Hampered by a dull leading performance, Marc Foster and screenwriter David Benioff's adaptation of Khaled Hosseini's hugely popular novel skimps on the book's real value in favor of bland melodrama and absurd dramatics.
The Kite Runner (2007)
Tomatometer
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Reviews Counted:167
Fresh:110
Rotten:57
Average Rating:6.5/10
Consensus: Despite some fine performances, The Kite Runner is just shy of rendering the magic of the novel on to the big screen.
Theatrical Release:26-12-2007
Synopsis: Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan... Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan Mahmoodzada) are young boys living in Kabul, where Hassan and his father, Ali (Nabi Tanha), work as servants for Amir and his father, Baba (Homayoun Ershadi). Amir and Hassan make an excellent team in kite competitions, with Hassan having a gift for running down kites, but after one contest, he is bullied by Assef (Elham Ehsas), who does unspeakable things to him as Amir watches from a distance and then runs away, not helping his friend. As the Russians and then the Taliban take over Afghanistan, Baba and Amir escape to America, where they make a new home in San Francisco. But even as he graduates from college and meets a beautiful young woman, Soraya (Atossa Leoni), who is also from Kabul, Amir (now played by Khalid Abdalla) is haunted by his cowardice and can't turn down an opportunity to try to make things right when it is offered by his father's old friend Rahim Khan (Shaun Toub)--even if it means risking his life. THE KITE RUNNER was adapted for the screen by David Benioff (THE 25TH HOUR), with much of the dialogue spoken in Dari, one of the primary languages in Afghanistan. Director Marc Foster (MONSTER'S BALL, FINDING NEVERLAND) does a deft job navigating the complicated story, which moves from Afghanistan to San Francisco and Pakistan (with much of the film actually shot in China), using many nonprofessional actors and a subtle score composed by Alberto Iglesias. Ebrahimi and Mahmoodzada make impressive debuts, with solid work by Abddalla, Leoni, and especially Ershadi. [More]
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni, Said Tashimaoui, Ahmad Khan Mahmidzada
Director: Marc Forster
Director: Marc Forster
Screenwriter: David Benioff
Producer: William Horberg, Walter Parkes, Rebecca Yeldham, E. Bennett Walsh
Composer: Alberto Iglesias
Studio: Paramount Vantage
Reviews for The Kite Runner
The power of the film's key scenes can make you forget the long, long, long trip it takes to get to them.
Mr. Forster has been soundly defeated by The Kite Runner. Despite the film's far-flung locations, there is remarkably little of visual interest here; the setups are banal, and the scenes lack tension, which no amount of editing can provide.
It's the kind of film whose major accomplishment is to make you think, 'Wow, the book is probably really good. I should have stayed home and read it.'
A positive and uplifting story about the kind of interpersonal loyalty that not even a terrorist organization can destroy.
The film version of Khaled Hosseini's novel is so portentously sincere that you may feel like a cretin for embracing it with anything less than a full heart.
The decidedly small-scale finished product doesn't quite measure up to the epic scope of its story. Fortunately, the film's heart remains very much intact.
A film of exhilarating, redemptive humanity, conveying an enduring sense of hope.
The film has its moments of purity and at times they are exquisite (they almost seem accidental in their innocence), but it is the story and its ultimate disingenuousness that overturns the cart.
A memorable and moving drama about the pain of lost friendship, the yearning for forgiveness, and the freedom that comes from making amends.
The silly recurrence of an early-movie villain at the end may make you say, 'Hell to the no!' for the first time, and the same goes for the awkward emotional coda.
Armed with a capably hands-off screenplay by David Benioff, [Forster] made a drama as bland and beige as its tasteful palette, whose pacing wouldn’t look out of place in the Sunday-night slot on PBS.
...the most cinematic elements of the novel are the weakest parts of the movie.
Gently moving adaptation by Marc Forster takes off but never quite soars.
Khaled Hosseini’s engaging best-seller cries out for a film treatment on an epic scale. But with his uneven, awards-baiting adaptation, Marc Forster seems a tourist both culturally and dramatically.
At times brutal, at times touching, the movie stands out as one of the better 'prestige' productions offered for cinematic consumption during the waning weeks of 2007.
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