The endless vistas of sand that surround the forlorn settlement embody the void at the heart of its abandoned, terrified characters.
The King is Alive (2001)
Runtime: 1 hr 47 mins
Synopsis: The fourth contribution to the grass roots Dogme 95 collective, THE KING IS ALIVE is a psychological horror film that uses a bleak yet beautiful African landscape to tell a haunting tale of human weakness and survival. The story concerns a group of vacationers who are traveling through the... The fourth contribution to the grass roots Dogme 95 collective, THE KING IS ALIVE is a psychological horror film that uses a bleak yet beautiful African landscape to tell a haunting tale of human weakness and survival. The story concerns a group of vacationers who are traveling through the torturous Namibian desert. When they discover that the compass the driver, Moses (Vusi Kunene), has been using is actually broken, they quickly become terrified at the prospects of becoming stranded. This fear quickly turns into reality after the bus runs out of gas near a small abandoned village. The only resident, Kanana (Peter Khubeke), watches the foreigners slowly unravel with a resigned detachment. The travelers themselves--including the unhappily married couple Ray (Bruce Davison) and Liz (Janet McTeer), French intellectual Catherine (Romane Bohringer), flaky American Gina (Jennifer Jason Leigh), condescending Englishman Charles (David Calder), and sensitive actor Henry (David Bradley)--begin to lose their sanity ever so slowly, fighting with each other and themselves, until there appears to be no hope left. Henry's last attempt to keep the group unified, by engaging them in staging a performance of Shakespeare's KING LEAR, provides the weary individuals with an outlet that just might save them after all. Kristian Levring uses Dogme's tenets to breathe striking new life into an otherwise traditional genre. [More]
Genre: Dramas
Starring: Miles Anderson, Romane Bohringer, Bruce Davison, Brion James, Jennifer Jason Leigh
Reviews
It's all very watchable, thanks to excellent performances all around...
Despite astonishing camera work and editing, it just gets duller and duller even as the story is supposedly heating up.
The performances are admirable, the location evocatively exploited and the psychological intensity often unbearable. But the spark isn’t there.
:ags in the middle, growing more interesting -- if hardly more original -- only as the situation deteriorates.
Here is a small masterpiece about the erosion of civilized egos by the elements.
The real problem is the way the story tries so hard to incorporate Shakespearean themes.
Even for a Dogma 95 movie, this one is unusual because it features a remote, exotic setting and a Shakepearean subtext.
About as far from a Shakespearean stage but as close to Shakespearean essence as it can be.
An imaginative film that feels ten times more genuine than any ten movies of the "Castaway" variety (or as I like to call it, "The 90 million dollar Fed-Ex Commercial")
Somebody should really plop these guys down in front of an old Rodgers & Hammerstein spectacle.
Admittedly not for all tastes, but I liked what I bit into even if there was some sand in the offering.
Levring's film isn't nearly as smart or original as he seems to think it is.
By the time you figure out who's who, you've almost ceased to care.
... sitting through "The King Is Alive" was a tedious exercise that tried my patience and bored me.
A piece of art rather than reality -- and a slo-o-o-w piece of art, though it rewards your patience.
May seem self-consciously arty, but in the playing it grabs us early and doesn't let go.
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