Exactly like "My Big Fat Greek Wedding," only without the Greeks or the sense of humor.
Keeping Up With The Steins (2006)
Tomatometer
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Reviews Counted:81
Fresh:30
Rotten:51
Average Rating:4.9/10
Consensus: Keeping Up With the Steins is one of those comedies that play more like a corny sitcom than a theatrical movie.
Runtime: 1 hr 39 mins
Genre: Comedies
Synopsis: While intending to bridge the gap between boyhood and manhood, bar mitzvahs can often more closely resemble extravagant sweet-sixteen parties than actual religious ceremonies. It is this trend that... While intending to bridge the gap between boyhood and manhood, bar mitzvahs can often more closely resemble extravagant sweet-sixteen parties than actual religious ceremonies. It is this trend that forms the basis of KEEPING UP WITH THE STEINS, a family comedy about what happens when a Hollywood agent uses his son's bar mitzvah as a vehicle for outspending his nemesis. Jeremy Piven perfectly inhabits the role of Adam Fiedler, a character strikingly similar to that of his star turn as Ari Gold on the HBO series ENTOURAGE. Energetic and fast-talking, Adam approaches his son Benjamin's bar mitzvah in the same way he deals with business, stopping at nothing to make his son's party more excessive than anything thrown by the competition. But will this conspicuous spending achieve anything, aside from alienating Adam's son (SPY KIDS' Daryl Sabara) and wife (Jami Gertz), and making Adam look like a fool? Through Benjamin's voiceovers, we learn that he is not only against such an elaborate affair, but is terrified of having to master Hebrew in time for the ceremony. While Adam craves the limelight associated with such an event, Benjamin would rather not be the center of attention. Wise beyond his years, Benjamin decides to use the event as a means to reunite his father with his estranged grandfather, Irwin (Garry Marshall). KEEPING UP WITH THE STEINS explores ideas of growth, with the film's 13-year-old protagonist Benjamin displaying more maturity than most of the adults in the film. Directed by Scott Marshall, the film, while sometimes predictable, benefits from a star-studded cast (including Doris Roberts, Cheryl Hines, and Daryl Hannah) and a well-written script. A coming-of-age story filled with Jewish humor, the film should appeal to viewers of all ages. [More]
Starring: Jeremy Piven, Jami Gertz, Daryl Hannah, Cheryl Hines
Starring: Jeremy Piven, Jami Gertz, Daryl Hannah, Cheryl Hines, Garry Marshall, Larry Miller, Doris Roberts, Daryl Sabarra, Richard Benjamin
Director: Scott Marshall
Director: Scott Marshall
Screenwriter: Mark Zakarin
Producer: David Scharf, A.D. Oppenheim
Composer: John Debney
Studio: Miramax Films
Reviews for Keeping Up With The Steins
There's not much new here, but the engaging cast ... keeps the formula reasonably fresh.
Keeping Up With the Steins isn't a bad film -- it just devolves into the limp sort of schmaltzy conclusion you keep hoping it will avoid.
What begins as a scathing but loving satire of materialism loses its way once it turns into a warmhearted after-school special...
Warm, witty, and sitcom-obvious -- a genuine audience pleaser that's built to wring laughs of pained recognition from anyone who has survived a bar mitzvah as either a participant or an observer.
Hollywood nepotism is served up with the gefilte fish in a stunningly unfunny bar mitzvah comedy.
It is not particularly funny, which it very much wishes to be, and is even unintentionally campy on occasion.
Aside from the first 15 minutes and the last five or so, the film just isn't very funny.
A toothless commentary on suburban jealousy, with familial strain mixed in at random.
A fresh and lovable comedy about a dysfunctional Jewish family planning their son's bar mitzvah.
A tweener in every respect: It hasn't the nerve to offend anyone, yet it hasn't the flavor of warm-hearted comfort food.
Marshall's directorial debut neatly balances reverence, farce, and family values.
...the director treats this movie much in the same way he treats the religion--an endless series of blindly-adhered liturgies, the deeper history and meaning of which is never fully contemplated.
Scene-stealing by Gary Marshall and Jeremy Piven does little to salvage a weak, corny satire of the bar-mitzvah ritual.
Director Scott Marshall, Garry's son, and screenwriter Mark Zakarin have their hearts in the right place -- steering clear of Jewish stereotypes and showing the uneasy father-son bonds -- but put their minds on auto-pilot.
The life lessons tossed around like seeds aren't especially original, earthshaking or inspiring.
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