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Movies / On DVD / Quai des Orfèvres
Quai des Orfèvres

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Quai des Orfèvres (1947)

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Reviews Counted:30

Fresh:30

Rotten:0

Average Rating:8.3/10

Consensus: Henri-Georges Clouzot's engrossing noir explores the troubles of post-war France and the line dividing social struggle and criminality.

Runtime: 1 hr 46 mins

Genre: Foreign Films

Synopsis: Jenny Lamour (Suzy Delair) is a singer who is prepared to become a sensation. However, she doesn't do it in the field of music. Instead she is embroiled in this tale of intrigue which involves her... Jenny Lamour (Suzy Delair) is a singer who is prepared to become a sensation. However, she doesn't do it in the field of music. Instead she is embroiled in this tale of intrigue which involves her accompanist and husband murdering a man who Jenny has made seductive eye contact with. Henri-Georges Clouzot directs this thriller full of rich complex characters and a dark world view, perhaps attributable to Clouzot's own experience with LE CORBEAU, his previous film which was banned by both Nazi Germany and his French homeland. [More]

Starring: Suzy Delair, Louis Jouvet

Starring: Suzy Delair, Louis Jouvet

Director: Henri-Georges Clouzot

Director: Henri-Georges Clouzot

[See More Credits]

Reviews for Quai des Orfèvres

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1 - 20 (sorted by fresh rating; UK critics are listed first)
Text View | 1 2 >> >|
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A superior noirish thriller which gets right under the skin of the seedy world it inhabits.

Full Review Source: Channel 4 Film | comment Comment
04/27/09
Channel 4 Film
Top Critic Icon Top Critic

Jouvet's Maigret-esque cop gets all the best lines, and gives the film its human, tragic focus.

Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

While the story is thin, Clouzot uses his immense skills to raise the picture above the standard for the genre.

Full Review Source: TV Guide's Movie Guide | comment Comment
08/29/06
TV Guide's Movie Guide
Top Critic Icon Top Critic

Released in America as Jenny Lamour, Henri-Georges Clouzot’s story of ambition, murder, mystery and cover-up -- and their all-too-human foundations -- holds up remarkably well.

Full Review Source: Entertainment Today | comment Comment
01/20/03
Brent Simon
Brent Simon
Entertainment Today

A splendid find -- part policier and part marital comedy, replete with that winking, twisting sexuality that the French have always done so well.

Full Review Source: Bryant Frazer's Deep Focus | comment Comment
12/12/02
Bryant Frazer
Bryant Frazer
Bryant Frazer's Deep Focus

An elegant show-biz noir that weaves an intricate web of deception and intrigue.

Full Review Source: Dallas Morning News | comment Comment
04/17/03
Chris Vognar
Chris Vognar
Dallas Morning News

This is a film well worth reviving, admiring and applauding.

Full Review Source: Minneapolis Star Tribune | comment Comment
05/29/03
Colin Covert
Colin Covert
Minneapolis Star Tribune

A riveting noir-ish mystery that is unforgettable in just about every way.

Full Review Source: Apollo Guide | comment Comment
02/14/04
Dan Jardine
Dan Jardine
Apollo Guide

It's a movie that Lautrec would have loved to paint.

Full Review Source: San Diego Union-Tribune | comment Comment
01/31/03
David Elliott
David Elliott
San Diego Union-Tribune

One of the great film noirs. It reaches the heart.

Full Review Source: Ozus' World Movie Reviews | comment Comment
08/25/03
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

A noirish, backstage whodunit that throws together a sweet-hearted floozy, the jealous husband from hell and a detective who just might be the funniest Gallic grouch in the history of the movies.

Full Review Source: Washington Post | comment Comment
02/07/03
Desson Thomson
Desson Thomson
Washington Post

While Delair is lively and appealing, Charles Dullin is magnificently creepy as the murder victim.

Full Review Source: Village Voice | comment Comment
10/22/02
Elliott Stein
Elliott Stein
Village Voice

No review available.

comment Comment
07/03/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

The ignoble suspicions of Le Corbeau still churn under the razzmatazz surface

Full Review Source: CinePassion | comment Comment
09/25/09
Fernando F. Croce
Fernando F. Croce
CinePassion

one of Henri-Georges Clouzot’s greatest films, an influential thriller that is also a great character study.

Full Review Source: Q Network Film Desk | comment Comment
07/27/03
James Kendrick
James Kendrick
Q Network Film Desk

Much of it is well-made and entertaining.

Full Review Source: San Diego Metropolitan | comment Comment
02/01/03
Jean Lowerison
Jean Lowerison
San Diego Metropolitan

For once, the character flaws are genuine human foibles instead of a screenwriter's idea of easily solved psychoses. These twitchy characters are pleasingly three-dimensional.

Full Review Source: Combustible Celluloid | comment Comment
02/27/03
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Clouzot is able to reveal a complex and interactive working-class world in which cops and criminals are sometimes difficult to tell apart.

Full Review Source: Chicago Reader | comment Comment
04/20/09
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader

Filmmaker Clouzot, who won best director at Venice for this film, is incapable of making anyone or any situation standard, and that's a gift not even half a century on the shelf can tarnish.

Full Review Source: Los Angeles Times | comment Comment
01/16/03
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

A movie whose top-notch acting, rich decor and pungent atmosphere will delight any devotee of classic French cinema -- and whose taut plot will satisfy mystery and suspense buffs as well.

Full Review Source: Chicago Tribune | comment Comment
12/27/02
Michael Wilmington
Michael Wilmington
Chicago Tribune
 
 
1 - 20 (sorted by fresh rating; UK critics are listed first)
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