Originally released in 1934, Jean Vigo’s first and only full-length feature is one of the cinema’s greatest masterpieces.
L'Atalante (1934)
Rated: PG
Runtime: 87 mins
Theatrical Release: 29-04-2005
Synopsis: Considered by critics to be one of the 20th century's best films, L'ATALANTE is the final work of French director Jean Vigo's (ZERO FOR CONDUCT) tragically brief, but brilliant career. After their wedding, Juliette (Dita Parlo) and Jean (Jean Daste) set out on L'Atalante, the river barge... Considered by critics to be one of the 20th century's best films, L'ATALANTE is the final work of French director Jean Vigo's (ZERO FOR CONDUCT) tragically brief, but brilliant career. After their wedding, Juliette (Dita Parlo) and Jean (Jean Daste) set out on L'Atalante, the river barge that Jean captains. In a scene representative of the film's lovely, poetic cinematography, Juliette, both desiring and fearing her new life, wistfully walks atop the length of the barge, wedding dress fluttering in the wind. The couple soon settles into wedded bliss, with the companionship of quirky, tattooed bargeman Pere Jules. He provides many of the film's unexpected comedic moments (watch for the plethora of cats, and the cigarette smoking belly button). Trouble arises, however, as Jean continually foils Juliette's attempts to learn more of life by listening to the radio and exploring the barge's ports. When a charming traveling salesman/entertainer (Gilles Margaritis) entices Juliette with stories of the charm of Paris, she decides to venture out on her own. The question of whether Jean and Julliette's love will win out over their conflicting ideas, along with the naturalistic, dreamlike visual world that Vigo creates, will keep viewers enraptured to the end. [More]
Genre: Foreign Films
Starring: Dita Parlo, Jean Daste, Michel Simon
DVD Info
Release:
Jan 4, 2003
DVD Features:
- Region 1
- Keep Case
- Full Frame - 1.33
Additional Release Material:
- Featurette - 1. THE MAKING OF L'ATALANTE
Text/Galleries:
- Filmographies - 1. Jean Vigo - Director
- Stills/Photos - 1. Production Stills
- 2. Vintage Theatrical Poster Gallery
Interactive Features:
- Scene Selections
Reviews
A cine-poem ode to the rhythms of life and love set on a barge travelling along the Seine, Jean Vigo's L'Atalante stands as one of cinema's indisputable masterpieces.
A major inspiration to subsequent generations of filmmakers, yet no one has ever succeeded in matching it.
One can't help but mourn the films an even more mature, capable and confident Vigo might have made had not TB cut him down at the tender age of 29
Blending naturalism and surrealism, this is a work of unique poetic power, a masterpiece that anticipated neo-realism by a decade; the fact that it's Vigo sole completed feature doesn't lessen his status as one of the world's greatest filmmakers.
A landmark of French cinema and one of the most beloved film romances.
This quiet little French number is a gossamer confection, but for a film of its era, it's gorgeous to look at.
This makes it a film that can be both appreciated by cineastes and enjoyed by anyone looking for a good romance story.
The action is episodic and diffuse but Michel Simon, as the dour and cat-loving barge hand lends a bit of comic relief to the pallidly poetic proceedings.
Stands as one of the most beautiful and rich celebrations of human connection in the history of cinema.
This 1934 French classic is a work of enduring poetry that has launched a thousand other movies.
A paean to evanescence and, however paradoxically, an enduring embodiment of the same concept: a wispish film from a short-lived director that has nonetheless been dreamed and re-dreamed, never the same way twice, for almost 70 years.
Hands down one of the most poetic, romantic and sentimental films I have ever seen.
Brilliantly idiosyncratic and insightful, the warmest film of this great director's career.
Vigo has created a dreamworld, which makes his film an out of this world cinematic experience.
Rapt, exuberant and as fragile as mist, this passionate tone poem drifts in its own bubble of oddly dissonant, almost fatalistic romanticism.
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