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Movies / On DVD / Lola Montes
Lola Montes

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Lola Montes (1955)

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Reviews Counted: 19

Fresh: 15

Rotten:4

Average Rating: 7.5/10

Runtime: 1 hr 50 mins

Genre: Foreign Films

Synopsis: LOLA MONTES, the last film by Max Ophüls, is one of the most celebrated examples of both wide screen CinemaScope and lush Technicolor in film history. Added to this is Ophüls' usual use of sweeping crane shots and angled tracking shots,... LOLA MONTES, the last film by Max Ophüls, is one of the most celebrated examples of both wide screen CinemaScope and lush Technicolor in film history. Added to this is Ophüls' usual use of sweeping crane shots and angled tracking shots, making this a beautiful, creative film. It is the story of Lola Montes (Martine Carol), the 19th Century dancer who was famous for her scandalous affairs with everyone from Franz List (Will Quadflieg) to Ludwig, the King of Bavaria (Anton Walbrook). At the end of her career she was the main attraction at a circus in the United States which featured a lavish tableaux of scenes from her life. The ringmaster, played by Peter Ustinov, leads the circus audience through her life, and also cues the cinematic flashbacks. Ophüls had used a similar structure in his adaptation of Arthur Schnitzler's play REIGEN in his film LA RONDE. Here, although not in chronological order, the flashbacks span Lola's life, covering everything from her early unhappy marriage to a drunken military officer, who she leaves to embark on a career as a dancer, to a very short affair with a German student played by a young Oskar Werner. Ophüls, with his always-moving camera, gives the story a wonderful sense of historical drama. [More]

Starring: Martine Carol, Peter Ustinov, Anton Walbrook, Oskar Werner

Starring: Martine Carol, Peter Ustinov, Anton Walbrook, Oskar Werner, Will Quadflieg, Paulette Dubost

Director: Max Ophuls

Director: Max Ophuls
Screenwriter: Annette Wademant, Max Ophuls
Producer: Ralph Baum
Composer: Georges Auric

[See More Credits]

Reviews for Lola Montes

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1 - 19 (sorted by date; UK critics are listed first)
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Ratings Image

Ophüls conjures that space into life -- indeed, makes it the very subject of his film -- by means of the most sumptuous stylistic effects imaginable.

Full Review Source: Time Out | comment Comment
02/09/06
Time Out
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Much truncated on the first release, and financially ruining its producers, this is a superb film, inspiring Kubrick among others.

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Channel 4 Film
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Ratings Image

Max Ophüls' 1955 masterpiece gets a superb restoration.

Full Review Source: Los Angeles Times | comment Comment
10/10/08
Kevin Thomas
Los Angeles Times
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In some odd way, the huge production scale and marvelous widescreen color scheme make Lola Montès seem more distant and artificial than Ophüls’ smaller-scale black-and-white films.

Full Review Source: Salon.com | comment Comment
10/10/08
Andrew O'Hehir
Salon.com
Ratings Image

Some fetching period observation appears from time to time, but life is rarely breathed into this frilly opus.

Full Review Source: Variety | comment Comment
10/08/08
Variety Staff
Variety
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A baroque masterpiece by Max Ophuls, his last film (1955) and his only work in color and wide-screen.

Full Review Source: Chicago Reader | comment Comment
10/08/08
Dave Kehr
Chicago Reader
Ratings Image

Lola Montès could never be confused for realism in any format: home video, theater or iPod. But its effectiveness as a tragedy relies on Ophüls setting out a luxurious spread for his hapless heroine.

Full Review Source: Time Out New York | comment Comment
10/08/08
Joshua Rothkopf
Time Out New York
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I recommend Lola Montès wholeheartedly both for its sensuous delights and its ever exquisite artistry.

Full Review Source: New York Observer | comment Comment
10/08/08
Andrew Sarris
New York Observer
Ratings Image

Ophüls' style co-stars, paralleling and reinforcing stage artificiality with tracking and crane and pan shots, fluidly tilting to emphasize romance as opposed to "reality."

Full Review Source: ReelTalk Movie Reviews | comment Comment
09/22/08
Donald J. Levit
ReelTalk Movie Reviews
Ratings Image

A bodice-ripper invested with the profundity of a Stendhal novel, Lola Montes is also, even more than La Ronde, Ophüls's definite commentary on movie-watching.

Full Review Source: Slant Magazine | comment Comment
09/20/08
Fernando F. Croce
Slant Magazine
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One of the most beautiful films ever made.

Full Review Source: Classic Film and Television | comment Comment
08/08/08
Michael E. Grost
Classic Film and Television
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The idea behind this biopic might be brilliant but I didn't see the film's magic onscreen.

Full Review Source: Ozus' World Movie Reviews | comment Comment
07/13/08
Dennis Schwartz
Ozus' World Movie Reviews
Ratings Image

No review available.

comment Comment
02/18/07
Jake Euker
F5 (Wichita, KS)
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No review available.

comment Comment
06/12/05
Emanuel Levy
EmanuelLevy.Com
Ratings Image

It is all of a piece from beginning to end: The mood, the music, the remarkably fluid camera movement, the sets, the costumes.

Full Review Source: Chicago Sun-Times | comment Comment
10/23/04
Roger Ebert
Chicago Sun-Times
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Classic Ophuls should be seen more--in widescreen too/his last film

comment Comment
10/19/04
Steve Crum
Kansas City Kansan
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Ophüls makes the story of Lola Montes (Martine Carol), the successful nineteenth-century courtesan (if only so-so Spanish fandango dancer), into a visually dazzling, ironic commentary on celebrity.

Full Review Source: New York Times | comment Comment
05/20/03
Vincent Canby
New York Times
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Andrew Sarris in 1963 dubbed this film the greatest ever made, and although he's noted for his quirky opinions, he's no fool.

Full Review Source: TV Guide's Movie Guide | comment Comment
01/01/00
TV Guide's Movie Guide
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The clunky Cinemascope camera does not allow Ophuls to move as often or as delicately as he was used to.

Full Review Source: Combustible Celluloid | comment Comment
01/01/00
Jeffrey M. Anderson
Combustible Celluloid
1 - 19 (sorted by date; UK critics are listed first)
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