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Kansas City (1996)
Tomatometer
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Reviews Counted:32
Fresh:18
Rotten:14
Average Rating:5.9/10
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis: Robert Altman's hometown gets the director's signature treatment in this jazz-infused mobster tale set in the 1930s. KANSAS CITY takes place in the jazz-drenched, depression-era milieu of the... Robert Altman's hometown gets the director's signature treatment in this jazz-infused mobster tale set in the 1930s. KANSAS CITY takes place in the jazz-drenched, depression-era milieu of the eponymous city, focusing on a 24-hour relationship between two extremely different women. Trashy, brassy and uneducated Blondie O'Hara (Jennifer Jason Leigh) is desperately searching for her equally lowlife husband Jack (Dermot Mulroney) who has been captured by the vicious Seldom Seen (Harry Belafonte) after attempting to rob one of his casino's greatest losers. In a move typical of her off-kilter personality, Blondie kidnaps Carolyn Stilton (Miranda Richardson), a rich, unhappy, drug-using socialite, and drags her around town as she searches for Jack. The experience these disparate women endure provides insight into themes Altman often explores in his films, including class differences, and the hypocrisy and delusion he finds extant in American culture. As in Altman's prior films--notably NASHVILLE and SHORT CUTS--he includes a terrific musical backdrop to add depth to the story. Assembling a who's who of modern jazz greats, KANSAS CITY captures perhaps some of the most invigorating musical performances that have been committed to celluloid, including an unforgettable tenor saxophone duel between James Carter and Joshua Redman. [More]
Starring: Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte, Michael Murphy
Starring: Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte, Michael Murphy, Dermot Mulroney, Steve Buscemi, Craig Handy, Joshua Redman
Director: Robert Altman
Director: Robert Altman
Reviews for Kansas City
Robert Altman brings us an effective, if minor, crime film filled with the jazz sounds of Count Basie and Lester Young.
Although the movie contains occasional moments of glimpsed accomplishment, Kansas City is for the most part a lame duck.
A sadly ordinary motion picture, and, in less sure hands, it might have been something of an unfortunate mess. Even with Altman at the helm, however, it manages to be singularly unremarkable.
Another spunky film in a series of Robert Altman portraits of the failure of the American Dream.
Jennifer Jason Leigh and Miranda Richardson are synergetic perfection as social opposites thrown together for 24 hours in a 1934 hot town.
All of the characters act as if somebody might come along someday and make a movie about them. And Altman, who made the movie, gets his chance to sit in at last on one of those cutting sessions.
It's an unusual film, one that doesn't lay out every turn before you get there, and for the most part it doesn't simplify its characters or the questions they raise.
Would someone throw a net over Jennifer Jason Leigh? She's at it again.
Music fans can bask in the tunes that continue to play out when the action gets sluggish.
A minor work in Altman's oeuvre that can't bridge the gap between its larger issues--sharp inequality, American political process--and the two women at its center that are not interesting as characters or actresses (Jason Leigh and Miranda Richardson)
Let's just say that if you find it arbitrary and more an expression of Altman's feelings about class than the outcome of his story, then we are in agreement.
Altman tries to make this really dull, boring, and simple story into something that is unique, exciting, and intricate -- all of which he fails at miserably
I only hope audiences are willing to trust Altman the risk-taker as long as it takes.
Altman looks back at his hometown in an unsentimental, hard-nosed way.
It could never for an instant be mistaken for anything but a Robert Altman film, and that counts for a lot.
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