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Movies / On DVD / Lonely Hearts
Lonely Hearts

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Lonely Hearts (2007)

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Reviews Counted:41

Fresh:20

Rotten:21

Average Rating:5.6/10

Consensus: Several genres and plotlines intertwine in Lonely Hearts but don’t connect, creating an uneven and unsatisfying film.

Rated: 15 [See Full Rating] for strong violence and sexual content, nudity and language.

Runtime: 1 hr 48 mins

Genre: Dramas

Theatrical Release:27-07-2007

Synopsis: LONELY HEARTS is the brutal retelling of the true-life tale of Martha Beck (Salma Hayek) and Raymond Fernandez (Jared Leto), a murderous grifter couple who chose their victims via the personal ads... LONELY HEARTS is the brutal retelling of the true-life tale of Martha Beck (Salma Hayek) and Raymond Fernandez (Jared Leto), a murderous grifter couple who chose their victims via the personal ads of local papers. It was one of the more salacious crime sprees of the late 1940s, and it made a legend out of Long Island police detective Elmer C. Robinson, the grandfather of the film's director, Todd Robinson. The killers' story is certainly one worthy of being retold, rife as it is with sex, violence, tough cops, and con games. Director Robinson looks to vintage crime films as well the cinematic grandeur of Terrence Malick's BADLANDS for his visual aesthetics. It's a combination that works nicely, as nary a detail looks out of place--from the natty fedoras worn by detectives Robinson (John Travolta) and Hildebrandt (James Gandolfini) to the big slabs of Detroit steel that everyone drives. The film also does a nice job of evoking the simultaneous sense of possibility and anxiety in post-WWII America, showing all the characters in one state of transition or another. Robinson, for example, is dealing with the loss of his wife to suicide, an event that fuels much of his obsession with catching the killers. In fact, the types of loss that LONELY HEARTS grapples with are all the result of brutal violence, and Robinson doesn't shy away from the gruesome details of those acts, many of which fall to Selma Hayek. Her portrayal of Martha Beck is one of the more frightening examples of the classic femme fatale. She is positively psychotic, yet smolders with sexuality. She is both violent and stunningly voluptuous, and her jealous rages inevitably end in grotesque, blood-splattered cocktails of sex and horror. LONELY HEARTS' pulp vision is rendered artistically, and Robinson is able to coax solid performances from his actors (particularly Hayek, and also Gandolfini, if only because the viewer forgets who Tony Soprano is for 100 minutes). In general, fans of classic detective films and neo-noirs will find much to enjoy here. [More]

Starring: Salma Hayek, Jared Leto, John Travolta, James Gandolfini

Starring: Salma Hayek, Jared Leto, John Travolta, James Gandolfini, Scott Caan, Laura Dern, Alice Krige

Director: Todd Robinson

Director: Todd Robinson
Screenwriter: Todd Robinson
Producer: Boaz Davidson, Holly Wiersma, Kathryn Himoff, Sidney Sherman
Composer: Mychael Danna
Studio: Millenium Films

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Reviews for Lonely Hearts

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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Click to read the article

Full Review Source: ViewLondon | comment Comment
07/26/07
Matthew Turner
Matthew Turner
ViewLondon
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
07/28/07
Andrew Pulver
Andrew Pulver
Guardian [UK]
Top Critic Icon Top Critic

Because Robinson can't seem to settle on a distinct tone, Lonely Hearts dances perilously on the edge of self-parody.

Full Review Source: Film Journal International | comment Comment
04/12/07
Lewis Beale
Lewis Beale
Film Journal International

Most astute is Leto's impeccable representation of an amoral snake of a man with the looks and sociopathology to fulfill the requirements of his abject trade.

Full Review Source: Cinema Signals | comment Comment
04/20/07
Jules Brenner
Jules Brenner
Cinema Signals

Un buen ejemplo de cine negro, género fuera de moda que aún conserva su encanto.

Full Review Source: Uruguay Total | comment Comment
04/08/08
Enrique Buchichio
Enrique Buchichio
Uruguay Total

Lonely Hearts can't help but trip on its Hollywood aesthetic standards.

