Murray shines through Anderson's artificial half-movie -- always offering something sadder and deeper. Still, it's hard to get invested when the director won't stop winking.
The Life Aquatic With Steve Zissou (2004)
Tomatometer
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Reviews Counted:170
Fresh:89
Rotten:81
Average Rating:6/10
Consensus: The Life Aquatic with Steve Zissou is getting soaked by many critics, who call it smug, ironic and artificial. Still, others have praised the movie’s sheer uniqueness, eccentricity and whimsy.
Theatrical Release:18-02-2005
Synopsis: In Wes Anderson's THE LIFE AQUATIC, a group of oceanic explorers who call themselves Team Zissou embark on a journey to hunt down the "jaguar shark" that ate one of their crew members (Seymour... In Wes Anderson's THE LIFE AQUATIC, a group of oceanic explorers who call themselves Team Zissou embark on a journey to hunt down the "jaguar shark" that ate one of their crew members (Seymour Cassel). Determined to avenge the death of his dear friend, team leader Steve Zissou (Bill Murray) is melancholic about the journey he's about to make. Meanwhile, financial troubles and nostalgia for his past make Zissou behave like a reckless playboy, an aging softie, and a past-his-prime tyrant. Surrounding Zissou are a hodgepodge of eccentrics--a pregnant journalist doing a magazine feature (Cate Blanchett), an airline pilot from Kentucky who claims he is Zissou's son (Owen Wilson), an emotionally needy European (Willem Dafoe), an acoustic guitarist who sings David Bowie songs in Portuguese (Seu Jorge), Zissou's brilliant wife (Anjelica Houston), and her ex-husband who is Zissou's seafaring nemesis (Jeff Goldblum). Clad in baby-blue polyester uniforms, Addidas sneakers, and red stocking caps, Team Zissou is a sight to see. And as their deep-sea adventure takes them into dangerous waters where they are attacked by pirates and dazzled by CGI fish, the group finds magic both in their bonds to each other and in the colorful world around them. In keeping with Anderson's unique brand of escapist humor, these caricatured characters are nothing short of fascinating. While their lives are extraordinary, they act bored, dwelling on banalities like hurt feelings, jealousy, and loneliness. The more absurd their stories are, the more believable their quirky personalities become. With plenty of hilarious moments offsetting the film's tongue-in-cheek sentimentalism, THE LIFE AQUATIC is sure to please seasoned Anderson fans and make new ones of the uninitiated. [More]
Starring: Bill Murray, Owen Wilson, Cate Blanchett, Anjelica Huston
Starring: Bill Murray, Owen Wilson, Cate Blanchett, Anjelica Huston, Willem Dafoe, Jeff Goldblum, Michael Gambon, Bud Cort, Seymour Cassel
Director: Wes Anderson
Director: Wes Anderson
Screenwriter: Wes Anderson, Noah Baumbach
Producer: Barry Mendel, Wes Anderson, Scott Rudin
Composer: Mark Mothersbaugh
Studio: Buena Vista Pictures
Reviews for The Life Aquatic With Steve Zissou
Chock-a-block with acerbic humor and a tongue-in-cheek presentation perpetually on the brink of narrative collapse.
Not as fresh and surprising as, say, Rushmore. Still, I'll take a filmmaker who keeps using the same interesting devices over one who doesn't even know any.
If there's anything more tiresome in film today than hip irony, it is forced irony, and here comes a boatload.
The story (written by Anderson and Noah Baumbach) meanders in such a meaningless way that the visual details, as carefully wrought as they are, come off as mere props.
The film is very prickly, and full of offbeat humor that isn't welcoming to anyone who doesn't buy into the cold, wooden tone.
Often, The Life Aquatic borrows too much from the characters of Anderson's earlier work. But the humor and imagination of the piece more than makes up.
The problem with Life Aquatic is not that it’s not funny, but that Anderson is already repeating ideas and recycling characters from his other films.
This waterlogged bit of whimsy is the cinematic equivalent of a belly-flop.
Lately, I’ve complained that “gross” does not equal funny. Well, “weird” does not equal “entertaining.”
Smug and slow moving. Who cares about Steve Zissou? For Anderson, it is all about the boat.
It’s sad to see the filmmaker himself sinking under the weight of his own ambition.
This is one of the most irritating, self-conscious and smug films of the year, working neither as a dark comedy nor a character study.
Worth mentioning in the same breath as Rushmore or The Royal Tenenbaums? Absolutely not.
blithely flits from the sublime to the ridiculous and back again with such an agile sleight-of-hand that the two eventually merge into a surprisingly coherent amalgam
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