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Movies / On DVD / Ladies of the Bois de Bologne
Ladies of the Bois de Bologne

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Ladies of the Bois de Bologne (1944)

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Reviews Counted:12

Fresh:12

Rotten:0

Average Rating:8.3/10

Runtime: 85 mins

Genre: Foreign Films

Synopsis: LES DAMES is the sole collaboration of two French cinema giants: Robert Bresson and Jean Cocteau. Cocteau wrote the wonderfully poetic dialogue for the film, while Bresson scripted and directed.... LES DAMES is the sole collaboration of two French cinema giants: Robert Bresson and Jean Cocteau. Cocteau wrote the wonderfully poetic dialogue for the film, while Bresson scripted and directed. The film bears strong connections to other classic works by both men. Like other Bresson heroes and heroines, Helen is obsessed by a single idea. She intends to make the man who broke up with her suffer by introducing him to a pretty "tramp"--a girl who actually hopes to bury her past--and have him fall deeply in love with her. Once the couple unites, Helene will alert her ex to the girl's former activities, and ruin his status-conscious life. Helene's sense of having a "mission" is reflected in the prison break planned by the hero of A MAN ESCAPED, and the quiet crimes committed by the hero of PICKPOCKET. The obsessive and potentially dangerous way that Helen's ex rushes headlong into his passion for the one-time "tramp" prefigures the classically-themed romances in Cocteau's BEAUTY AND THE BEAST and ORPHEUS. One element in the sumptuously photographed LES DAMES became common in both artists' repertoire: the presentation of characters who behave as if they're in a dream, sleepwalking their way to potential disaster or salvation. [More]

Starring: Maria Casares, Paul Bernard

Starring: Maria Casares, Paul Bernard

Director: Robert Bresson

Director: Robert Bresson
Screenwriter: Jean Cocteau

[See More Credits]

Reviews for Ladies of the Bois de Bologne

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1 - 14 (sorted by date; UK critics are listed first)
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N/R

Click to read the article

Full Review Source: Time Out | comment Comment
01/26/06
Time Out
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Channel 4 Film
Top Critic Icon Top Critic

The performances by both Casares and Labourdette were strikingly captivating and were enough in themselves to carry the film.

Full Review Source: TV Guide's Movie Guide | comment Comment
08/28/06
TV Guide's Movie Guide
Top Critic Icon Top Critic

No review available.

comment Comment
07/16/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

It is slow, solemn, rigidly conventional and as stilted as a silent film, but it shows Bresson's early ability to catch sober and smoldering moods with his camera.

Full Review Source: New York Times | comment Comment
05/09/05
Bosley Crowther
Bosley Crowther
New York Times
Top Critic Icon Top Critic

The fact of Bresson's as yet undeveloped style, coupled with Cocteau’s fearless lyricism, produces a one-of-a-kind film. It’s irreproducible, a jewel.

Full Review Source: Filmcritic.com | comment Comment
07/03/04
Jake Euker
Jake Euker
Filmcritic.com

Bresson's treatment of the material has the marks of his later style, but it's also more overtly stylized than anything else he did later.

Full Review Source: Combustible Celluloid | comment Comment
05/08/04
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Elina Labourdette is wonderful as Agnès, conveying her character’s ethical strength with real beauty within and without.

Full Review Source: Apollo Guide | comment Comment
03/02/04
Dan Jardine
Dan Jardine
Apollo Guide

Les Dames has moments of subtle power that suggest the direction Bresson’s filmmaking aesthetic would eventually take; in fact, it was the last film he made in the traditional style before striking out completely on his own.

Full Review Source: Q Network Film Desk | comment Comment
07/22/03
James Kendrick
James Kendrick
Q Network Film Desk

Praised by such filmmakers as Jean-Luc Godard and Michelangelo Antonioni, the film is rarely screened.

Full Review Source: Austin Chronicle | comment Comment
04/10/03
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

It is not, by any means, the best film made during the Occupation, but it is a key work in Bresson’s oeuvre and one that is surprisingly absorbing even today.

Full Review Source: Not Coming to a Theater Near You | comment Comment
04/04/03
Matt Bailey
Matt Bailey
Not Coming to a Theater Near You

... a brilliant romantic melodrama...

Full Review Source: Ozus' World Movie Reviews | comment Comment
04/02/03
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Like much (if not all) of Bresson's best work, it can't be assimilated to realist criteria, but it's unforgettable for its fire-and-ice evocations of tragedy in an unlikely setting.

Full Review Source: Chicago Reader | comment Comment
03/27/03
Dave Kehr
Dave Kehr
Chicago Reader

Its dialogue still stings, and its heartbreak still rings true.

Full Review Source: Reno Gazette-Journal | comment Comment
03/17/03
Mark Robison
Mark Robison
Reno Gazette-Journal
 
 
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