Lodge Kerrigan is one of the great, though largely unheralded, filmmakers of our time.
Keane (2004)
Tomatometer
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Reviews Counted:58
Fresh:48
Rotten:10
Average Rating:7.1/10
Consensus: The scrutinizing camera angles of Keane might at first feel too close for comfort, but this powerful portrait of a man distraught by the abduction of his child plumbs the depths of mental illness and the corners of fleabag hotels in an intimate and touching examination of the seedier side of life.
Theatrical Release:22-09-2006
Synopsis: British actor Damian Lewis (BAND OF BROTHERS) gives a stunning lead performance in Lodge Kerrigan's powerful drama KEANE. He stars as William Keane, a man whose daughter was recently abducted at... British actor Damian Lewis (BAND OF BROTHERS) gives a stunning lead performance in Lodge Kerrigan's powerful drama KEANE. He stars as William Keane, a man whose daughter was recently abducted at the Port Authority in Manhattan, so he patrols the bus depot, recreating in his mind exactly how it happened to see if he can figure out who took her or where she might be. He talks to himself, shouts suddenly, and looks over his shoulder with fear and paranoia, an edgy, twitchy, wholly unnerving, and remarkable performance. When he befriends a down-on-her-luck woman (Amy Ryan) and her young daughter (Abigail Breslin), it is hard to know whether he is just being helpful or whether he has some kind of ulterior motive, as the young girl is about the same age as his missing daughter. Kerrigan makes no judgments about Keane; although it is clear he is suffering from some kind of mental illness, in some ways he represents an everyman. The talented writer-director lets the tale tell itself; there is no score, and he uses only natural sound and lighting. Some of the film was even written while on location in order to make it yet more realistic, which adds to both its horror and its glory. KEANE is like no other movie ever made on the subject of child abduction, a grittily authentic film that will stay with viewers for a very long time. [More]
Starring: Damian Lewis, Abigail Breslin, Amy Ryan, Tina Holmes
Starring: Damian Lewis, Abigail Breslin, Amy Ryan, Tina Holmes, Stephen Henderson
Director: Lodge Kerrigan
Director: Lodge Kerrigan
Screenwriter: Lodge Kerrigan
Producer: Andrew Fierberg
Studio: Magnolia Pictures
Reviews for Keane
It's in that breathtaking humanism, its illustration of the way we connect to one another, and how brittle that social fabric can be, that the film touches on sublimity.
The next time you see someone railing in the streets -- fighting a battle you'll never understand -- you may remember Keane and pause to reflect.
As good as Lewis is -- and he's in every frame of this 93-minute movie -- it's Kerrigan's astounding gift for addressing the wounded that demands celebration.
With its endless close-ups, it's almost suffocating in intensity, but is saved by Kerrigan's sympathy for his character, and Lewis' utterly realistic performance.
Professionals in the mental health field may find this film interesting; the rest of us will probably find our attention wandering a bit, pondering how good Keane might have been.
A movie that puts you so far into someone else's head you may have forgotten your own name by the time it's over.
Lewis delivers a convincing, powerful and highly nuanced performance as a man who's fighting desperately to keep his illness in check and lead a normal life.
The pinched, obsessed, grizzled, fragile Bill is one of the more disturbingly human dead-zoners in American film.
The movie isn't a crowd-pleaser, but it moves the soul, and that's enough.
A surprise, and a highly effective film, much more accomplished and less punishing than Clean, Shaven.
The director is able to rivet us with this small story, simply because he observes it all with such a hard, unblinking gaze.
There's more than a few spots where the improvisation [in Keane] spins out of control...
The daring filmgoer will see the film’s merits and, I hope, embrace it.
Keane is emotionally involving right from the beginning through its final frame.
We feel sympathy, fear and revulsion for Keane ... and it's to Lewis' credit that the subtle build of Keane minimalist plot adopts such weight and depth by the final scene.
Mr. Lewis, a highly talented British actor, displays a flawless American accent in what amounts to a hyper-Wellesian monopolization of screen time and screen space.
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