It is Depp, as the debauched and decaying Restoration rake, who holds the camera. It's a strong, sturdy performance, but one that asks more of the audience than it might be possible to give.
The Libertine (2005)
Tomatometer
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Theatrical Release:18-11-2005
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
Reviews for The Libertine
There follows much groping and fondling and talk of debauchery, all of it slightly less erotic than integral calculus.
Depp achieves one of his mightiest feats, rescuing the overly theatrical Libertine from itself.
One of the few films to maintain an air of stuffiness even while sharing intimate details of debauchery.
We are supposed to thrill to the devil-may-care attitude of this Byronic rebel-gent, yet we never find out what he's about or what he stands for. He's a self-impressed question mark.
You will not like the Second Earl of Rochester. But you will not be able to take your eyes from him. Having made his bed, he does not hesitate to sleep in it.
Depp, the movie star, is to be applauded for not ambracing dumb action flicks or brainless blockbuster wannabes, but at this point, he has gone too far in the other direction.
The Libertine is an unpleasant film to watch, and it should be, since it zeroes in on the pain of not being able to connect to other people.
Depp opens the movie by looking into the camera and announcing, You will not like me now, and you will like me even less as we go on. That turns out to be true.
Plain and simple, The Libertine is Depp's effort to pull a Charlize: defined as a preternaturally gorgeous actor attempting to portray a visibly repulsive person for award-worthy attention.
The scenes between Depp and Morton throw off sparks, but the movie as a whole needs focus, oomph.
...one of those supposedly daring erotic dramas that could actually work as a video touting abstinence. The sex is that soulless, that dingy, that diseased.
Director Laurence Dunmore films everything through a corrosive brown fog, obscuring and muffling the film's life force.
For all the overstuffed corsets and garters snapping to and fro, it's about as bawdy as a C-Span appropriations committee meeting.
An odd composition of stolid chamber drama and manic acting by its magnetic star, the movie makes for an occasionally invigorating experience that is too predictable and mannered for its own good.
Dingy and dark, using the trappings of rot to mask its central goody-two-shoedness.
Here's a movie that's done well, with quality performances. And I have no idea who will want to see "The Libertine," a sometimes digusting, always adult look at debauchery during the Restoration.
A daunting, challenging film that dares the viewer to like it. And, it's not the easiest movie to like, but it's impossible not to find disturbingly fascinating.
It's a mess of -- toward its end -- almost epic proportions, and it's nowhere near as vulgar and shocking as it would like to think it is, but The Libertine is riveting nevertheless.
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