Only Stone manages to find any emotional depth in her character, and that's not enough reason to see the film.
Comment
08/03/09
Intersection (1994)
8
%
Tomatometer
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Reviews Counted:26
Fresh:2
Rotten:24
Average Rating:3.4/10
Runtime: 1 hr 38 mins
Genre: Dramas
Synopsis: A remake of the French film LES CHOSES DE LA VIE, INTERSECTION places Vincent Eastman (Richard Gere), a successful architect, between his indifferent, beautiful, aristocratic wife, Sally (Sharon... [More]
Starring: Richard Gere, Sharon Stone, Lolita Davidovich, Martin Landau
Director: Mark Rydell
Reviews for Intersection
Top CriticLess neurotic and sexually charged than usual, Gere digs deep to find the source of his character's chronic indecisiveness.
02/09/06
Top CriticIt's a waxen, pretentious bore, and whatever chance it may have had of succeeding is foiled by casting so misguided that it's hard to imagine it wasn't meant as a vicious joke.
08/03/09
Top CriticStone deserves some points for playing a recognizable human being while Davidovich fares less well in an underscripted part, but what sabotages the story altogether is Gere's boundless narcissism.
08/03/09
This very loose adaptation (acknowledgement of the sources is buried in the end credits) attempts to goose things up here and there, but original's essentially meditative nature is left quite unfulfilled by the new approach and glamour cast.
03/26/09
Top CriticNo review available.
10/09/05
No review available.
07/22/05
No review available.
04/17/05
No review available.
01/27/05
No review available.
08/25/04
Inane!
05/06/04
No review available.
02/08/04
Click to read review
01/02/04
No review available.
07/30/03
Tespite the glossiness, it winds up seeming profoundly uneventful, perhaps because the car crash is the story's only real dramatic turn.
05/20/03
Top CriticClick to read the article
05/20/03
No review available.
07/26/02
Looks nice, gives the sense that there’s supposed to be something important going on here, but doesn’t deliver the goods.
02/19/02
Gere and Stone are fine with roles that do not overly tax their range, particularly in genre films, such as thrillers or mysteries. But these characters call for wide-ranging emotion.
01/01/00
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