Had Scott Marshall and screenwriter Mark Zakarin honed their knives sharper, they could have made genuine mirth out of this.
Keeping Up With The Steins (2006)
Tomatometer
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Reviews Counted:81
Fresh:30
Rotten:51
Average Rating:4.9/10
Consensus: Keeping Up With the Steins is one of those comedies that play more like a corny sitcom than a theatrical movie.
Runtime: 1 hr 39 mins
Genre: Comedies
Synopsis: While intending to bridge the gap between boyhood and manhood, bar mitzvahs can often more closely resemble extravagant sweet-sixteen parties than actual religious ceremonies. It is this trend that... While intending to bridge the gap between boyhood and manhood, bar mitzvahs can often more closely resemble extravagant sweet-sixteen parties than actual religious ceremonies. It is this trend that forms the basis of KEEPING UP WITH THE STEINS, a family comedy about what happens when a Hollywood agent uses his son's bar mitzvah as a vehicle for outspending his nemesis. Jeremy Piven perfectly inhabits the role of Adam Fiedler, a character strikingly similar to that of his star turn as Ari Gold on the HBO series ENTOURAGE. Energetic and fast-talking, Adam approaches his son Benjamin's bar mitzvah in the same way he deals with business, stopping at nothing to make his son's party more excessive than anything thrown by the competition. But will this conspicuous spending achieve anything, aside from alienating Adam's son (SPY KIDS' Daryl Sabara) and wife (Jami Gertz), and making Adam look like a fool? Through Benjamin's voiceovers, we learn that he is not only against such an elaborate affair, but is terrified of having to master Hebrew in time for the ceremony. While Adam craves the limelight associated with such an event, Benjamin would rather not be the center of attention. Wise beyond his years, Benjamin decides to use the event as a means to reunite his father with his estranged grandfather, Irwin (Garry Marshall). KEEPING UP WITH THE STEINS explores ideas of growth, with the film's 13-year-old protagonist Benjamin displaying more maturity than most of the adults in the film. Directed by Scott Marshall, the film, while sometimes predictable, benefits from a star-studded cast (including Doris Roberts, Cheryl Hines, and Daryl Hannah) and a well-written script. A coming-of-age story filled with Jewish humor, the film should appeal to viewers of all ages. [More]
Starring: Jeremy Piven, Jami Gertz, Daryl Hannah, Cheryl Hines
Starring: Jeremy Piven, Jami Gertz, Daryl Hannah, Cheryl Hines, Garry Marshall, Larry Miller, Doris Roberts, Daryl Sabarra, Richard Benjamin
Director: Scott Marshall
Director: Scott Marshall
Screenwriter: Mark Zakarin
Producer: David Scharf, A.D. Oppenheim
Composer: John Debney
Studio: Miramax Films
Reviews for Keeping Up With The Steins
The tribute to an aging parent is moving and gives this routine comedy an extra something.
There are minutes -- long, stretched minutes -- when you might easily think: Enough already.
Not a total loss, but it's disappointing, given what the movie might have been. It might have been more than a lengthy sitcom.
Shooting a comedy, like telling a joke, demands a sense of rhythm, and Scott is no dancer -- he keeps tripping against the grain of the humour.
The specificity of the indulged lives in this film is delivered so ineptly that it seems as if rich kids have been shooting home movies in their own back yards. Which may be the case.
We get the distinct feeling this film has been made by people who don't really want to offend their friends, who would rather spend a million dollars impressing others as opposed to throwing it away on hunger relief or American education.
Director Scott Marshall, Garry's son, and screenwriter Mark Zakarin have their hearts in the right place -- steering clear of Jewish stereotypes and showing the uneasy father-son bonds -- but put their minds on auto-pilot.
Warm, witty, and sitcom-obvious -- a genuine audience pleaser that's built to wring laughs of pained recognition from anyone who has survived a bar mitzvah as either a participant or an observer.
Like a really good sale at Lieberman's, this has some lovely, unexpected surprises.
Pretty much insufferable...bar mitzvah or not, it's still awfully juvenile.
[Zakarin] keeps things clearly flat and primary, and the characters never become more than stereotype.
There's not much new here, but the engaging cast ... keeps the formula reasonably fresh.
Fatally short on laughs. The jokes are mostly bad vaudeville, as when Piven asks, "How much for 50 Cent? Okay, how about 17 Cent?"
... we have a lot of stereotypes, but they're not done in a mean-spirited way.
Blends humor with heart for a satisfying, if predictable, experience.
If its ribbing lacks teeth, it's also 100 percent free of spite and snooty meanness.
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