The character has rarely been portrayed as well as he is by Newman.
The Left-Handed Gun (1958)
Tomatometer
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Reviews Counted:7
Fresh:7
Rotten:0
Average Rating:7.8/10
Runtime: 1 hr 42 mins
Genre: Westerns
Synopsis: Marking Arthur Penn's feature debut, THE LEFT-HANDED GUN is a realistic account of the legend of Billy the Kid. Orphaned loner William Bonnie is working as a cowboy when a range war breaks out,... Marking Arthur Penn's feature debut, THE LEFT-HANDED GUN is a realistic account of the legend of Billy the Kid. Orphaned loner William Bonnie is working as a cowboy when a range war breaks out, started by the greedy cattle barons who control the area with hired guns and bought lawmen. Billy watches friends die at the hands of murdering thugs with no consequences for those responsible. Labled an outlaw by association, Billy finally snaps when his father figure is also killed. Swearing revenge, Billy goes on his own manhunt, brutally gunning down those he believes to be guilty of the murders of his friends. His single-handed killing spree makes Billy a legend, and a wanted man, with little time left before the cattle barons close in on him. Penn takes the opportunity to remove the myth from the story and offers up a sober account of the famous legend. Newman's Billy is not a cold-blooded killer but instead a confused and emotionally tortured boy who is lost and alone in a large, dangerous world. THE LEFT-HANDED GUN is an excellent western that comes across more like a factual account than a popular legend. Like classics PAT GARRETT & BILLY THE KID and HIGH NOON, Arthur Penn's film serves to take the myth out of the West and and replace it with a jarring realism. [More]
Starring: Paul Newman, Lita Milan, John Dehner, Hurd Hatfield
Starring: Paul Newman, Lita Milan, John Dehner, Hurd Hatfield, James Congdon, James Best, John Dierkes, Wally Brown
Director: Arthur Penn
Director: Arthur Penn
Producer: Fred Coe
Story: Gore Vidal
Composer: Alexander Courage
Reviews for The Left-Handed Gun
Penn's first film, it is in many ways a key stage in the development of the Western.
A good but disturbing psychological western, well directed by Penn and acted in a strangely fascinating style by Newman.
Boasting a strong turn by Paul Newman as Billy the Kid, this disturbingly psychological, technically innovative deconstructive Western marks the impressive debut of Arthur Penn (Bonnie and Clyde), signaling the beginning of the New American Cinema.
A close, inspired study of Ford and Nicholas Ray, and a decisive source of inspiration to Peckinpah, Malick, and Penn himself, who looked at it again and saw Bonnie and Clyde.
Penn's training in theater and live-TV drama (e.g. Playhouse 90) shows; the central performance is rehearsed into an anxious stir, every line matched to an actorly decision, a blocking cue.
The picture is a smart and exciting western paced by Paul Newman's intense portrayal.
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