While despair underlies Almodovar's film...the director attempts to lighten up with some misplaced jokes. These, though, are never any more than a brief respite from the irritating mess in which the characters embroil themselves.
Live Flesh (1997)
Tomatometer
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Reviews Counted:36
Fresh:28
Rotten:8
Average Rating:7/10
Runtime: 1 hr 41 mins
Genre: Foreign Films
Synopsis: A shooting in the Madrid apartment of Elena (Francesca Neri), an Italian dope addict, leaves policeman David (Javier Bardem) a paraplegic and Victor (Liberto Rabal), her would-be date, in prison.... A shooting in the Madrid apartment of Elena (Francesca Neri), an Italian dope addict, leaves policeman David (Javier Bardem) a paraplegic and Victor (Liberto Rabal), her would-be date, in prison. Years later, Victor gets out of jail but is obsessed with Elena, now clean, sober, and married to David, who has transcended his handicap by becoming a wheelchair basketball champion. The brooding, resentful Victor starts sleeping with their friend Clara (Ángela Molina), the sexually restless wife of David's jealous, alcoholic former cop partner, and finds out some harsh truths about what really happened that fateful night. Eventually love, desire, obsession, and betrayal all whirlwind into confrontations both deadly and intensely sexual. Based on the novel by Ruth Rendell, this colorful, vibrant film from Spanish director Pedro Almodóvar overflows with rich, sensual performances and beauty captured by graceful camerawork, enhanced by a sizzling musical score by Alberto Iglesias. Penélope Cruz appears as Victor's mother, a prostitute who gives birth to him on a bus in the film's brilliant opening. [More]
Starring: Javier Bardem, Francesca Neri, Liberto Rabal, Ángela Molina
Starring: Javier Bardem, Francesca Neri, Liberto Rabal, Ángela Molina, José Sancho, Penélope Cruz, Pilar Bardem
Director: Pedro Almodóvar
Director: Pedro Almodóvar
Story: Ruth Rendell
Composer: Alberto Iglesias
Producer: Agustin Almodovar
Screenwriter: Pedro Almodóvar
Reviews for Live Flesh
Like the gorgeous cinematography (which is used to good effect to eroticize a sex scene), this is all part of Almodovar's stylistic package. Never has it been more impressive than here, where everything (not just the flesh) is vibrant with life.
Live Flesh is brimming with the acclaimed Spanish director's high-heeled flourishes.
Despite his erotic fixations, Pedro Almodóvar is the cinema’s last true innocent.
Even the film's title -- which is never explained -- seems a celebration of the vibrancy and sensuality of life. But, as the film also points out, the celebration is often tinged with regret and recrimination.
Very much an Almodovar picture with most of the anticipated outrageous occurrences intact.
Almodovar has a keen eye with the camera, and this helps keep us interested. His love of coincidence also creates some moments of the unexpected.
Remarkably taut, logical, even well framed, featuring the usual elements which make life worth living: revenge, lust, and guilt and redemption.
The overall purpose of Live Flesh, the latest and reputedly most 'mature' work from Spanish bad-boy director Pedro Almodovar, remains engigmatic.
Almodovar, whose work here has newly sophisticated polish, appreciates the dark twists of this story along with the eroticism that bring heat to all the scheming.
The film also feels curiously underpopulated, unenlivened by any sparky character bits.
Witness the increasing promise of Pedro Almodóvar, in a film that has gone largely unnoticed in his career but stands as a worthy and mostly mainstream entry into his unique style of twisted relationship movies.
Almodovar seems more assured here, confident that he can interest us without overt winking and tomfoolery.
Latest News for Live Flesh
February 08, 2005:
Cruz and Almodovar Collaborate Again
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