Superb performances from Gabin, Simon and Ledoux as the classic tragic love triangle.
La Bęte Humaine (1938)
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Reviews Counted:12
Fresh:12
Rotten:0
Average Rating:8/10
Runtime: 1 hr 44 mins
Genre: Foreign Films
Synopsis: Made at the height of poetic realism in the French cinema, LA BĘTE HUMAINE is an adaptation of Emile Zola's classic work, starring Jean Gabin as railroad engineer Jacques Lantier. He lusts after... Made at the height of poetic realism in the French cinema, LA BĘTE HUMAINE is an adaptation of Emile Zola's classic work, starring Jean Gabin as railroad engineer Jacques Lantier. He lusts after Severine (Simone Simon), the lovely wife of stationmaster Robaud (Fernand Ledoux), but has kept his desire in check. While riding on Lantier's train, Robaud threatens to expose Severine's wealthy and powerful godfather, Grandmorin (Jacques Berlioz), for having violated his goddaughter when she was 16. Grandmorin threatens to ruin Robaud so the stationmaster kills the older man. Although Lantier is a witness, he fails to speak up when the wrong man, Cabuche (Jean Renoir), is indicted because of his feeling for Severine. Eager to ensure the engineer's silence, Robaud insists that Severine become his lover. Lantier does not require extensive persuasion. At length, Grandmorin is exposed and the ingenuous Cabuche is freed. But over time Severine has come to love Lantier. At this point she asks him to kill her husband so they can be together. But Lantier, overwhelmed by revulsion toward all that has come before, refuses to comply with her wishes. Gabin is utterly convincing as the tormented lover in this magnificently atmospheric tale of crime and passion. [More]
Starring: Jean Gabin, Simone Simon, Jean Renoir
Starring: Jean Gabin, Simone Simon, Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Screenwriter: Jean Renoir
Reviews for La Bęte Humaine
The central performances in this tragic love triangle are brilliant and utterly convincing.
Features one of Jean Gabin's greatest performances -- one with even more force than the locomotive he powers.
La bête humaine may show Renoir at his darkest, but as always Renoir in his observantly caustic mode can't bring himself to not splash highlighting colors onto his preeminently human canvas.
[Renoir's] expertise behind the camera--and his driving curiosity for human constructs and human nature...elevate La bete humaine to an unforgettable filmic experience.
Jean Renoir's generous sensibility seems at odds with the sterile determinism of the Zola novel on which this 1938 film was based.
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