Full Review Source: Filmcritic.com | comment Comment
01/11/07
Chris Cabin
Chris Cabin
Filmcritic.com

One more dip into the tin-eared neo-noir well.

Full Review Source: Slant Magazine | comment Comment
04/02/07
Dan Callahan
Dan Callahan
Slant Magazine

While not much of a detective story, [director] Robinson's period film does provide a captivating look at the dynamics that turn Fernandez and Beck into serial killers.

Full Review Source: Los Angeles Times | comment 1 Comment
04/12/07
Alex Chun
Alex Chun
Los Angeles Times
Top Critic Icon Top Critic

A consistently entertaining and occasionally gut-wrenching tale that deserves at least some measure of notice.

Full Review Source: IGN Movies | comment Comment
06/25/07
Scott Collura
Scott Collura
IGN Movies

The story of Fernandez and Beck may be grotesque comedy, but Todd Robinson tells it straight, without flinching from its piteousness, horror, or banality.

Full Review Source: New Yorker | comment Comment
04/16/07
David Denby
David Denby
New Yorker

The movie never quite clicks because it insists on telling two stories - one that is dramatic and one that slowly peters out, neither of which complement each other.

Full Review Source: CHUD | comment Comment
04/12/07
Devin Faraci
Devin Faraci
CHUD

Where’s James Ellroy when you need him?

Full Review Source: Time Out New York | comment Comment
04/14/07
David Fear
David Fear
Time Out New York

Leto and Hayek make their erotic psychohistrionics fun, and John Travolta and James Gandolfini, as cops, work up a dour camaraderie.

Full Review Source: Entertainment Weekly | comment Comment
04/11/07
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly

The only juice in Lonely Hearts comes from the thousands of volts shooting through the electric chair in which Martha and Ray are executed in back-to-back scenes that are disturbingly detailed and drawn out.

Full Review Source: Boxoffice Magazine | comment Comment
04/21/07
Chad Greene
Chad Greene
Boxoffice Magazine

Their amorality isn't presented in a conventional manner; it's depicted in an unremarkable, matter-of-fact style that makes it all the more realistic -- and all the more unsettling.

Full Review Source: Reel.com | comment Comment
04/13/07
Jim Hemphill
Jim Hemphill
Reel.com

A beautifully photographed remake of 1970 cult B-movie The Honeymoon Killers succeeds better than many in balancing the philosophical with the visceral, although its villains' dirty deeds still trump its deeper strain of melancholy.

comment Comment
04/13/07
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Leto's layered performance as the nattily dressing dandy with no remorse is truly impressive.

Full Review Source: ReelzChannel.com | comment Comment
08/25/08
Heather Huntington
Heather Huntington
ReelzChannel.com

A gutsy reenactment of the conscience-challenged duo who killed lonely women for their money.

Full Review Source: Compuserve | comment Comment
03/28/07
Harvey S. Karten
Harvey S. Karten
Compuserve

An A-list cast in B-movie territory is fun, but the lurid story is, sadly, as taut as a pool of fresh, gushing blood.

Full Review Source: E! Online | comment Comment
04/12/07
Caroline Kepnes
Caroline Kepnes
E! Online

... a worthy addition to the ranks of Beck/Fernandez movies; only at the end, when it suddenly seems to turn into an anti-capital-punishment tract, does it lose its way.

Full Review Source: Los Angeles CityBeat | comment Comment
04/12/07
Andy Klein
Andy Klein
Los Angeles CityBeat
 
 
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Latest News for Lonely Hearts

April 28, 2007: Trailer & Poster review Opens in new window
More...

April 12, 2007: Critical Consensus: "Hoax" Shines; Force Is With "ATHF"; "Disturbia" Mixed; "Pathfinder," "Stranger" Not Perfect; "Redline," Slow Burn" Not Screened
This week at the movies, we've got snoops ("Disturbia," starring Shia LaBeouf), temps ("Perfect Stranger," starring Halle Berry and Bruce Willis), Mooninites... More...

April 10, 2007: Conveys its potent dynamic with subtlety and enormous sensitivity, touching viewers in opposite ways by an understanding of the power of love that can utterly destroy, yet also revive and transform the deadened soul of this emotionally crushed detective. Opens in new window
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