the possibility of a life only previously imagined. But the trading station is a sad disappointment to Sarah and Hamish, for it is not the shining town of their romantic idyll, however they decide to make the best of it for the next six months. By then Hamish will have earned his money from surveying the land, and the boat will make one of its twice-yearly visits and carry them away to their bright new life. The station is run by Mrs Jones, an aged widow with an iron fist and a stubborn nature. She is aided by her nephew Norton and her 35-year-old son, William. Mother and son have never had what you could call a close relationship. In fact, William is the disappointment of her life, which she never lets William forget. As the film opens, however, William is almost happy, for after many years his mother has finally given her permission for him to leave. He is to return to London with the boat delivering Sarah and Hamish. But William's mother suddenly changes her mind and refuses to let him leave the station, something he is incapable of doing without her financial support. Completely shocked the only comfort William can find is with his old nanny, Erina, a woman who offers what little kindness there is here. Forced to stay William begins to be fascinated by Sarah. His romantic life has never been realized, but Sarah seems to waken something in him. With Hamish away from the station surveying the land William is eager to further a friendship with Sarah. But his mother's patience is running out, and she decides to make her nephew, Norton the overseer of the station. This decision brings William's hatred to an unbearable pitch, and seeing no other way out, he kills her. Coldly, calmly and ritualistically. The murder has an enormous effect on the community. Believing it to be the work of savage natives, fear takes hold of everyone and tension and paranoia begin to creep in. Hamish, back from the jungle, finds comfort and peace in Sarah's arms. Together they manage to forget for a moment the dire situation they find themselves in. Worse is yet to come when William's guilt is unearthed and all the money he has now inherited is burned. The trading station is poor, something he dare not reveal and things carry on seemingly as normal. However, with his mother gone, he can now freely pursue Sarah, and he orders Hamish back into the jungle for longer and longer periods of time. But Hamish, though young, is not without a certain steel, and in order to complete the job with fewer men, he makes a deal with William for a large amount of money. Unaware their promised wealth has all been burnt Sarah and Hamish celebrate their new found fortune. It is now, in a drunken amorous evening the effect of Sarah's unhappy past makes itself felt, and the two cling together in an agony of understanding. However work must continue and Hamish is once again sent off into the jungle. But for Sarah the nightmare is only just beginning. Erina tells her the money is gone and with it all Hamish's chance for a future. Devastated Sarah realizes they are trapped, and losing the last shreds of hope she sinks into a heavy sadness. Meanwhile Hamish, pushed too hard by William, succumbs to a vicious swamp fever. He is brought back to the station almost near death and Sarah is shocked out of her melancholy by his dangerous state of health. She attempts to seek help from Erina, the only one out here who knows about medicine, but the old nanny has conditions. In exchange for saving Hamish's life Sarah must for a few nights pretend to love William and fulfill his every desire. Erina also offers Sarah all her hidden savings. Faced with such a choice she spends a night under the trees as the long awaited rains finally come. This ill-fated liaison unfolds during the rain filled days in a strange manner. Sarah's disgust for the undertaking contrasts strongly with an awkward innocence displayed by William. It has obviously been many years since he was last close to a woman and he opens his soul to her. Sarah does not return this sudden openness, but is moved by the clear loneliness of the man. Misunderstanding her compassion William mistakenly believes she shares his love and he all but devours her with a voracious appetite. This twisted meeting somehow touches Sarah and despite herself she responds to his lovemaking. Afterwards, disturbed and lost Sarah denies any love for William and goes to find Hamish, leaving William sad and broken. Unfortunately Hamish, only just up from his sickbed, has been a witness to a part of their evening. Weak and still feverish his mind cracks and there is a dreadful meeting. Confronted with his anger and sense of betrayal Sarah confesses the sad truth about the deal. But Hamish had witnessed in Sarah's union with William a kind of passion they had never shared. Faced with Hamish's pain Sarah tries to give him her whore's earnings, but he refuses the money she has sold herself so hard to get and she realizes there is nothing she can do to explain herself. Devastated she leaves him. But for William there is nothing left for him, and he shoots himself. As Sarah runs into his house and finds him, Norton is close behind her. Seeing her still clenching the money he accuses her of stealing it from William. But Sarah is not willing to give away the hard earned money, and she refuses to hand it over. As Norton begins to methodically beat her, Hamish arrives, threatening him with his gun. For a moment it seems Hamish will shoot Norton and frantically Sarah tries to stop him. But Hamish is lost to reason and cannot hear her. In desperation Sarah begins to rip the money into shreds as Hamish looks at her with the beginning of understanding in his eyes. The rain has swollen the river and Sarah and Hamish sit silent and numb, watching as the returning boat comes into view. -- © IFC Films [More]

Starring: Janet McTeer, Brenda Fricker, Olympia Dukakis, David Bradley

Starring: Janet McTeer, Brenda Fricker, Olympia Dukakis, David Bradley, Tony Maudsley, J.J. Field, Philip Jackson, Robert Pugh

Director: Kristian Levring

Director: Kristian Levring
Screenwriter: Janet McTeer, Kristian Levring
Composer: Mathew Herbert
Studio: IFC Films

[See More Credits]

Reviews for The Intended

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1 - 20 (sorted by date; UK critics are listed first)
Text View | 1 2 >> >|
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Shrewd and astute, this is a film with a power that sneaks up on you and lingers long after it’s over in a way you can’t easily shake.

