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MOVIES / ON DVD / THE KOMEDIANT
The Komediant

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The Komediant (2002)

88%
100%
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88 %
Reviews Counted: 25 Fresh: 22  Rotten:3 Average Rating: 6.9/10

How does the Tomatometer work?

The Tomatometer measures the percentage of positive reviews from Approved Tomatometer Critics for a certain movie.[-]

Runtime: 85 mins

Synopsis: The glory days of the Yiddish stage are brought to life in this bittersweet saga of a legendary theatrical family, the Bursteins. Pesach’ke Burstein, the dancing-singing comedian, was born in a small Jewish town in Poland in the late 19 th century. Drawn to the disreputable profession of... The glory days of the Yiddish stage are brought to life in this bittersweet saga of a legendary theatrical family, the Bursteins.

Pesach’ke Burstein, the dancing-singing comedian, was born in a small Jewish town in Poland in the late 19 th century. Drawn to the disreputable profession of komediant (actor), fourteen-year old Pesach’ke ran away from home to join a traveling troupe of Jewish actors - from that day on, the theater became his life.

Armed with an engaging ability to whistle, young Pesach’ke arrived in New York in 1924 and quickly became a leading figure in the Golden Era of Yiddish theater. On stage, he met and fell in love with sixteen-year old rising star Lillian Lux. The couple would later marry and together embark on a triumphant acting tour of South America and Europe, only to narrowly escape on the last boat out of Poland in 1939.

After the war, the Bursteins became the parents of twins, Mike and Susan, who before long were given the stage names Motele and Zisele. By the age of seven, the two children were appearing regularly on the stage, accompanying their parents as they wandered around the globe in search of the dwindling Jewish communities of a decimated and dying Yiddish culture.

In time, the pressures of theatrical life would take its toll on the Bursteins. At age 18, stage-shy Susan would escape via early marriage, followed shortly thereafter by her brother Mike, whose solo success would leave Pesach’ke and Lillian without their show’s star attraction.

Smoothly incorporating rare archival footage and interviews with Yiddish stage veterans (including Fyvush Finkel and Shifra Lerer), this tightly edited, briskly paced documentary is as richly bittersweet – filled with laughter and tears, schmaltz and grit – as the Yiddish theater itself. [More]

Genre: Foreign Films

Starring: Pesach'ke Burstein, Lillian Lux, Mike Burstyn, Susan Berstein-Roth, Fyvush Finkel

Director: Arnon Goldfinger
Screenwriter: Oshra Schwartz
Producer: Amir Harel, Oshra Schwartz, Arnon Goldfinger

DVD Info

Release:

Dec 8, 2005

[DVD Details]

DVD Features:

  • Region (Unknown)
  • Keep Case
  • Single Side - Single Layer
  • Full Frame - 1.33

Additional Release Material:

  • Trailers - 1. Original Theatrical Trailer

Interactive Features:

  • Scene Access

Reviews

 
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1 - 20 (sorted by date; UK critics are listed first)
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2/5

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Full Review | comment Comment
12/06/05
Film Threat
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82/100

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Full Review | comment Comment
05/13/05
Apollo Guide
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B

Gives the viewer a pleasant taste for the Yiddish theater.

Full Review | comment Comment
06/06/04
Dennis Schwartz
Ozus' World Movie Reviews
N/R

Click to read the article

Full Review | comment Comment
03/10/03
Marjorie Baumgarten
Austin Chronicle
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2/5

Less-than-compelling documentary of a Yiddish theater clan.

Full Review | comment Comment
12/11/02
Phil Hall
Film Threat
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N/A

... a light, yet engrossing piece. Lux, now in her eighties, does a great combination act as narrator, Jewish grandmother and subject – taking us through a film that is part biography, part entertainment and part history.

Full Review | comment Comment
11/30/02
Niki Patton
Martha's Vineyard Times (Massachusetts)
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3.5/5

The Komediant is a tale worth catching.

Full Review | comment Comment
10/04/02
Gerry Shamray
Sun Newspapers of Cleveland
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2.5/4

Able to provide insight into a fascinating part of theater history.

Full Review | comment Comment
08/22/02
Robert K. Elder
Chicago Tribune
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3/5

No review available.

comment Comment
07/30/02
Philip Martin
Arkansas Democrat-Gazette
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3/5

A sharp and quick documentary that is funny and pithy, while illuminating an era of theatrical comedy that, while past, really isn't.

Full Review | comment Comment
06/05/02
Tim Cogshell
Boxoffice Magazine
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N/A

Slight but enjoyable documentary.

Full Review | comment Comment
06/01/02
Ernest Hardy
L.A. Weekly
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3.5/5

The film sparkles with the the wisdom and humor of its subjects.

Full Review | comment Comment
05/24/02
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic
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B

This rich, bittersweet Israeli documentary, about the life of song-and-dance-man Pasach'ke Burstein and his family, transcends ethnic lines.

Full Review | comment Comment
05/23/02
Jane Sumner
Dallas Morning News
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N/A

While centered on the life experiences of a particular theatrical family, this marvelous documentary touches -- ever so gracefully -- on the entire history of the Yiddish theater, both in America and Israel.

comment Comment
05/23/02
David Ehrenstein
New Times
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B+

It's their familial ups and downs that shift this small, stubbornly poignant documentary ... from the realm of special-interest audiences to the more universal theater of family psychodynamics.

Full Review | comment Comment
04/11/02
Lisa Schwarzbaum
Entertainment Weekly
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N/A

What might have been a predictably heartwarming tale is suffused with complexity.

Full Review | comment Comment
04/10/02
Frank Scheck
Hollywood Reporter
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4/5

A dream of a documentary.

Full Review | comment Comment
04/05/02
Ken Fox
TV Guide's Movie Guide
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3.5/4

As charming, humorous and heimisch as its nomadic subjects.

Full Review | comment Comment
04/05/02
Jan Stuart
Newsday
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1/4

Alas, the black-and-white archival footage of their act showcases pretty mediocre shtick.

Full Review | comment Comment
04/05/02
Megan Turner
New York Post
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3.5/5

Makes one thing abundantly clear. American musical comedy as we know it wouldn't exist without the precedent of Yiddish theater, whose jolly, fun-for-fun's-sake communal spirit goes to the essence of Broadway.

Full Review | comment Comment
04/04/02
Stephen Holden
New York Times
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