A top-of-the-range family melodrama sparingly told and austerely framed, Claudel's tale of guilt, grief and redemption will have viewers thinking deep and weeping long.
I've Loved You So Long (2008)
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Reviews Counted:116
Fresh:104
Rotten:12
Average Rating:7.4/10
Consensus: I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel.
Rated: 12A [See Full Rating] for thematic material and smoking.
Genre: Foreign Films
Theatrical Release:26-09-2008
Synopsis:
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the...
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again.
Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. Luc and Léa have two adopted Vietnamese daughters, who are 8 and 3 years old. Luc’s father, Papy Paul (Jean-Claude Arnaud) also lives in the house. He’s a charming old man who spends all of his time reading since a stroke deprived him of the power of speech.
Life together isn’t easy to begin with. Juliette has to relearn certain basics. The world has moved on and she often seems confused. Although she may seem cold and distant, her attitude stems more from her being ill at ease. Helped by some, such as the kindly but tactless social worker and her open-hearted but depressed parole officer (Frédéric Pierrot) whose confidante she becomes, Juliette is also rejected by others, particularly employers who throw her out as soon as they find out what she did.
Léa’s attitude is ambiguous. She avoids talking about Juliette’s terrible crime and time in prison at all costs. She wants nothing to blunt the happiness of their reunion and getting to know each other again. Luc mentions it reproachfully, as does Juliette in a different way.
Gradually, the real Juliette emerges. She opens up to the world once more, thanks to her two nieces, with whom she becomes very close after being very stiff with them at the beginning, and Michel (Laurent Grevill), a friend of Léa’s, and Papy Paul, who, in a more symbolic way, knows what it’s like to be locked away. Juliette gets a job as a medical secretary at the local hospital on the condition that she never mentions she used to be a doctor. Her relationship with Léa becomes much stronger and more intimate. Even Luc succeeds in pushing his preconceptions to one side and seeing Juliette as his sister-in-law, not as a murderer.
But a huge questions hangs over Juliette’s renaissance. Why did she do such a terrible thing fifteen years ago? For all the others, it’s a recurrent thought that they dare not put into words. And for Juliette, locked away in her secret, it’s a burden to bear, which holds her back from engaging in her life and believing that she too has the right to be happy.--© Sony Pictures Classics
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill, Frederic Pierrot
Director: Philippe Claudel
Director: Philippe Claudel
Screenwriter: Philippe Claudel
Studio: Sony Pictures Classics
Reviews for I've Loved You So Long
Superbly directed, beautifully written and emotionally powerful drama with terrific performances by Kristin Scott Thomas and Elsa Zylberstein.
This startling tale of redemption refuses to take an easy road through the material, revealing its secrets gradually and putting the characters in sharp focus.
Claudel proves that he understands his characters and sympathises with them equally. When the French do this kind of thing well, they do it very well indeed.
what writer-director Philippe Claudel does superbly is to map the slow thawing of the icy chip at her heart.
As a mood-piece the film sits on a pedestal, rather, waiting to be admired.
A stonking lead performance from Kristin Scott Thomas ferries Philippe Claudel’s directorial debut over its forced twists.
This is Scott Thomas’ film, and she commands it with a quiet performance (literally), conveying a range of conflicted emotions through her expressive eyes and gaunt, ashen features.
It's absorbing to watch, and the two leads offer an acting masterclass.
Scott Thomas's performance, easily the best of her career, countermands any such qualms: the centre of a deeply involving, beautifully acted and expertly constructed human drama by and for grown-ups.
The directorial debut from the novelist Phillippe Claudel, this is a classy, emotionally intelligent portrait of two women rebuilding a relationship.
A quietly powerful, very moving drama featuring a tour de force from Kristin Scott Thomas.
Claudel understands that his drama lies in letting two superb actresses build their characters, forge their relationship and examine their grief.
Un relato sensible y sutil sobre la reconstrucción de un vínculo interrumpido traumáticamente. Más que atendible debut en la dirección del escritor Philippe Claudel, con estupendas actuaciones de sus protagonistas femeninas.
The well-drawn, intriguing characters and vividly realistic situations make for an interesting story that holds your attention. The conversations are natural and succinct.
Philippe Claudel's "I've Loved You So Long" finds Kristen Scott Thomas giving one of last year's best performances in one of last year's better films.
The last-act revelation leaves the audience off the hook in a way that's more common for a soothing Hollywood picture than this sort of challenging French import.
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