Kubrick made grander and greater films, but this is among his most dramatic.
The Killing (1956)
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Reviews Counted:25
Fresh:24
Rotten:1
Average Rating:8.2/10
Runtime: 89 mins
Genre: Dramas
Synopsis: Sterling Hayden stars in Stanley Kubrick's crime noir classic, THE KILLING, based on crime Lionel White's novel CLEAN BREAK. Hayden plays Johnny Clay, an ex-con with a plan to steal $2 million from... Sterling Hayden stars in Stanley Kubrick's crime noir classic, THE KILLING, based on crime Lionel White's novel CLEAN BREAK. Hayden plays Johnny Clay, an ex-con with a plan to steal $2 million from a San Francisco racetrack. He assembles an odd collection of tough guys and moles to participate in the heist. But just as there is no such thing as the perfect murder, there is no such thing as the perfect crime... The film features terrific performances from Hayden, Elisha Cook, Marie Windsor, and the rest of the talented cast. Kubrick, who brought in pulp writer Jim Thompson to create the perfect dialogue, tells the story with a nonlinear, fractured-time narrative, following each of the main characters separately as they prepare for the big day. Featuring Kubrick's flawless direction and wonderfully atmospheric photography, anchored by a jazz-tinged score by Gerald Fried, THE KILLING is one of the most intense noir heist films ever made. [More]
Starring: Sterling Hayden, Elisha Cook, Timothy Carey, Coleen Gray
Starring: Sterling Hayden, Elisha Cook, Timothy Carey, Coleen Gray, Vince Edwards, Jay C. Flippen, Marie Windsor
Director: Stanley Kubrick
Director: Stanley Kubrick
Screenwriter: Stanley Kubrick, Jim Thompson
Producer: James B. Harris
Composer: Gerald Fried
Reviews for The Killing
Even though he was just staring out, Kubrick instantly mastered the crime genre. A stunning film.
Characteristically Kubrick in both its mechanistic coldness and its vision of human endeavour undone by greed and deceit, this noir-ish heist movie is nevertheless far more satisfying than most of his later work.
A brilliant film, and one well worth seeing -- whether as an example of what Kubrick was capable of doing with limited resources, a classic film noir, or one of those many movies which Tarantino has liberally drawn from.
[The film] at first tends to be somewhat confusing, soon settles into a tense and suspenseful vein which carries through to an unexpected and ironic windup.
Arguably Stanley Kubrick's most perfectly conceived and executed film.
Stanley Kubrick's masterful manipulation of chronology brings an excruciating sense of doom to The Killing, a classical noir about a carefully threaded heist unraveled by the scheming of a fiendish femme.
Stanley Kubrick's third film established him as a full-fledged filmmaker and a potential master.
Com uma estrutura narrativa avançada para sua época, este longa é mais uma prova (desnecessária, claro) de que Kubrick sempre foi um Mestre em sua arte.
Strongly recommended for any film noir fan -- it's full of double-crosses and surprises, loaded with honest crooks, weak men, one wicked woman and some great two-fisted dialogue.
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