Maybe the ending's a bit excessive, but it's hard to overstate the excitement of seeing fresh British talent break through with such energy.
London to Brighton (2008)
Tomatometer
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Reviews Counted:24
Fresh:17
Rotten:7
Average Rating:6.5/10
Consensus: With its grimy sets, taut storyline, and relentless sense of doom, London to Brighton is an auspicious directorial debut by Paul Andrew Williams.
Theatrical Release:01-12-2006
Synopsis: Its 3:07am and two girls burst into a run down toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his... Its 3:07am and two girls burst into a run down toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan's son, Stuart, has found his father and wants answers. Derek, Kelly's pimp, needs to find Kelly or it will be him who pays. Kelly and Joanne need to get through the next 24 hours alive... --© Official Site [More]
Starring: Lorraine Stanley, Georgia Groome, Johnny Harris, Sam Spruell
Starring: Lorraine Stanley, Georgia Groome, Johnny Harris, Sam Spruell, Alexander Morton, Nathan Constance
Director: Paul Andrew Williams
Director: Paul Andrew Williams
Producer: Alastair Clark, Rachel Robey, Ken Marshall, Paul Andrew Williams
Composer: Laura Rossi
Studio: Vertigo Films
Reviews for London to Brighton
With plenty of chutzpah, the young British film-maker Paul Andrew Williams has written and directed a cracking debut feature with enough clout to kick the door in.
A harrowing story straight from the headlines ... a gripping, engaging character-based drama.
After a promising start, the film becomes less about the experience of an archetypal runaway and more about exploiting terror for big-screen thrills.
Williams emerges as a genuine talent to watch and it will be interesting to see what he does next.
From the near-hysteria of this compelling opening sequence, Paul Andrew Williams's taut, tough and thoroughly satisfying drama grips the viewer and never lets go until its brutal, surprising conclusion.
A gritty British gangster film that leaves a bitter aftertaste, Paul Andrew Williams' London to Brighton is as technically assured as it is ultimately superfluous.
At the London Critics Circle film awards last year, Lorraine Stanley was nominated for British Actress of the Year, and if you see London to Brighton, you'll easily understand why.
ksemenei noris apo kaysimo, metatrepetai se asimanto anthropokynigito me sapoynoperarize dialeimmata, i eksereynisi ton (anti)iroon den paei kai poly makria ap' tin epifaneia, kai ta paihnidia toy Williams sta mpros-piso tis afigisis gia na soy ftiaksei s
Very good but very grim, Paul Andrew Williams' punishing debut doesn't pull many punches -- although the characters certainly field their share of body blows.
The film is a calling card for its sure-handed rookie director, Paul Andrew Williams, who expertly turns up the suspense knob while establishing a thick sense of doom amid grimy settings.
I'm not entirely sure what [director Williams] was trying to pull off in London to Brighton or even if Mr. Williams knew what he was trying to pull off.
Gritty, hellish inner city underworld excursion segue into incidental commuter crime thriller, featuring an unlikely surrogate maternal figure accessory to pedophilia street hooker's redemptive conversion to preteen protectress with a heart of gold.
Spit-polished with Greengrassian artistic din, London to Brighton is kitchen-sink realism without soul.
If Mike Leigh decided to make cockney pulp instead of populist dramas, he’d end up with something similar to British actor-turned-director Paul Andrew Williams’s raw, nerve-jangling feature debut.
Its tautness is satisfying. Not one line of dialogue is superfluous, not one take is a second too long.
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