Full Review Source: Flick Filosopher | comment Comment
12/31/04
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

introspectively good

Full Review Source: Filmcritic.com | comment Comment
12/27/04
Christopher Null
Christopher Null
Filmcritic.com

Tropical tripe.

Full Review Source: Film Journal International | comment Comment
11/13/04
Harry Haun
Harry Haun
Film Journal International

The pace is stultifying, and even though the ensemble looks realistically stinky and sweaty, the stately progression of events mirrors far too well the torpor of the tropics.

Full Review Source: Oregonian | comment Comment
07/30/04
Karen Karbo
Karen Karbo
Oregonian

An irritating bit of jungle gothic gone bad.

Full Review Source: San Diego Metropolitan | comment Comment
07/10/04
Jean Lowerison
Jean Lowerison
San Diego Metropolitan

Levring and an excellent cast are lost in the shadow of Conrad and other masters, and their sex-money theme requires a genius of hopelessness like Erich von Stroheim.

Full Review Source: San Diego Union-Tribune | comment Comment
07/09/04
David Elliott
David Elliott
San Diego Union-Tribune

Too dank and familiar an expedition.

Full Review Source: Denver Post | comment Comment
07/09/04
Lisa Kennedy
Lisa Kennedy
Denver Post

A story bent on melodrama and borderline sadism.

Full Review Source: San Francisco Chronicle | comment Comment
07/02/04
Carla Meyer
Carla Meyer
San Francisco Chronicle

It's a moderately creepy, man-beyond- civilization exercise that can't decide whether it's arty or scary, and thus ends up being neither.

Full Review Source: Detroit News | comment Comment
07/02/04
Tom Long
Tom Long
Detroit News

We begin hoping the ghost of Tennessee Williams will jump out of the bush and inform these characters that it takes more than wounded people with dark secrets, annoying insects and dripping moisture to make something of a tale like this.

Full Review Source: Detroit Free Press | comment Comment
07/02/04
Terry Lawson
Terry Lawson
Detroit Free Press

Fans of Jungle Gothics would do better to let this one slip back into the underbrush.

Full Review Source: Newark Star-Ledger | comment Comment
07/01/04
Stephen Whitty
Stephen Whitty
Newark Star-Ledger

Few actresses can deliver intensity like McTeer, and it's that distinctive, all-purpose stare coupled with her sheer physicality that once again dominates the story.

Full Review Source: Variety | comment Comment
06/29/04
Eddie Cockrell
Eddie Cockrell
Variety
Top Critic Icon Top Critic

Although phenomenally well-acted, the film's leisurely pace ultimately makes it feel as oppressive as the tropical heat and humidity that gradually turn the characters into slow-moving heaps of damp, dirty rags.

Full Review Source: TV Guide's Movie Guide | comment Comment
06/25/04
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

A stunning achievement, an emotionally charged period drama that unfolds with the tragic inevitability of a Joseph Conrad novella.

Full Review Source: Reel.com | comment Comment
06/25/04
Timothy Knight
Timothy Knight
Reel.com

Well-intended, but it is also the dreariest, most uninvolving movie I've seen this year.

Full Review Source: New York Daily News | comment Comment
06/25/04
Jack Mathews
Jack Mathews
New York Daily News

Aided by a terrific cast, this flick effectively conveys a gloomy, claustrophobic sense of doom.

Full Review Source: E! Online | comment Comment
06/25/04
E! Online

The misguided, delirious result offers the perverse guilty pleasure of watching a roster of distinguished actors earnestly swimming against a tidal wave of silliness.

Full Review Source: Los Angeles Times | comment Comment
06/24/04
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Not even Janet McTeer, one of the world's most resourceful actresses, can rescue this movie from deteriorating into a clanking melodrama.

Full Review Source: New York Times | comment Comment
06/24/04
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Lays out many of the elements of a classic gothic thriller, but those elements never entirely coalesce into something that tells you why they bothered.

Full Review Source: Newsday | comment Comment
06/24/04
Jan Stuart
Jan Stuart
Newsday

Imagine a sexually charged Heart of Darkness by way of Denmark's bare-bones Dogme 95 and you'll have an idea of what this dark, moody melodrama is like.

Full Review Source: Christian Science Monitor | comment Comment
06/24/04
David Sterritt
David Sterritt
Christian Science Monitor
 
 
1 - 20 (sorted by date; UK critics are listed first)
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