The type of film one would expect from Marc Forster -- banal, trite and apt to ramrod simplistic symbolism down viewers' throats.
The Kite Runner (2007)
Tomatometer
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Reviews Counted:167
Fresh:110
Rotten:57
Average Rating:6.5/10
Consensus: Despite some fine performances, The Kite Runner is just shy of rendering the magic of the novel on to the big screen.
Theatrical Release:26-12-2007
Synopsis: Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan... Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan Mahmoodzada) are young boys living in Kabul, where Hassan and his father, Ali (Nabi Tanha), work as servants for Amir and his father, Baba (Homayoun Ershadi). Amir and Hassan make an excellent team in kite competitions, with Hassan having a gift for running down kites, but after one contest, he is bullied by Assef (Elham Ehsas), who does unspeakable things to him as Amir watches from a distance and then runs away, not helping his friend. As the Russians and then the Taliban take over Afghanistan, Baba and Amir escape to America, where they make a new home in San Francisco. But even as he graduates from college and meets a beautiful young woman, Soraya (Atossa Leoni), who is also from Kabul, Amir (now played by Khalid Abdalla) is haunted by his cowardice and can't turn down an opportunity to try to make things right when it is offered by his father's old friend Rahim Khan (Shaun Toub)--even if it means risking his life. THE KITE RUNNER was adapted for the screen by David Benioff (THE 25TH HOUR), with much of the dialogue spoken in Dari, one of the primary languages in Afghanistan. Director Marc Foster (MONSTER'S BALL, FINDING NEVERLAND) does a deft job navigating the complicated story, which moves from Afghanistan to San Francisco and Pakistan (with much of the film actually shot in China), using many nonprofessional actors and a subtle score composed by Alberto Iglesias. Ebrahimi and Mahmoodzada make impressive debuts, with solid work by Abddalla, Leoni, and especially Ershadi. [More]
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni, Said Tashimaoui, Ahmad Khan Mahmidzada
Director: Marc Forster
Director: Marc Forster
Screenwriter: David Benioff
Producer: William Horberg, Walter Parkes, Rebecca Yeldham, E. Bennett Walsh
Composer: Alberto Iglesias
Studio: Paramount Vantage
Reviews for The Kite Runner
Forster transforms a presumably brutal and nuanced account of class difference and innocence lost into Disney-style kitsch.
Stellar acting by two youths makes believable the theme that you can go home again both geographically and morally.
Forster’s mix of topicality and sensationalism makes The Kite Runner sentimental, not profound.
An absorbing generational story whose lack of a religious agenda in a Middle East context is a noteworthy commitment to the unburdened language of art.
... fails to rise above a Dickens-like tale of betrayal and redemption
The film feels totally convincing in all its technical aspects, including its use of Chinese locations to double for the story's Afghan setting.
Epic yet intimate, Forster's faithful rendition of the beloved novel is a touching morality tale of fathers and sons, friendship, betrayal and redemption; if the film becomes a conventional and sentimental fable, so does the book.
Nuanced perfs and standout production design convey story in cinematic terms, preserving the narrative's emotional power and historical sweep as it spans continents and decades.
How long has it been since you saw a movie that succeeds as pure story? That doesn't depend on stars, effects or genres, but simply fascinates you with how it will turn out?
The Kite Runner feels authentic in its ethnic tensions, even when the narrative itself, with its handily reappearing and easily avenged villain, undermines that authenticity.
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