The creepy child genre hasn't had a movie this much fun in a long time.
Joshua (2007)
Tomatometer
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Reviews Counted:95
Fresh:59
Rotten:36
Average Rating:6.3/10
Consensus: Though Joshua is ultimately too formulaic, its intelligence and suspenseful buildup heighten the overall creep factor.
Runtime: 1 hr 46 mins
Genre: Horror/Suspense
Synopsis: Brad (Sam Rockwell) and Abby Cairn (Vera Farmiga) seem to have it all. A successful Manhattan couple living in a plush uptown apartment, they have just welcomed their second child into the... Brad (Sam Rockwell) and Abby Cairn (Vera Farmiga) seem to have it all. A successful Manhattan couple living in a plush uptown apartment, they have just welcomed their second child into the family--a lovely little girl named Lily. Everything should be golden for the happy family, but their little boy--the nine-year-old Joshua (Jacob Kogan)--is less than pleased with the latest addition to the family. An intelligent but odd little boy, Joshua's lack of humor and preoccupation with death belie his tender age, and as the parents coo over Lily, it becomes clear that they are not quite sure what to make of their stone-faced son. When Lily suddenly turns from a quiet baby into one who mysteriously begins wailing day and night, the Cairns' ordered life quickly disintegrates. The lack of sleep and stress takes a heavy toll on the mentally fragile Abby, and Brad begins racing around the city trying to care for his newborn daughter, ailing wife, and emotionally disturbed son. The family stress mounts, and when small animals and the family dog turn up dead, it doesn't take long before fingers begin pointing at the brooding and bizarre Joshua. Vera Farmiga delivers a realistic and disturbing performance as someone tottering at the edge of emotional collapse, and Sam Rockwell is a true pleasure to watch in his turn as a father desperately trying to hold his life together. Using a slow, teasing pace and claustrophobic camera angles, the film strives for a Hitchockian level of suspense while also delivering many topnotch performances. [More]
Starring: Jacob Kogan, Sam Rockwell, Vera Farmiga, Celia Weston
Starring: Jacob Kogan, Sam Rockwell, Vera Farmiga, Celia Weston, Dallas Roberts, Michael McKean
Director: George Ratliff
Director: George Ratliff
Screenwriter: George Ratliff, David Gilbert
Producer: Johnathan Dorfman
Composer: Nico Muhly
Studio: Fox Searchlight Pictures
Reviews for Joshua
Joshua is a psychological thriller so devoid of value, it makes one wonder if someone in the acquisition department at Fox Searchlight doesn't have a drinking problem.
While Ratliff deserves credit for trying to use real demons - postpartum depression, child abuse - as elements of horror, Joshua fails to thrill because it never feels remotely realistic.
The contrived script expects us to believe that Joshua's fainting spells, his nocturnal home videos of his sleeping family and his acts of violence on crowded New York City streets fail to raise suspicion until it is too late.
Despite such creepy moments, the film's fundamental narrative is more wearying than horrifying.
Watch this movie on a night when you don't think you need birth control.
George Ratliff, who gave us the (much more frightening) doc Hell House, works on hoarily familiar territory here and doesn't bring much new to the party.
Perhaps the scariest thing about Joshua was the feeling I got at the end that I had just sat through some kind of weird gay panic movie.
Joshua might have been delicious if it weren't so blatantly hateful toward women, queers, and religion.
Ratliff's movie almost succeeds in hurtling over the trenches it digs for itself in an increasingly ludicrous third act. But not quite.
A psychological horror film that's a bit light on both the psychology and the horror.
All of this goes down very, very slowly. Joshua aspires to be a kind of Rosemary's Baby's Older Brother by way of Gaslight, but it lacks the dynamism and atmosphere of either of those inspirations.
In good quality horror, fear and suspense arise from a deepening sense of character, not a noisier sense of one.
It's played in the most straight-faced fashion, with little humor to lighten things up. The heavy-handed film is almost laughable as a consequence.
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