It takes an actor in complete command of his charisma to get away with this kind of murder-- exposing the sick blackness of his soul with a sultry smile. Shame about the movie, though.
The Libertine (2005)
Tomatometer
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Theatrical Release:18-11-2005
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
Reviews for The Libertine
Johnny Depp does some pretty despicable things, yet you don't dislike him. There's just something about him that draws you in and wins you over.
a supremely distasteful piece of work that squanders time, talent, and one of the more eccentric literary legacies
The prologue is probably correct: you will not like Wilmot the person. But you may like Depp enough to be curious about his portrayal of this libertine.
A fine feature debut for director Laurence Dunmore, The Libertine is more of a calling card for his future work than a fully rounded triumph in its own right.
Not only incessantly talky, but talky in that arch, affected fashion that not only sets one's teeth on edge but induces deep drowsiness as well.
This has got be one of the least erotic and grungiest films about hedonism ever made.
It's a grotesque, repellent, macabre costume drama. If you want depravity, watch re-runs of the mini-series "Rome" on HBO.
...while Depp seems the obvious choice for this ribald role, this is the first performance he's let get away from him.
The characters' florid, hyperbolic, elliptical, punning manner of speech rings true to the Restoration era, as both mirrored and modeled in the stage plays of the day.
Though Dunsmore, Depp and Jeffreys' conceits work more vividly as ideas than as filmmaking, they're ruthlessly true to themselves and grimly powerful.
It's not that we don't like the 2nd Earl of Rochester; it's that we simply never come to understand the man known as The Libertine.
This film isn't pretty, but it has some kick: It is to Shakespeare in Love what wild pheasant is to Chicken McNuggets.
... more of a gothic horror movie than an arresting biographical drama.
The advance word on The Libertine was so bad that I was rather surprised to find it -- unterrible.
This might be worth viewing if the film's characters came to life or its abundant philosophical and moral observations went more than pockmarked-skin deep.
Latest News for The Libertine
July 06, 2006:
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This week at the movies, we've got pirates back for more box office bounty ("Pirates of the Caribbean: Dead Man's Chest") and a journey to the center of the mind... More...
January 11, 2006:
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Whenever I share a new Top Ten List or Critic's Group Nomination list, I'm always extra careful to be fair and respectful of other peoples' opinions. But after seeing what the... More...
January 11, 2006:
7 Films Eligible for Best Makeup Oscar
Yesterday we found out which movies would duke it out for the Best Sound FX Oscar nominations, and today we get the Best Makeup side of the equation. Thanks again to... More...
November 11, 2005:
Trailer Bulletin: The Libertine
Interested in a 17th century period drama about a lascivious playwright who infuriates a lot of men, seduces a lot of woman, and eventually drinks himself to death? No? How... More...
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