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The Lake House (2006)
Tomatometer
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Reviews Counted:152
Fresh:55
Rotten:97
Average Rating:5/10
Consensus: The plot of The Lake House is a little too convoluted, and the film fails to pull off the sweeping romance it aims for.
Rated: PG [See Full Rating] for some language and a disturbing image
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:23-06-2006
Synopsis: Feeling that it's time for a change in her life, Dr. Kate Forster (SANDRA BULLOCK) leaves the suburban Illinois locale where she completed her residency and takes a job at a busy Chicago hospital. ... Feeling that it's time for a change in her life, Dr. Kate Forster (SANDRA BULLOCK) leaves the suburban Illinois locale where she completed her residency and takes a job at a busy Chicago hospital. One thing she is reluctant to leave behind is the uniquely beautiful house she's been renting - a spacious and artfully designed refuge with large windows that overlook a placid lake. It's a place in which she felt her true self. It is a winter morning in 2006. On her way to the city, Kate leaves a note in the mailbox for house's next tenant, asking him to forward her mail and noting that the inexplicable painted paw prints he might notice by the front door were there when she moved in. But when the next tenant arrives, he sees a much different picture. Alex Wyler (KEANU REEVES), a talented but frustrated architect working at a nearby construction site, finds the lake house badly neglected: dusty, dirty and overgrown with weeds. And no sign of paw prints anywhere. The house has special meaning for Alex. In a happier time it was built by his estranged father (CHRISTOPHER PLUMMER), a renowned architect who allowed his professional acclaim to grow at the expense of his family life. Alex feels a sense of peace here now and commits to restoring the property to its original beauty. He disregards Kate's note until, days later, while painting the weather-beaten jetty he sees a stray dog run across the fresh paint and then towards the entrance of the house, leaving paw prints exactly where she said they'd be. Baffled, Alex writes back, saying that the house had no occupant before him and wondering how she could have known about the dog; while Kate, who just left it a week ago, imagines he is playing some kind of joke on her and fires back a reply. Just for argument's sake, what day is it there? April 14, 2004. No, she says. It's April 14, 2006. The same day, two years apart. Can this be happening? As Kate and Alex continue to correspond through the lake house's mailbox they confirm that they are, incredibly, impossibly, living two years apart, and each at a time in their lives when they are struggling with past disappointments and trying to make a new start. Sharing this unusual bond, they reveal more of themselves to one another with each passing week - their secrets, their doubts and dreams, until they find themselves falling in love. Determined to bridge the distance between them at last and unravel the mystery behind their extraordinary connection, they tempt fate by arranging to meet. But, by trying to join their two separate worlds, they could risk losing each other forever. --© Warner Bros. [More]
Starring: Sandra Bullock, Keanu Reeves, Shohreh Aghdashloo, Christopher Plummer
Starring: Sandra Bullock, Keanu Reeves, Shohreh Aghdashloo, Christopher Plummer, Ebon Moss-Bachrach, Dylan Walsh
Director: Alejandro Agresti
Director: Alejandro Agresti
Screenwriter: David Auburn
Producer: Sonny Mallhi, Dana Goldberg, Doug Davison
Composer: Rachel Portman
Studio: Warner Bros.
Reviews for The Lake House
An intriguing idea. Too bad the asteroid sized temporal paradox ruins the end of the flm.
Keanu Reeves and Sandra Bullock bring their respective talents to this badly fumbled attempt at a supernatural romantic comedy.
It refreshingly becomes less about time travel and more about the choices we make and the chances we miss.
Reeves y Bullock no interpretan el papel de su vida, sin embargo cumplen con las expectativas del público en un producto ligero de fin de semana.
Sandra Bullock and Keanu Reeves, two actors with talent I admire, launched their careers (at least as movie stars) on a runaway bus (Speed) in 1994. They appear to be throwing themselves under one here.
Agresti has effectively skirted around hard logic with his velvety presentation.
While it’s not the worst entry from either actor, it’s certainly another lame-brained blemish in their careers.
You know the picture is in trouble when the best actor is the dog and the dog isn't even named Lassie.
Considered as a vehicle for what I was looking for, (namely these two stars) a success. As a critic, some things you forgive.
Despite the conventions, and a time travel gimmick that winds up being an utter mess, there's something worth appreciating here which makes it certainly worth a look
I have always felt that both Ms. Bullock’s patented expressions of anguish and Mr. Reeves’ stoical minimalism have been somewhat underrated.
While the movie isn't as bad as its dubious trailer portends, it suffers terribly from a truncated narrative puzzle device that connects two lovers from different eras via an old-fashioned mailbox at a lake house.
Bullock's decision to play Kate as a morose kill-joy is particularly inexplicable. She's getting letters from some hot architect through a hole in the time-space continuum, and yet her expression remains impassive, her voice flat, her outlook maudlin.
Who knows -- perhaps it's not a glitch in the fourth dimension that Kate and Alex must traverse, but rather just some bad editing.
It's hard to recall a recent picture in which Bullock has been allowed to draw upon her natural charisma... After about 20 minutes, you just wish somebody would tickle her.
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