A fairly flat, predictable tale.
Latter Days (2004)
Tomatometer
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Reviews Counted:44
Fresh:20
Rotten:24
Average Rating:5.4/10
Consensus: A melodramatic plot and character stereotypes turn the movie into a sitcom.
Runtime: 1 hr 47 mins
Genre: Dramas
Synopsis: Christian (Wes Ramsey), is a young, promiscuous gay man in Los Angeles. Always up for a party and not willing to settle down with one person, he doesn't think too much about anything. When Aaron... Christian (Wes Ramsey), is a young, promiscuous gay man in Los Angeles. Always up for a party and not willing to settle down with one person, he doesn't think too much about anything. When Aaron (Steve Sandvoss), a young Mormon man, moves into his apartment complex, Christian bets his friend fifty dollars that he can seduce him. Christian appears to be on the way to winning the bet, but Aaron is reluctant act on his attraction, as homosexuality is forbidden in the Mormon Church. And when his Mormon roommates find out what he is up to, Aaron is sent back to Idaho to face his parents about his transgression. Jacqueline Bisset and Mary Kay Place costar in this touching drama that was a hit at several international film fests. [More]
Starring: Wes Ramsey, Steve Sandvoss, Joseph Gordon-Levitt, Jacqueline Bisset
Starring: Wes Ramsey, Steve Sandvoss, Joseph Gordon-Levitt, Jacqueline Bisset, Mary Kay Place, Erik Palladino
Director: C. Jay Cox
Director: C. Jay Cox
Screenwriter: C. Jay Cox
Studio: TLA Releasing
Reviews for Latter Days
The whole Mormon/gay thing would be plenty for one movie without also sticking in AIDS, the betrayal of friends and actors-trying- to-get-their- big-break.
Writer-director C. Jay Cox has created a tender gay love story, and then buries it under shrill diatribes, plot clichés and one-note characters.
Even those who aren't immediately put off by the film's brazen attacks on religion -- and in particular, the LDS Church -- will likely be bored by this clumsy, incredibly contrived comedy, which has little charm.
It's more melodrama than drama or love story, and Cox, who wrote Sweet Home Alabama, seems to have never met a stereotype he didn't like.
It's timely, not to mention refreshing, to see an affirmation of true love over hot sex, along with a reminder that the two aren't necessarily mutually exclusive.
Such a well-meaning but unambitious work that it's tempting to take it seriously even as you dismiss it.
[Writer/director C. Jay] Cox deftly explores the links between coincidence and destiny, fate and miracles, love and loss.
Despite the inherent clichés, Latter Days manages to rise above its formulaic plot, mainly because of the assured performance by Mr. Sandvoss.
Romantic and funny, this story takes a few twists and turn in ways that you don't expect.
A well-intentioned but horribly trite drama about acceptance and fulfillment that plays like an after-school special with naughty words and sex thrown in.
Although a good deal of what happens is predictable, the writer-director C. Jay Cox makes much of it pleasant.
The curse of gay cinema is its belief that worn-out movie plots will become interesting if you put gay characters in them. This film takes the curse several steps further.
Everyone in this movie has been ordered off the shelf from the Stock Characters Store, and none of them wandered in from real life.
Surprisingly dowdy-looking, shot more like a scruffy little naturalistic slice of alternative L.A. life than the star-crossed lover's daydream it mostly is.
A winky, interminable and rather cringe-inducing manifesto... whose characters stand as crude if attractive types rather than three-dimensional people.
Cox's screenplay, while occasionally lapsing into the sort of cliches endemic to so many gay-themed films, generally treats its unusual subject matter with dignity and complexity, and the characters are well-drawn and sympathetic.
Even as it subscribes to the conventions of modern romantic comedy, it never compromises its characters' truths.
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