The battle scenes are brilliantly handled, and what we best remember are moments of horror.
Letters From Iwo Jima (2006)
Tomatometer
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Reviews Counted:194
Fresh:177
Rotten:17
Average Rating:8.2/10
Consensus: An achingly humanistic war film, Letters from Iwo Jima is an emotional and artistic triumph.
Theatrical Release:23-02-2007
Synopsis: Sixty-one years ago, US and Japanese armies met on Iwo Jima. Decades later, several hundred letters are unearthed from that stark island's soil. The letters give faces and voices to the men who... Sixty-one years ago, US and Japanese armies met on Iwo Jima. Decades later, several hundred letters are unearthed from that stark island's soil. The letters give faces and voices to the men who fought there, as well as the extraordinary general who led them. The Japanese soldiers are sent to Iwo Jima knowing that in all probability they will not come back. Among them are Saigo (Kazunari Ninomiya), a baker who wants only to live to see the face of his newborn daughter; Baron Nishi (Tsuyoshi Ihara), an Olympic equestrian champion known around the world for his skill and his honor; Shimizu (Ryo Kase), a young former military policeman whose idealism has not yet been tested by war; and Lieutenant Ito (Shidou Nakamura), a strict military man who would rather accept suicide than surrender. Leading the defense is Lt. General Tadamichi Kuribayashi (Ken Watanabe), whose travels in America have revealed to him the hopeless nature of the war but also given him strategic insight into how to take on the vast American armada streaming in from across the Pacific. With little defense other than sheer will and the volcanic rock of the island itself, Gen. Kuribayashi's unprecedented tactics transform what was predicted to be a quick and bloody defeat into nearly 40 days of heroic and resourceful combat. Almost 7,000 American soldiers were killed on Iwo Jima; more than 20,000 Japanese troops perished. The black sands of Iwo Jima are stained with their blood, but their sacrifices, their struggles, their courage and their compassion live on in the letters they sent home. From Academy Award winner Clint Eastwood ("Million Dollar Baby," "Unforgiven") comes the untold story of the Japanese soldiers and their General who defended against the invading American forces on the island of Iwo Jima. In an effort to explore an event that continues to resonate with both cultures, Clint Eastwood was haunted by the sense that making only one film, "Flags of Our Fathers," would be telling only half the story. With this unprecedented dual film project, shot back-to-back to be released in sequence, Eastwood seeks to reveal the battle of Iwo Jima – and, by implication, the war in the Pacific – as a clash not only of arms but of cultures. While they tell separate stories from different perspectives and in different languages, "Letters From Iwo Jima" and "Flags of Our Fathers" are Eastwood's tribute to those who lost lives on both sides of the conflict. The director hopes to tell both sides of the story and, with any luck, collectively reveal a new way of looking at this profoundly affecting moment in our shared history. Warner Bros. Pictures and DreamWorks Pictures present a Malpaso/Amblin Production, "Letters From Iwo Jima," starring Academy Award nominee Ken Watanabe ("The Last Samurai," "Memoirs of a Geisha," "Batman Begins") as Gen. Tadamichi Kuribayashi, the Imperial Japanese General who led the resistance. The ensemble cast also includes Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shidou Nakamura, and Nae. Directed by Eastwood from a screenplay by Japanese-American screenwriter Iris Yamashita, story by Yamashita and Oscar winner Paul Haggis ("Crash"), the film is produced by Eastwood, Oscar winner Steven Spielberg ("Saving Private Ryan," "Schindler's List") and Oscar nominee Robert Lorenz ("Mystic River"). Eastwood's longtime collaborators head the creative behind-the-scenes team: director of photography Tom Stern; costume designer Deborah Hopper; editors Joel Cox, A.C.E. and Gary D. Roach; and the late production designer Henry Bumstead, and production designer James J. Murakami. The late Phyllis Huffman served as casting director. Music is by Kyle Eastwood and Michael Stevens. "Flags of Our Fathers" and "Letters From Iwo Jima" are the last films of both Mr. Bumstead and Ms. Huffman. The former is dedicated to their memory. --© Warner Bros. [More]
Starring: Ken Watanabe, Shido Nakamura, Tsuyosi Ihara, Hiroshi Watanabe
Starring: Ken Watanabe, Shido Nakamura, Tsuyosi Ihara, Hiroshi Watanabe, Takeshi Yamaguchi, Tim Moore, Nae Yuuki, Lucas Elliott, Evan Ellingson, Sonny Saito, Dennis Y. Takeda, Jonathan Oliver Sessler
Director: Clint Eastwood
Director: Clint Eastwood
Producer: Robert Lorenz
Composer: Clint Eastwood, Michael Stevens
Studio: Warner Bros.
Reviews for Letters From Iwo Jima
Doesn't have much to say except that Japanese are human beings, too.
Eastwood has managed to humanise these enemy soldiers in a way no Hollywood war film has done before.
The whole is a more satisfactory entity than Flags of Our Fathers - and the final scene, which has veterans and relatives scouring the tunnels and caves for the buried letters, is a suitably moving coda.
As every epic demands, there’s gore aplenty, but apart from the obligatory floggings, ritual suicides and trigger-happy Americans, the human detail is deftly handled.
Eastwood and his cinematographer Tom Stern have done a superb and possibly unique job in showing both sides of this dreadful battle, and the pair of films together already look monumental.
It’s Clint’s assured camerawork combined with top-notch acting turns and blood-thirsty battle scenes that make this a stunning slice of cinema not to be missed.
For a film with such high Oscar hopes, you’ll leave the cinema wondering what all the fuss is about.
Eastwood has made one of the most quietly devastating war movies of our time.
The moral is hardly original. The scale certainly is. Only a director of Eastwood’s standing could possibly terrify enough producers into financing this decidedly foreign, but impressively chunky, white elephant.
Does have a genuine emotional core and makes Flags of our Fathers look like a better film. But whether or not it's a great film; the jury is still out.
Impressively directed, engaging and frequently moving drama, although it's a shame that there isn't a little more crossover with its companion piece.
An elegant improvement on Flags, with terrific performances and heart-in-mouth moments, but little lasting impact. Worth watching but worth not fighting for.
Eastwood shows no signs of letting up. Having directed the last great western with 1992's Unforgiven, he now presides over one of the best war films of recent years.
An even more sombre affair, as beautifully restrained as the earlier film but also, despite its scenes of battle, death, suicide and suffering, shockingly intimate.
A sharper account of the Iwo Jima conflict than Flags, this balances its unflinching handling of the horrors of war with its touching portrayal of those who face them.
Eastwood directs his performers with great skill, and brings a weary, astringent eye to the carnage that unfolds on Iwo Jima's blackened sands.
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