At its best, the low-budget Last Sin Eater achieves some powerful moments.
The Last Sin Eater (2007)
Tomatometer
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Reviews Counted:36
Fresh:7
Rotten:29
Average Rating:4.2/10
Consensus: This earnest Christian parable is undone by its pompous dialogue and cheap FX.
Runtime: 1 hr 58 mins
Genre: Dramas
Synopsis: When a mysterious man "absolves" her grandmother's sins by eating bread and wine at her grave, 10-year-old Cadi wants the same redemption -- while she's still alive! But in her quest for... When a mysterious man "absolves" her grandmother's sins by eating bread and wine at her grave, 10-year-old Cadi wants the same redemption -- while she's still alive! But in her quest for deliverance she uncovers a dark secret that threatens to divide her family. What will happen when the two face each other -- and the One who can truly save them? Based on the award winning novel by Francine Rivers. --© Fox Faith [More]
Starring: Louise Fletcher, Henry Thomas, Liana Liberato, Soren Fulton
Starring: Louise Fletcher, Henry Thomas, Liana Liberato, Soren Fulton, AJ Buckley, Stewart Finlay-McLennan, Peter Wingfield, Elizabeth Lackey, Kim Myers, Gabrielle Fitzpatrick, Valerie Wildman, Michael Flynn
Director: Michael Landon
Director: Michael Landon
Studio: The Bigger Picture
Reviews for The Last Sin Eater
Efforts to build suspense, with ominous music and dark figures flashing past the camera, are laughably amateurish, as is the made-for-TV cinematography.
If Sin Eater wasn't so laborious, it might be easier to overlook the movie's predictability. With too many slow-developing subplots, though, it finally illicits a feeling something like squirming in a hard pew during a long-winded sermon.
The look of The Last Sin Eater is muddy and indiscriminately focused. The camera always seems to be too far off when you wish to get a better look and too close when you wish that it would point at anything other than what’s in the frame.
A strong story is hindered here by on-the-nose dialogue and melodramatic delivery that makes it seem more like a pulpit-pounding sermon than a slyly subtle parable.
Folks wanting to hear the usual New Testament message will be pleased; others may feel that the tension dissolves in homilies and wish the main character weren't led around by a blonde-haired little angel in a white dress.
The Last Sin Eater has flaws too hard to ignore. The lovely shots of Appalachian vistas are spoiled by cheesy special effects straight from the 1960s Chroma-Key era.
As a window into an older culture, or an evening's entertainment with the family, you could certainly do worse.
The film's rhythm drags. And [director] Landon uses the 'when in doubt, pump up the score' method for signaling Cadi's emotions.
It's not horrible, though the rather chintzy production values have a glorified made-for-television look.
Squanders its good intentions with its numbingly bloated 140-minute running time.
[Actors Henry Thomas and Louise Fletcher] are hamstrung by stilted dialogue; every sentence addressed to Liberato seems to begin with 'My dear child.'
...[an] ambitious but sappy saga...the redemptive vibes are unevenly at work in this tepid tale of sin and salvation.
The special effects look like they were executed on somebody's laptop.
What should be a simple parable of redemption takes nearly an unforgivable 2 1/2 hours.
Perversely fascinating as a cultural document, but as a movie it's simply dreadful.
It has the same dramatic flatness of Love's Abiding Joy, which was made by the same filmmakers. Frankly, these folks are more suited to the Hallmark Channel.
It’s stunning how flat and lifeless this film is, and we won’t even talk about the chintzy special effects. Another cynical God-market outing from the folks at Fox Faith.
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