Unnervingly good, Little Children is one of the rare American films about adultery that feels right -- dangerous, hushed, immediate -- even when the sex takes a back seat to other longings.
Little Children (2006)
Tomatometer
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Reviews Counted:152
Fresh:121
Rotten:31
Average Rating:7.4/10
Consensus: Little Children takes a penetrating look at suburbia and its flawed individuals with an unflinching yet humane eye.
Rated: 15 [See Full Rating] for strong sexuality and nudity, language and some disturbing content.
Runtime: 2 hrs 17 mins
Genre: Dramas
Theatrical Release:03-11-2006
Synopsis: Actor-turned-director Todd Field follows up his Oscar-nominated drama, IN THE BEDROOM, with this ambitious adaptation of Tom Perrotta's celebrated novel. Set in the imploding minefields of modern... Actor-turned-director Todd Field follows up his Oscar-nominated drama, IN THE BEDROOM, with this ambitious adaptation of Tom Perrotta's celebrated novel. Set in the imploding minefields of modern suburbia, LITTLE CHILDREN follows several inhabitants of a small American town as they fumble their way through adulthood. Numb-to-life housewife and mother Sarah Pierce (Kate Winslet) finds an outlet for her yearning in gorgeous househusband Brad Adamson (Patrick Wilson), who is crippled with insecurity over the fact that his perfect wife, Kathy (Jennifer Connelly), is the family breadwinner. When Sarah and Brad meet at the local playground one afternoon, a passionate affair is sparked. In a further attempt to reclaim his youthful fire, Brad joins a night football league with Larry Hedges (Noah Emmerich), a former cop who has begun to harass a convicted sex offender, Ronnie J. McGorvey (Jackie Earle Haley). These troubled lives eventually collide, causing each individual to take full responsibility for their not-so-responsible actions. Adapted for the screen by Field and Perrotta and artfully photographed by Antonio Calvache, LITTLE CHILDREN is a bitingly funny, and nakedly honest, critique of middle class dysfunction. Though the cast is universally superb, it is former child actor Haley (THE BAD NEWS BEARS, BREAKING AWAY) who steals the show. After only two features, Field proves that he is a truly gifted storyteller. This film was included in the 44th New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Kate Winslet, Patrick Wilson, Gregg Edelman, Sadie Goldstein
Starring: Kate Winslet, Patrick Wilson, Gregg Edelman, Sadie Goldstein, Jennifer Connelly, Jackie Earle Haley, Jane Adams, Phyllis Somerville, Sarah Buxton
Director: Todd Field
Director: Todd Field
Producer: Albert Berger
Composer: Thomas Newman
Studio: New Line Cinema
Reviews for Little Children
Complicated, involving and just plain smart, Children is the kind of movie that worms its way back into your head days after you've seen it.
...there is some sharp observational comedy here and some painful, truthful drama, but they always seem at odds.
It is only once the end credits have begun to roll that you step back, process what you have seen, and leave dissatisfied.
Field is a rare American director who appreciates the virtues of breathing room: he allows scenes to develop in their own sweet time, trusting that we will find the undercurrents of human behavior as fascinating as he does.
As a husband obsessed with porn, Gregg Edelman enacts one of the more interesting instances of masturbation in the history of the cinema.
Relentlessly picks at scabs of domestic bliss that conceal sorrow, betrayal and futile fulfillment.
If Little Children is pedantic and sometimes smug in its judgments, it is also painful.
Its dry-wit richness derives from every actor living up to the emotionally juicy opportunities furnished by the off-beat nature of the script and Field's wizardly direction.
The sexual awakening of a disappointed wife may seem like an old movie turn, but when has it been done with such candor?
Once again, Field has crafted a grown-up movie that grabs you by the throat, drags you in and doesn't let you go until the very bitter end.
Field and Perrotta share a real affection for even their most thwarted and self-deluded characters.
Expertly juggling the film's quicksilver shifts in tone from pitch-black comedy to domestic drama to emotionally acute character study, Field directs with an assurance that belies his relative inexperience behind the camera.
Every character except the kids is severely flawed, but so deep are the roots Perrotta has created that you wish everyone well -- even the sex offender.
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