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Movies / On DVD / Kwaidan
Kwaidan

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Kwaidan (1964)

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Reviews Counted:16

Fresh:13

Rotten:3

Average Rating:7.5/10

Runtime: 2 hrs 44 mins

Genre: Horror/Suspense

Synopsis: Director Masaki Kobayashi invested five years of preparation before shooting this anthological adaptation of four tales of the supernatural by Lafcadio Hearn. The first, "Black Hair," stars Rentaro... Director Masaki Kobayashi invested five years of preparation before shooting this anthological adaptation of four tales of the supernatural by Lafcadio Hearn. The first, "Black Hair," stars Rentaro Mikuni as a poverty-stricken samurai who leaves his kind wife (Michiyo Aratama) to marry the daughter (Misako Watanabe) of a wealthy official. After years of misery with this woman he returns to his first wife to find a bitter surprise. In the second, "The Woman of the Snow," a woodcutter (Tatsuya Nakadai) and his brother take shelter from a snowstorm in a deserted hut. However, trouble arises when a strange woman (Keiko Kishi) appears. The third, "Hoichi the Earless," features a blind temple musician (Katsuo Nakamura), who is known for his mastery of the ballad of the Heike clan. A samurai ghost bids him sing the ballad at the Heike tomb, and Buddhist priests protect him by painting his body with a depiction of the sacred text. In the last tale, "In a Cup of Tea," a samurai (Ganemon Nakamura) famed for courage, has a recurring vision of the face of another samurai in his tea. Shot entirely on a soundstage to allow the director complete control of the film's palette, it's a stunning display of sensuous color, perfectly suited to these otherworldly tales of the macabre. Takemitsu's "musique concrete" score is eerily appropriate. [More]

Starring: Tatsuya Nakadai, Rentaro Mikuni, Katsuo Nakamura, Ganemon Nakamura

Starring: Tatsuya Nakadai, Rentaro Mikuni, Katsuo Nakamura, Ganemon Nakamura, Michiyo Aratama, Keiko Kishi

Director: Masaki Kobayashi

Director: Masaki Kobayashi

[See More Credits]

Reviews for Kwaidan

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1 - 17 (sorted by date; UK critics are listed first)
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Visually beautiful and with some cool special effects, this is a quartet of Japenese horror ghost stories that have very few scares, although there is the odd frisson of eeriness in a couple of them.

Full Review Source: Channel 4 Film | comment Comment
09/19/07
Channel 4 Film
Top Critic Icon Top Critic

It is a compendium of four ghost stories adapted from Lafcadio Hearn, so determinedly aesthetic in their design and style that horror frissons hardly get a look in. Very beautiful, though.

Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

It can still hold its own against the new generation of horror films still sourcing it. Well worth a look.

Full Review Source: Empire Magazine | comment Comment
05/31/06
Kim Newman
Kim Newman
Empire Magazine
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Variety | comment Comment
03/26/09
Variety
Top Critic Icon Top Critic

A classic.

comment Comment
03/17/09
Beth Accomando
Beth Accomando
KPBS.org

A colorfully exotic offering but lacks the visceral power to explore the horror genre.

Full Review Source: Ozus' World Movie Reviews | comment Comment
10/31/08
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Kwaidan's haunting poetry is conveyed not only in its beautiful color images, but also through the chilling soundtrack.

Full Review Source: TV Guide's Movie Guide | comment Comment
09/19/07
TV Guide's Movie Guide
Top Critic Icon Top Critic

The first episode builds an effective mood through its elliptical action and long, slow tracks through empty rooms, but this 1965 film soon levels off into academic stylization.

Full Review Source: Chicago Reader | comment Comment
09/19/07
Dave Kehr
Dave Kehr
Chicago Reader

Magnífico do ponto de vista estético, conta com uma direção de arte brilhante e quadros compostos com inspiração absoluta, além de ter um inventivo design de som. Mas a montagem adota um ritmo excessivamente arrastado que torna a narrativa entediante.

comment Comment
01/23/07
Pablo Villaca
Pablo Villaca
Cinema em Cena

No review available.

comment Comment
08/04/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Couple these sound effects and voices with some remarkable pictorial images and the consequence is a horror picture with an extraordinarily delicate and sensuous quality.

Full Review Source: New York Times | comment Comment
05/09/05
Bosley Crowther
Bosley Crowther
New York Times
Top Critic Icon Top Critic

No review available.

comment Comment
11/12/02
Nicolas Lacroix
Nicolas Lacroix
Showbizz.net

All show and nobody home.

Full Review Source: Filmcritic.com | comment Comment
10/03/02
Christopher Null
Christopher Null
Filmcritic.com

They're not likely to scare you outright, but hopefully you too can appreciate the craft and artistry with which they are told.

Full Review Source: Window to the Movies | comment Comment
07/12/02
Jeffrey Chen
Jeffrey Chen
Window to the Movies

...the ghostly samurai court listening to Hoichi, and the samurai battle effectively form visual haikus that remain in the mind’s eye

Full Review Source: ToxicUniverse.com | comment Comment
05/24/02
John A. Nesbit
John A. Nesbit
ToxicUniverse.com

a visually ravishing film that uses dazzling color palettes and carefully composed widescreen photography to bring the viewer into an entirely supernatural world

Full Review Source: Q Network Film Desk | comment Comment
02/27/01
James Kendrick
James Kendrick
Q Network Film Desk

We've grown accustomed to more violent, more suspenseful, and scarier stories than these, but there's no questioning the quality of this film.

Full Review Source: Combustible Celluloid | comment Comment
01/01/00
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid
 
 
1 - 17 (sorted by date; UK critics are listed first)
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