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La Ley De Herodes (2000)
Runtime: 2 hrs 2 mins
Synopsis: Artistically photographed in a characteristic sepia tone, "Herod's Law" is a controversial and delirious comic fable told in a deliciously sarcastic tone. The story is set in 1949 in the authentically designed village of San Pedro de los Saguaros, a small town of 100 habitants, where... Artistically photographed in a characteristic sepia tone, "Herod's Law" is a controversial and delirious comic fable told in a deliciously sarcastic tone. The story is set in 1949 in the authentically designed village of San Pedro de los Saguaros, a small town of 100 habitants, where the last few mayors have been lynched. Consequently, amidst the proximity of future elections, the ruling party appoints Juan Vargas, a sleepy junkyard operator whose lust for power is awakened when he becomes mayor of the troublesome desert outpost. At first, the new mayor of San Pedro de los Saguaros is idealistic. Set on bringing the town the "modernity and social justice" his political party trumpets as its theme, he quickly learns the system works otherwise -- by "Herod's Law" (meaning "that's the way it is; there is no choice, whether you like it or not", although not in these exact words). Soon, Vargas is bribing, blackmailing, and even killing to consolidate his power. His humble way of life is now a whirlwind of violence, uncontrolled sensuality, lies and self preservation. Surprisingly, his corrupt ways are not only tolerated at the end but rewarded by a seat in his country congress. The characters, sublimely portrayed, can be taken 'as is' but also represent bigger entities; Arch roles without succumbing to caricature bursting with homespun tales. -- © Venevision International [More]
Genre: Foreign Films
Starring: Damián Alcázar, Pedro Armendariz, Delia Casanova
DVD Info
Release:
Mar 2, 2004
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Surround - Spanish, English
- Subtitles - English - Optional
Reviews
Half Preston Sturges and half Sam Peckinpah...though it sometimes takes its swipes with a bludgeon rather than a scalpel, it hits more often than it misses.
To connect with the story, you have to care about the victims or the character who falls from grace and unfortunately, you don't give a hot tamale about either.
Herod's Law is beautifully photographed, its imagery glazed with a sepia patina that suggests dust and neglect.
Yeah, OK, we know. Absolutely power corrupts absolutely. What else?
Alczar, who won the Mexican Oscar for his performance, brings a lot of energy to the role, but it's not enough to counterbalance the film's heavy-handed predictability.
Juan arms himself with a rewritten town constitution and a pistol. Kinky sex and ill-gotten dinero shortly follow.
Alcazar makes a deft transition from idiot to maniac, serving as an anchor for the broad performances around him.
As the story unfolds, Alcazar's slow-burn performance pays off with a venomous brilliance, making the audience choke on the guffaws that came so easily earlier.
Comes off as cartoonish drivel, broadly played and poorly written.
Luis Estrada, the co-writer and director, uses his characters so clearly as symbols that he neglects to give them the complexity of human beings.
News
posted by Scott Weinberg November 09, 2005
It played in just over 100 theaters back in July, so you can be forgiven if you haven't heard a whole lot about...


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