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Kansas City (1996)
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Reviews Counted: 34
Fresh: 20
Rotten:14
Average Rating: 5.9/10
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis: Robert Altman's hometown gets the director's signature treatment in this jazz-infused mobster tale set in the 1930s. KANSAS CITY takes place in the jazz-drenched, depression-era milieu of the eponymous city, focusing on a 24-hour... Robert Altman's hometown gets the director's signature treatment in this jazz-infused mobster tale set in the 1930s. KANSAS CITY takes place in the jazz-drenched, depression-era milieu of the eponymous city, focusing on a 24-hour relationship between two extremely different women. Trashy, brassy and uneducated Blondie O'Hara (Jennifer Jason Leigh) is desperately searching for her equally lowlife husband Jack (Dermot Mulroney) who has been captured by the vicious Seldom Seen (Harry Belafonte) after attempting to rob one of his casino's greatest losers. In a move typical of her off-kilter personality, Blondie kidnaps Carolyn Stilton (Miranda Richardson), a rich, unhappy, drug-using socialite, and drags her around town as she searches for Jack. The experience these disparate women endure provides insight into themes Altman often explores in his films, including class differences, and the hypocrisy and delusion he finds extant in American culture. As in Altman's prior films--notably NASHVILLE and SHORT CUTS--he includes a terrific musical backdrop to add depth to the story. Assembling a who's who of modern jazz greats, KANSAS CITY captures perhaps some of the most invigorating musical performances that have been committed to celluloid, including an unforgettable tenor saxophone duel between James Carter and Joshua Redman. [More]
Starring: Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte, Michael Murphy
Starring: Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte, Michael Murphy, Dermot Mulroney, Steve Buscemi, Craig Handy, Joshua Redman
Director: Robert Altman
Director: Robert Altman
Reviews for Kansas City
A minor work in Altman's oeuvre that can't bridge the gap between its larger issues--sharp inequality, American political process--and the two women at its center that are not interesting as characters or actresses (Jason Leigh and Miranda Richardson)
Robert Altman brings us an effective, if minor, crime film filled with the jazz sounds of Count Basie and Lester Young.
Altman looks back at his hometown in an unsentimental, hard-nosed way.
Altman gets so caught up in the jazz music that he forgets to concentrate on the story
Robert Altman having fun, and it features a performance by Jennifer Jason Leigh that has to be seen to be believed.
Another spunky film in a series of Robert Altman portraits of the failure of the American Dream.
The film moves with the slowness of an opium daze, and it transmits its plot information with the incremental dit-dot-dash of a wire message.
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