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The Life of David Gale (2003)
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Reviews Counted:152
Fresh:30
Rotten:122
Average Rating:4.3/10
Consensus: Instead of offering a convincing argument against the death penalty, this implausible, convoluted thriller pounds the viewer over the head with its message.
Runtime: 2 hrs 11 mins
Genre: Dramas
Synopsis: Gale (Kevin Spacey) is a Texas professor and anti-death penalty activist who, ironically enough, winds up on death row for the rape and murder of a colleague. Kate Winslet plays Bitsey Bloom, the... Gale (Kevin Spacey) is a Texas professor and anti-death penalty activist who, ironically enough, winds up on death row for the rape and murder of a colleague. Kate Winslet plays Bitsey Bloom, the brave journalist who sets out to tell to his story. In the days leading up to his execution, Gale fills her in on his life via flashbacks, which include political debates, lectures, sex with a student, rape allegations, alcoholism, divorce, and despair. As the hour of his doom approaches, Bitsey becomes convinced that Gale is the victim of a shadowy political conspiracy and races against the clock to prove his innocence. Director Alan Parker (MISSISSIPPI BURNING) manages to deliver a strong anti-capital punishment message alongside enough twists, turns and shocking moments to keep viewers perched at the edges of their seats. Winslet and Spacey are both riveting in the leads, but its Laura Linney as Gale's alleged victim--a fellow anti-capital punishment activist and close friend--who makes the biggest impression. Gabriel Mann also scores points in a sympathetic role as Bitsey's intern. Nicholas Cage served as the film's producer. The musical score is by Parker's two sons, Jake and Alex. [More]
Starring: Kevin Spacey, Laura Linney, Kate Winslet, Gabriel Mann
Starring: Kevin Spacey, Laura Linney, Kate Winslet, Gabriel Mann, Leon Rippy, Rhona Mitra
Director: Alan Parker
Director: Alan Parker
Screenwriter: Charles Randolph
Producer: Nicolas Cage, Alan Parker, Moritz Borman, Guy East
Composer: Alex Parker, Jake Parker
Producer: Nicolas Cage
Studio: Universal Pictures
Reviews for The Life of David Gale
a serviceable thriller, albeit one with some serious logic gaps and narrative loopholes
Any dialectic concerning the ethical-moral issues of execution is overridden and undermined when the Hollywood murder-mystery formula takes the front seat.
I don’t like being lied to. I don’t like being cheated. I don’t like being manipulated by a filmmaker willing to negate his entire story for the sake of cleverness or a cheap thrill. It should come as no surprise that I didn’t like 'The Life of David Gal
A movie that keeps telling you that you are supposed to respect it that fails miserably at almost ever turn.
The difference here is that “Gale” addresses death without bringing anything new or interesting to the discussion. It is shocking when it should be insightful, time and again turning to its idiotic thriller subplot before its philosophical debate gets int
First-time screenwriter Charles Randolph has figured out a way to combine his message movie with a more generic race-against-time thriller. And while the combination provides a kind of novelty that works for a while, it ultimately falls apart.
Turns out to be not much more than a high-concept question padded out to feature length.
...a mundane and manipulative crime thriller that doesn’t have anything new to say...Parker doesn’t know when to appropriately distribute or neutralize the tension of his toxic storyline in subtle, heartfelt strokes
It's a pleasure to watch these excellent actors politely unfold the origami tale.
The movie shoots itself not only in the foot but in the bleeding heart as well, offering a series of (mostly predictable) plot twists that undermine every point that Parker and his posse were trying to make.
[It] requires an audience capable of overlooking its preachy manipulations, non-descript filmmaking, and senseless ending all because they find its ideology reasonable.
Bad movies are easy to make, but as this overheated and self-defeating propaganda piece shows, it takes a genuinely talented group of people to come up with the most astonishing botch jobs.
As a thriller -- despite its implausibilities -- it's really a pretty darn good movie. Parker's signature atmosphere and his uncanny precision in editing are very much in evidence.
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