Thanks to a relatively gritty setting and an estimable adult cast, this sentimental story is rendered bearable for adults and children alike.
Lassie (2006)
Tomatometer
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Reviews Counted:66
Fresh:61
Rotten:5
Average Rating:7.3/10
Consensus: A beautifully-made retelling of the classic border collie tale, one need not be a dog-lover to fall for Lassie.
Rated: PG [See Full Rating] for some mild violent content and language
Runtime: 1 hr 40 mins
Genre: Dramas
Theatrical Release:16-12-2005
Synopsis: Eric Wright's classic novel about a boy and his dog is resurrected in this charming adaptation from Charles Sturridge (BRIDESHEAD REVISITED), which is a far cry from the Americanized TV show of the... Eric Wright's classic novel about a boy and his dog is resurrected in this charming adaptation from Charles Sturridge (BRIDESHEAD REVISITED), which is a far cry from the Americanized TV show of the 1950s. Unfolding in Yorkshire, England, just before WWII, the film makes the most of its low budget and is quite successful at evoking the era. Joe (Jonathan Mason) is the only son of a poor miner, Sam (John Lynch), and his steadfast wife, Sarah (Samantha Morton, MORVERN CALLAR). Joe's story is paralleled by that of Priscilla (Hester Odgers), the poker-faced granddaughter of the ostentatiously wealthy duke (a grand Peter O'Toole). Priscilla takes a liking to Lassie when she spots the dog in the street. The duke tries to buy Lassie from her family, and when the mine is shut down, Sam has no choice but to accept his offer. Lassie's allegiance, however, is not so easily transferred, and she constantly finds ways to escape the confines of her new home, even when she is taken to Scotland. Undertaking the long journey back to Joe, Lassie makes friends--and a few enemies--along the way, including a charming Peter Dinklage as Rowlie the roving puppeteer. The photography of the English and Scottish countryside is truly breathtaking, and Lassie is eternally endearing as the symbol of freedom, loyalty, and friendship--virtues that are valued and epitomized in the film by young and old, rich and poor. This is a film in which you can always tell the bad guys because they don't like dogs. [More]
Starring: Lassie, Samantha Morton, Peter O'Toole, Robert Carr
Starring: Lassie, Samantha Morton, Peter O'Toole, Robert Carr, Peter Dinklage, Edward Fox, Kelly MacDonald, Jonathon Mason, John Lynch, Hester Odgers, Jemma Redgrave, Steve Pemberton
Director: Charles Sturridge
Director: Charles Sturridge
Producer: Francesca Barra
Composer: Adrian Johnston
Studio: Roadside Attractions/Samuel Goldwyn Films
Reviews for Lassie
There’s not much to grumble about: most of the performances are nicely honed, the cinematography and editing’s excellent and, despite the swooning strings, it’s not too sentimental.
Lassie is a thoroughly enjoyable family film of the sort that they really don't make anymore. However, be warned, if you take young children to see this you may find yourself getting a border collie for Christmas.
The combination of everyone's favourite canine and eye-catching Irish and Isle of Man locations ensure this nostalgic shaggy-dog story sends you home with your tail wagging.
What's that girl? What are you saying? That Peter O'Toole is more authentically barking than any actual dog in the cast?
While solidly made, it might be too cute and uncomplicated for 21st century audiences.
The 1943 Lassie Come Home, starring then-child actors Roddy McDowall and Elizabeth Taylor as Joe and Cilla, is widely considered the gold standard to which all dog movies should aspire, but Sturridge's remake is a fine film in its own right.
No question about it, Lassie is a very traditional film, but good storytelling, fine acting and beautiful photography add up to a solid family entertainment that never lets us forget who the real star is.
Lassie is old-fashioned family entertainment, and I hope audiences aren't afraid to take a chance on a movie that might not be paced like a race car, but offers gentle adventure and alternative heroism instead.
Lassie has a fine cast, lots of calendar-pretty shots of Lassie in different seasons and a dog-owned-by-many-different-people plot borrowed from David Copperfield.
No, it’s not exactly realistic. But there is a sense of moral balance in Lassie’s world that’s enviable. People are cruel to the dog and bad things happen to them. Those who are good to her end up being rewarded.
Writer/director Charles Sturridge adapts the heart-warming story with strict attention to its modest emotional underpinnings of family, devotion, and a beautiful collie.
It's such a relief to settle into a film that lets dogs be dogs, children be children, and old-fashioned movies be old-fashioned movies.
Leave it to the Brits to take back something ... and reinvent it into something that's so much better than the traditions they're trying to revive.
Here's what a classic family film should be -- intelligent without being smart-alecky, heart-warming without being smarmy and exciting without relying entirely on CGI.
Latest News for Lassie
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