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MOVIES / ON DVD / LES DESTINEES
Les Destinees

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Les Destinees (2002)

61%
78%
0%
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61 %
Reviews Counted: 49 Fresh: 30  Rotten:19 Average Rating: 6/10
 
Consensus: The long, epic Les Destinees is too slow and tedious to justify its running time. The long, epic Les Destinees is too slow and tedious to justify its running time. more
 
Runtime: 2 hrs 54 mins
Synopsis:
From Olivier Assayas, the director of IRMA VEP and L'EAU FROIDE, comes LES DESTINÉES, a tender and sophisticated period piece starring Emmanuelle Béart and Charles Berling. Based on the novel by Jacques Chardonne, this epic film takes place in France from 1900 to the '30s. Focusing on the... [More]
From Olivier Assayas, the director of IRMA VEP and L'EAU FROIDE, comes LES DESTINÉES, a tender and sophisticated period piece starring Emmanuelle Béart and Charles Berling. Based on the novel by Jacques Chardonne, this epic film takes place in France from 1900 to the '30s. Focusing on the life of Jean Barnery (Berling), the film is divided into three 60-minute chapters. The first chapter is dedicated to Jean's first wife Nathalie (an icey Isabelle Huppert) and the scandal that causes him to abandon his career as a pastor in the insular village of Barbizac. The next chapter centers on his second wife and true love, Pauline (Béart), for whom he gives up his family fortune so that they may live a simple romantic life in a chalet nestled in the Swiss Alps. The third chapter, which explores with philosophical curiosity the effects of war and economy on community and industry, focuses firmly on Jean's primary love, porcelain. With beautiful period costumes, touching dialogue, and a convincing display of the passage of time, LES DESTINÉES features some unforgettable sequences. At a Barbizac ball, the camera lingers in the chandelier as dancers swirl in a dizzying waltz below. In the Swiss Alps, Jean paddles an exquisite wooden rowboat as Pauline swims in azure water. Later, the film depicts the Limoges porcelain factory in detail with its mammoth coal-fueled kilns offset by skilled artisans carefully painting the fresh china. In addition, the Barbizac brandy business, managed by Pauline's uncle (Olivier Perrier), gets a good amount of play, with the amber liquor being ladled out for tasting during its lengthy aging process. This film was included in the Rendez-Vous with French Cinema 2002 festival organized by the Film Society of Lincoln Center in New York City. [Less]

Genre: Dramas

Starring: Emmanuelle Beart, Charles Berling, Isabelle Huppert, Olivier Perrier, Julie Depardieu

Director: Olivier Assayas
Screenwriter: Olivier Assayas, Jacques Fieschi
Producer: Bruno Pesery
Composer: Guillaume Lekeu

DVD Info

Release:

Oct 10, 2003

[DVD Details]

Reviews

 
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1 - 20 (sorted by date; UK critics are listed first)
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Ratings Image

Despite an off-putting premise, this is a sumptuous drama boasting substance as well as spectacle.

Full Review | Comment
03/03/08 10:42 AM
Channel 4 Film
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Ambitious, efficient, sensitive, but a little disappointing.

Full Review | Comment
06/24/06 04:07 AM
Geoff Andrew
Time Out
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It's very, very talky, and more than a little like a Jane Austen novel in its society-versus-happiness theme. But we're kept intrigued by the characters and where they're heading.

Full Review | Comment
12/10/01 06:30 PM
Rich Cline
Shadows on the Wall
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A film really has to be exceptional to justify a three hour running time, and this isn't.

Full Review | Comment
05/30/01 04:52 PM
Jason Korsner
BBC
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It's definitely a step in the right direction.

Full Review | Comment
05/30/01 04:52 PM
David Parkinson
Empire Magazine
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A massive undertaking and an accomplished piece of filmmaking in a solid tradition of intelligent, meticulous literary adaptations.

Full Review | Comment
03/03/08 10:26 AM
David Rooney
Variety
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Assayas is masterful in using offscreen sounds to conjure up a novelistic sense of milieu and in handling various ceremonies, and the film's lush texture explains why he called it his anti-Dogma film.

Full Review | Comment
03/03/08 10:24 AM
Jonathan Rosenbaum
Chicago Reader
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We're kept intrigued by the characters and where they're heading, and the gorgeous cinematography and production design help us submerge ourselves in their world.

Full Review | Comment
12/06/05 08:02 PM
Rich Cline
Film Threat
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No review available.

| Comment
10/10/05 08:23 PM
Cole Smithey
ColeSmithey.com
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No review available.

| Comment
08/20/05 03:08 PM
Emanuel Levy
EmanuelLevy.Com
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Enduring love but exhausting cinema.

Full Review | Comment
03/26/03 05:23 AM
Harry Guerin
RTE Interactive (Dublin, Ireland)
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The filmmaker's heart is in the right place...

Full Review | Comment
03/03/03 01:58 PM
Dennis Schwartz
Ozus' World Movie Reviews
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Click to read the article

Full Review | Comment
12/16/02 01:53 PM
Greg Muskewitz
eFilmCritic.com
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An empty shell of an epic rather than the real deal.

Full Review | Comment
11/20/02 10:28 AM
Matt Brunson
Creative Loafing
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It is...very good at showing how people can and do change over the course of a lifetime, how faith can be abandoned and then picked up, how love can ebb and mutate.

Full Review | Comment
11/04/02 12:25 PM
Philip Martin
Arkansas Democrat-Gazette
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An exhausting family drama about a porcelain empire and just as hard a flick as its subject matter.

Full Review | Comment
10/22/02 08:16 AM
Christopher Null
Filmcritic.com
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More than a few of us would show up for the chance to see and hear Huppert and Beart read from the Limoges telephone directory. Assayas can count himself lucky for that.

Full Review | Comment
09/13/02 02:49 PM
Susan Stark
Detroit News
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Opens at a funeral, ends on the protagonist's death bed and doesn't get much livelier in the three hours in between.

Full Review | Comment
09/13/02 02:47 PM
John Monaghan
Detroit Free Press
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Gorgeous to look at but insufferably tedious and turgid...a curiously constricted epic.

Full Review | Comment
09/13/02 08:30 AM
Frank Swietek
One Guy's Opinion
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The movie is relentlessly gorgeous, and brims over with color, light and movement like a room-filling Monet canvas.

Full Review | Comment
09/12/02 05:24 PM
Tom Sime
Dallas Morning News
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