Jordan tries hard to inject some sort of Gothic sensibility into the film's early sequences, but it isn't until the third act, when the film enters the marvellously atmospheric world of the Thibtre des Vampires, that he really draws blood.
Interview with the Vampire (1994)
Tomatometer
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Reviews Counted:45
Fresh:27
Rotten:18
Average Rating:5.9/10
Consensus: Despite lacking some of the book's subtler shadings, and suffering from some clumsy casting, Interview with a Vampire benefits from Neil Jordan's atmospheric direction and a surfeit of gothic thrills.
Runtime: 2 hrs 3 mins
Genre: Horror/Suspense
Synopsis: Horror author Anne Rice penned the screenplay for this full-blooded adaptation of her novel, which chronicles the life of 18th-century nobleman Louis (Brad Pitt) after he is bitten by powerful,... Horror author Anne Rice penned the screenplay for this full-blooded adaptation of her novel, which chronicles the life of 18th-century nobleman Louis (Brad Pitt) after he is bitten by powerful, charismatic vampire Lestat (Tom Cruise). Though enthralled with the undead lifestyle at first, Louis is unable to warm up to killing humans and grows despondent. To comfort Louis, Lestat creates another vampire (Kirsten Dunst in a star-making peformance), a young girl who from then on cannot age. Antonio Banderas appears as Armand, a 400-year-old vampire, and Christian Slater plays the radio producer who interviews the remorseful Louis. Director Neil Jordan captures the lush decadence and erotic fervor of the novel, infusing the film with rich, dusky tones. The big budget is well used to bring each period and place to sharply detailed life, and there is no skimping on the blood or immortal angst. Thandie Newton has a small role as Louis's Creole servant near the beginning of the film, and Jordan regular Stephen Rea appears as a Parisian vampire theater star. INTERVIEW broke weekend box-office records when it premiered and has since earned a spot in the pantheon of great vampire films. [More]
Starring: Tom Cruise, Brad Pitt, Kirsten Dunst, Antonio Banderas
Starring: Tom Cruise, Brad Pitt, Kirsten Dunst, Antonio Banderas, Christian Slater, Stephen Rea, Thandie Newton, Danny Kamin, Monte Montague, Helen McCrory, George Kelly, Indra Ove, Micha Bergese, Louise Salter, Sara Stockbridge
Director: Neil Jordan
Director: Neil Jordan
Composer: Elliot Goldenthal
Producer: David Geffen, Redmond Morris, Stephen Woolley
Reviews for Interview with the Vampire
The major problem lies with Rice's own script, which is dramatically repetitive and philosophically banal.
While vampire stories tend to be either scary or campy, Interview somehow manages to be neither...
The movie's energy starts to drain like blood from a vampire's victim. You'll feel that ebb, sooner or later, as you begin to glance regularly at your watch.
A well-made yet failed film that could give real pleasure only to those who prefer form over content.
Outfitted in prosthetic fangs, translucent white makeup and a long, frizzy wig that makes him look like Tiny Tim, Cruise brings tremendous exuberance -- if not a lot of insight or nuance -- to the role of the vampire.
...something for everyone: heterosexuality, homosexuality, eroticism, murder, mayhem, pedophilia, necrophilia, nudity, gore.
For all its visionary brilliance, the movie version of Interview never lets us close enough to see ourselves in Louis. We're dazzled but unmoved.
Why would Tom Cruise be playing Lestat, a gaunt, suave European vampire with a taste for young men? Because a big movie star can do whatever he wants.
Passionately anticipated and much ballyhooed, the film, alas, is little more than a foppish, fang de siecle costume drama. Its pulse barely registers.
The movie may well make money, but no matter how many zillions it grosses, Tom Cruise will forever after be something of a joke.
The leading performances, if acceptable, are not everything they needed to be to fully flesh out these elegant immortals.
Holds plenty of interest, even for those who find Anne Rice's gothic cult novels unreadable.
What everyone missed, while hanging on to Tom's every "mon Dieu," was Jordan's ability to turn a novel with a flaccid film premise into something worth watching.
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