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Kundun (1997)
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Reviews Counted:52
Fresh:39
Rotten:13
Average Rating:7.3/10
Runtime: 2 hrs 15 mins
Genre: Dramas
Synopsis: Martin Scorsese's telling of the life story of the 14th Dalai Lama is a spiritual and deeply moving event. Barely able to walk, the young Tenzin Gyatso (played respectively by Tulku Jamyang Kung... Martin Scorsese's telling of the life story of the 14th Dalai Lama is a spiritual and deeply moving event. Barely able to walk, the young Tenzin Gyatso (played respectively by Tulku Jamyang Kung Tenzin, Gyurme Tethong, and Tenzin Thuthob Tsarong) is identified as the newly reincarnated form of His Holiness the Dalai Lama. Leaving his family behind in order to live in a monastery, he grows to manhood in spiritual isolation, sheltered from the influences of Western worldliness and the dangerous encroachment of the Chinese army, which invaded Tibet in 1950 and forced the Buddhist leaders into exile. Preaching peace and understanding among all people, the Dalai Lama eventually travels to China to meet Chairman Mao Tse Tung, to no avail. In a heartbreaking decision, the Dalai Lama must choose whether to remain in Tibet and fight for his people or flee his homeland and avert almost certain death. Scorsese's obvious affection and dedication to the Tibetan leader shines through in every frame of the picture, which features stellar performances by its mostly nonprofessional cast. Adding infinite depth to the story are Roger Deakins's cinematography and Philip Glass's score, which earned both men Oscar nominations. Politics and religion aside, KUNDUN is filmmaking at its most profound and beautiful. [More]
Starring: Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tencho Gyalpo
Starring: Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tencho Gyalpo, Tenzin Topjar, Tsewang Migyur Khangsar, Tenzin Lodoe, Tenzin Lhamo, Geshi Yeshi Gyatso, Lobsang Gyatso, Sonam Phuntsok, Gyatso Lukhang, Lobsang Samten, Tsewang Jigme Tsarong, Tenzin Trinley, Ngawang Dorjee, Phintso Thonden, Chewang Tsering Ngokhang, Jamyang Tenzin, Tashi Dhondup, Jampa Lungtok, Karma Wangchuck, Ben Wang, Kim Chan, Henry Yuk, Ngawang Kaldan, Ngwang Wangda, Robert Lin, Selden Kunga, John Wong, Gawa Youngdung, Tenzin Rampa, Vyas Anathakrishnan
Director: Martin Scorsese
Director: Martin Scorsese
Screenwriter: Melissa Mathison
Producer: Barbara De Fina
Composer: Philip Glass
Reviews for Kundun
Memorable mainly for its moral message about the courage it takes to adhere to the Buddhist principle of nonviolence in the face of so much suffering.
Careful and respectful, it is everything a movie about the Dalai Lama should be except dramatically involving.
The film itself is great-looking with beautiful cinematography by Roger Deakins, editing by Thelma Schoonmaker and direction by one of the all-time greats, Martin Scorcese.
Lovingly shot, using mostly nonprofessional actors in Morocco, Kundun can be tedious at times, but moving, especially in the final description of the Dalai Lama's flight into exile.
Martin Scorsese is certainly one of the great living movie directors. Sadly, this does not mean he can't make a mistake. Kundun is a mistake.
This is a beautiful, heartbreaking, spectacular film that tells the story of the fourteenth Dalai Lama, from his 'discovery' at the age of two, through his 1959 departure into exile following the Chinese take-over of Tibet.
Kundun is a luminous, meditative work that dissolves from moment to moment with the aplomb of an epic poem.
Once you settle into the pace of the movie, you experience it as a continuous flow of incidents and images.
The film works more like a large, expensive tone poem or sand painting (and there are several contemplative shots of sand paintings, created and destroyed here) than anything that might resemble a plot.
One may justifiably ask, as many critics did, what was Scorsese thinking when he made Kundun?
Not exactly Goodfellas, is it? But even Kundun's stillest moments have their own febrile kind of energy, whether they revolve around a mandala of sand or a field of corpses.
Kundun has its heart in the right place but emotionally is oddly distancing and intellectually ordinary.
Kundun is sublime -- a timeless tale of commitment and compassion in a world sorely lacking in both. Don't pass it by.
While Kundun boasts impressive cinematography (by Roger Deakins) and an effective score (by Philip Glass), the images and music aren't enough to hide the picture's essential hollowness.
If I keep seeing films this good, all the time, with nary a bad film, then I will cease to function as a critic, lose my cruelty and my respect for the great films, like Kundun, and then I'll really be unable to do my job.
Kundun is ceaselessly lovely to look at. But it is also exquisitely, meticulously, intently (gulp) ... dull.
Latest News for Kundun
April 27, 2008:
RT interview: Roger Deakins on No Country for Old Men
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