Sartorially dated certainly, but still powerful, disturbing and raw.
Last House on the Left (1972)
Runtime: 84 mins
Synopsis: Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari... Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head into the city for a rock concert, but once there, they're kidnapped by three repulsive, sadistic escaped convicts led by Krug Stillo (a menacing David Hess). After the gang drives the girls into the woods, where they rape and murder them, the disheveled crew ends up at the home of none other than Mari's parents, John (Gaylord St. James) and Estelle (Cynthia Carr). When John discovers who has unknowingly walked into his home, he exacts a revenge that makes the convicts' actions seem tame by comparison. Working on a shoestring budget and coaxing naturalistic performances out of his actors (with the exception of two bumbling law enforcement officers), Craven displays the talent that he would later develop on a grand scale with A NIGHTMARE ON ELM STREET and SCREAM. Certainly not for the fainthearted, THE LAST HOUSE ON THE LEFT remains one of the most visceral horror films ever made. [More]
Genre: Horror/Suspense
Starring: David Hess, Lucy Grantham, Sandra Cassel
DVD Info
Release:
Mar 8, 2004
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.85
- Full Frame - 1.33
Additional Release Material:
- Audio Commentary - 1. Wes Craven - Director
- Trailer - 1. Theatrical Trailer
- Featurette
Reviews
Craven's cold, flat style of filming emphasises the fact that the violence dehumanises not only the victims but the aggressors.
The film, to its credit, details both the initial acts of violation and the revenge that ensues as similarly de-humanising and reprehensible.
An ugly, disturbing, passionately conceived cult favorite, Last House on the Left is much more complex (albeit crudely made) than its controversial reputation would suggest.
It isn't artistically adroit, but if success in this genre is counted by squirms, it's a success.
if one is not disgusted enough to stop watching, one is left wishing that the movie would show more than it does
The party who wrote this sickening tripe and also directed the inept actors is Wes Craven.
A estúpida tentativa de combinar cenas de violência realista com outras de humor pedestre anula o impacto do filme e nos leva a questionar a sanidade do jovem Craven.
A tough, bitter little sleeper of a movie that's about four times as good as you'd expect.
Introduced a sadism that lurks beneath the surface of Craven's work to this day. It's not fun, as horror should be; it's amoral, and you leave it feeling sickened and dirty.
a supremely schizophrenic movie, alternating awkward scenes of bad comedy with gruesome and unsettling moments of violence that reach a nasty level of documentary realism
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