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Lonely Hearts (2007)
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Reviews Counted:41
Fresh:20
Rotten:21
Average Rating:5.6/10
Consensus: Several genres and plotlines intertwine in Lonely Hearts but don’t connect, creating an uneven and unsatisfying film.
Rated: 15 [See Full Rating] for strong violence and sexual content, nudity and language.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:27-07-2007
Synopsis: LONELY HEARTS is the brutal retelling of the true-life tale of Martha Beck (Salma Hayek) and Raymond Fernandez (Jared Leto), a murderous grifter couple who chose their victims via the personal ads... LONELY HEARTS is the brutal retelling of the true-life tale of Martha Beck (Salma Hayek) and Raymond Fernandez (Jared Leto), a murderous grifter couple who chose their victims via the personal ads of local papers. It was one of the more salacious crime sprees of the late 1940s, and it made a legend out of Long Island police detective Elmer C. Robinson, the grandfather of the film's director, Todd Robinson. The killers' story is certainly one worthy of being retold, rife as it is with sex, violence, tough cops, and con games. Director Robinson looks to vintage crime films as well the cinematic grandeur of Terrence Malick's BADLANDS for his visual aesthetics. It's a combination that works nicely, as nary a detail looks out of place--from the natty fedoras worn by detectives Robinson (John Travolta) and Hildebrandt (James Gandolfini) to the big slabs of Detroit steel that everyone drives. The film also does a nice job of evoking the simultaneous sense of possibility and anxiety in post-WWII America, showing all the characters in one state of transition or another. Robinson, for example, is dealing with the loss of his wife to suicide, an event that fuels much of his obsession with catching the killers. In fact, the types of loss that LONELY HEARTS grapples with are all the result of brutal violence, and Robinson doesn't shy away from the gruesome details of those acts, many of which fall to Selma Hayek. Her portrayal of Martha Beck is one of the more frightening examples of the classic femme fatale. She is positively psychotic, yet smolders with sexuality. She is both violent and stunningly voluptuous, and her jealous rages inevitably end in grotesque, blood-splattered cocktails of sex and horror. LONELY HEARTS' pulp vision is rendered artistically, and Robinson is able to coax solid performances from his actors (particularly Hayek, and also Gandolfini, if only because the viewer forgets who Tony Soprano is for 100 minutes). In general, fans of classic detective films and neo-noirs will find much to enjoy here. [More]
Starring: Salma Hayek, Jared Leto, John Travolta, James Gandolfini
Starring: Salma Hayek, Jared Leto, John Travolta, James Gandolfini, Scott Caan, Laura Dern, Alice Krige
Director: Todd Robinson
Director: Todd Robinson
Screenwriter: Todd Robinson
Producer: Boaz Davidson, Holly Wiersma, Kathryn Himoff, Sidney Sherman
Composer: Mychael Danna
Studio: Millenium Films
Reviews for Lonely Hearts
Because Robinson can't seem to settle on a distinct tone, Lonely Hearts dances perilously on the edge of self-parody.
Most astute is Leto's impeccable representation of an amoral snake of a man with the looks and sociopathology to fulfill the requirements of his abject trade.
Un buen ejemplo de cine negro, género fuera de moda que aún conserva su encanto.
Lonely Hearts can't help but trip on its Hollywood aesthetic standards.
While not much of a detective story, [director] Robinson's period film does provide a captivating look at the dynamics that turn Fernandez and Beck into serial killers.
A consistently entertaining and occasionally gut-wrenching tale that deserves at least some measure of notice.
The story of Fernandez and Beck may be grotesque comedy, but Todd Robinson tells it straight, without flinching from its piteousness, horror, or banality.
The movie never quite clicks because it insists on telling two stories - one that is dramatic and one that slowly peters out, neither of which complement each other.
Leto and Hayek make their erotic psychohistrionics fun, and John Travolta and James Gandolfini, as cops, work up a dour camaraderie.
The only juice in Lonely Hearts comes from the thousands of volts shooting through the electric chair in which Martha and Ray are executed in back-to-back scenes that are disturbingly detailed and drawn out.
Their amorality isn't presented in a conventional manner; it's depicted in an unremarkable, matter-of-fact style that makes it all the more realistic -- and all the more unsettling.
A beautifully photographed remake of 1970 cult B-movie The Honeymoon Killers succeeds better than many in balancing the philosophical with the visceral, although its villains' dirty deeds still trump its deeper strain of melancholy.
Leto's layered performance as the nattily dressing dandy with no remorse is truly impressive.
A gutsy reenactment of the conscience-challenged duo who killed lonely women for their money.
An A-list cast in B-movie territory is fun, but the lurid story is, sadly, as taut as a pool of fresh, gushing blood.
... a worthy addition to the ranks of Beck/Fernandez movies; only at the end, when it suddenly seems to turn into an anti-capital-punishment tract, does it lose its way.
Latest News for Lonely Hearts
April 28, 2007:
Trailer & Poster review ![]()
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April 12, 2007:
Critical Consensus: "Hoax" Shines; Force Is With "ATHF"; "Disturbia" Mixed; "Pathfinder," "Stranger" Not Perfect; "Redline," Slow Burn" Not Screened
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April 10, 2007:
Conveys its potent dynamic with subtlety and enormous sensitivity, touching viewers in opposite ways by an understanding of the power of love that can utterly destroy, yet also revive and transform the deadened soul of this emotionally crushed detective. ![]()
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