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Karmen Gei (2002)
Runtime: 84 mins
Synopsis: Senegalese director Joseph Gai Ramaka re-imagines Georges Bizet's oft-filmed opera CARMEN--from Preminger's CARMEN JONES to MTV's CARMEN: A HIP-HOPERA--in a joyously sensual, colorful musical set in modern-day Dakar. Karmen Gei (Ramaka's wife, Djeinaba Diop Gai), a stately beauty in... Senegalese director Joseph Gai Ramaka re-imagines Georges Bizet's oft-filmed opera CARMEN--from Preminger's CARMEN JONES to MTV's CARMEN: A HIP-HOPERA--in a joyously sensual, colorful musical set in modern-day Dakar. Karmen Gei (Ramaka's wife, Djeinaba Diop Gai), a stately beauty in tribal robes, leaps and shakes to primal drummers in the seaside town's square, surrounded by cheering townswomen, and trains her seductive powers on Angelique (Stephanie Biddle), the prison warden. When Karmen is arrested, a steamy assignation with Angelique wins her release. Once free, Karmen rapidly sings and dances her way to another conquest--this time, of a high-ranking army officer, Lamine Diop (Magaye Niang). With her endemic charisma and dangerous sexuality, Karmen achieves Lamine's downfall instantaneously--he soon finds himself demoted and jailed. Meanwhile, Karmen's voracious appetite leads her to a new suitor, wealthy balladeer Massigi (El Hadj Ndiaye), who literally sings her out of Lamine's bed. While planning a job with some criminal friends, Karmen has a vision of women in whiteface, the death's head--a warning that her carefree life may be in danger. With primeval drumbeats, haunting music, and a screen-commanding performance by Diop Gai, Ramaka provides a sensual new twist on the Carmen myth. [More]
Genre: Musical & Performing Arts
Starring: Djeinaba Diop Gai, Stephanie Biddle, Magaye Niang, Thierno Ndiaye Dos, El Hadji Ndiaye
Screenwriter: Joseph Gai Ramaka
Producer: Richard Sadler
Composer: David Murray
DVD Info
Release:
Oct 2, 2006
Reviews
Wobbly Senegalese updating of "Carmen" which is best for the stunning star turn by Djeinaba Diop Gai
Karmen moves like rhythm itself, her lips chanting to the beat, her long, braided hair doing little to wipe away the jeweled beads of sweat.
The film becomes an overwhelming pleasure, and you find yourself rooting for Gai's character to avoid the fate that has befallen every other Carmen before her.
[Gai] comes closer to any actress I can remember to personifying independence in its purest and, yes, most intimidating form.
Ultimately betrayed by a script, whose initially ambiguous charm gives way to disorder and confusion.
Beautifully reclaiming the story of Carmen and recreating it an in an African idiom.
It's sexy, muscular and fast in a way that transcends logic to become something wondrous.
A violent initiation rite for the audience, as much as it is for Angelique, the [opening] dance guarantees Karmen's enthronement among the cinema's memorable women.
The production design, score and choreography are simply intoxicating.
A worthy addition to the cinematic canon, which, at last count, numbered 52 different versions.
Enormously likable, partly because it is aware of its own grasp of the absurd.
Lead actress Gaļ, she of the impossibly long limbs and sweetly conspiratorial smile, is a towering siren.


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