The best stuff in Jumper comes early, while the movie is still busy explaining its scenario. It's only when all the pieces are in place and the story actually kicks in that things start to fall apart, and quickly.
Jumper (2008)
Tomatometer
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Reviews Counted:158
Fresh:25
Rotten:133
Average Rating:4/10
Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Rated: 12A [See Full Rating] for sequences of intense action violence, some language and brief sexuality.
Runtime: 90 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:14-02-2008
Synopsis: Based on Steven Gould's critically acclaimed novel, JUMPER leaps onto the screen courtesy of director Doug Liman. David (Hayden Christiansen) has inexplicably been given the power to teleport... Based on Steven Gould's critically acclaimed novel, JUMPER leaps onto the screen courtesy of director Doug Liman. David (Hayden Christiansen) has inexplicably been given the power to teleport himself, or jump. He can jump into a bank vault, then to the top of the Sphinx, then back to his luxury Manhattan apartment. But despite all his power, he still misses his childhood love, Millie (Rachel Bilson, THE O.C.). When the opportunity arises, David jets off to Rome with Millie, but it's not all romance in the Italian city. David's unique abilities place him in the middle of a war between the jumpers and the paladins, a secretive group intent on hunting down the teleporters. Led by Roland (Samuel L. Jackson), the paladins track David and fellow jumper Griffin (Jamie Bell) across the world, and Millie may be caught in the crossfire. JUMPER moves as fast as its teleporting hero, condensing the novel into a slim, action-packed offering. The slick special effects and impressive locations are certainly on par with Liman's previous work in THE BOURNE IDENTITY and MR. AND MRS. SMITH, but JUMPER bears a closer resemblance to comic book adaptations. Like Spider-man and most other costume-clad protagonists with unearthly abilities, David grapples with his newfound talents. But unlike his tights-and-cape-wearing brethren, David doesn't use his ability for the greater good. Instead, it gets him piles of money and, perhaps, the girl he's been dreaming of since he was five years old. Though most action films are driven by the struggle between good and evil, JUMPER interestingly offers up a central character who lies somewhere in the middle. Slightly less ambiguous is the film's ending that leaves the option for a sequel completely open. [More]
Starring: Hayden Christensen, Jamie Bell, Rachel Bilson, Samuel L. Jackson
Starring: Hayden Christensen, Jamie Bell, Rachel Bilson, Samuel L. Jackson, Diane Lane, Michael Rooker, AnnaSophia Robb, Max Thierot
Director: Doug Liman
Director: Doug Liman
Screenwriter: David S. Goyer, Jim Uhls, Simon Kinberg
Producer: Arnon Milchan, Lucas Foster, Jay Sanders, Simon Kinberg
Composer: John Powell
Studio: 20th Century Fox
Reviews for Jumper
It's Christensen's lumberlike performance and some really dumb plotting and dialogue that the film will probably be remembered for most.
Jumper has so many loose ends that it almost cries out for a sequel. This, of course, is intentional. I would say the filmmakers are being a tad optimistic.
Like so many other CGI behemoths, this dull action fantasy ultimately squashes rather than inspires one's sense of wonder.
It's got just enough charm, story, and action to fill a half-decent trailer -- and the trailer doesn't set you back nine bucks.
An elaborate but messy sci-fi chase...marked by flat characterization, a narrative rife with illogic, and surprisingly poor special effects.
The only force on Earth so dense that it apparently can't be moved even by the movie's special effects is Christensen's wooden acting.
A movie so silly you may find yourself giggling helplessly even as you wish you could magically transport yourself almost anywhere else in the world but where you are, in front of the screen showing it.
Jumper is junk, a halfway decent premise destroyed by some of the worst hiring choices in the history of motion picture personnel.
With exotic locations and good special effects, this film is entertaining enough, given what it is.
All scribes involved understand the superhero formula rather well and have fun presenting a familiar premise (that of transporting characters) into an entertaining ride. But perhaps it's all too familiar.
This movie is paced for an audience that grew up multi-tasking and its aesthetic sensibility and depth of story-telling is equivalent to a beer commercial.
Since there's nothing popping on the screen apart from the effects, Jumper is a one-trick pony. Yes, it's a neat trick, but it's still 90 minutes of pony.
Is there something innately vexing about a story whose premise opens the door so wide, to so many geographical possibilities? Jumper, the film, goes everywhere and nowhere.
This mind-numbingly bland production will rob you of your time and your money. ... [It has] no character development or chemistry whatsoever and downright dull cinematography.
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