As a dramatic enterprise it's stillborn. Not to mention depressing in the extreme.
The Libertine (2005)
Tomatometer
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Theatrical Release:18-11-2005
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
Reviews for The Libertine
Quick, literate, funny and filthy, a head-turning mix of high thoughts and low schemes.
A movie that serves up what its debauched subject would never have countenanced -- sanitized smut with a moral attached.
Dunmore slogs through the story with an overripe sense of gravity that, when mixed with the film's carefully botched look, makes for one murky moviegoing experience.
Without context and reason to care, I never understood why I was lurking about here the first place.
Depp really does his best (or perhaps that should be his worst) to make his character unappealing and unlikable.
Rochester may have been a cultural visionary, but the movie reduces this notion to a parable of bad-boy celebrity hitched to an uninteresting love story.
It's a bit too muddy, dismal-looking and smoky to beguile us, too fixated on filth and too dreary-looking to really shock us.
Stinkers this rapturously self-assured don't come along often, and when they do, they deserve to be honored with the proper giggling disbelief.
Depp portrays Wilmot, who was also remembered for scandalous poetry and theatrical satire, as a careless and generally unpleasant fellow, who is neither funny nor profound. And we're supposed to spend two hours with this guy. Ugh.
First-time director Laurence Dunsmore ... enjoys his wallow in London murk and mud, but nobody else will.
As presented, Wilmot is so vulgar that he doesn't care even for himself until the final reel, and few people will care to follow his story that far.
Depp transforms a potentially repellent character into another glittering portrait in a gallery of lovable rogues ...
...will likely leave viewers as frustrated with Rochester (Johnny Depp) as his contemporaries were.
Sadly, this is a movie about the consequences of debauchery, and about Johnny Depp making long-winded Oscar-bait speeches while slathered in nasty pancake makeup.
The Libertine could be one of the most atrocious films you will ever see in your entire life.
Features another stellar Johnny Depp performance, but stagy dialogue and dreary cinematography mar the effectiveness of this murky period drama.
Any movie top-billed by a star as hot as Johnny Depp that somehow manages to sit on a shelf for more than a year after its completion is bound to be a stinker.
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