While Lonesome Jim may be clinically acute, it is by its very nature dramatically inert.
Lonesome Jim (2006)
Tomatometer
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Reviews Counted:87
Fresh:51
Rotten:36
Average Rating:6/10
Consensus: Though Lonesome Jim is leavened by sweet, understated humor, it's hard to root for such a morose, self-defeating protagonist.
Theatrical Release:11-04-2008
Synopsis: With LONESOME JIM, director Steve Buscemi delivers another low-budget gem about small-town American life. Boasting a fresh script courtesy of James C. Strouse, the film begins when 27-year-old Jim... With LONESOME JIM, director Steve Buscemi delivers another low-budget gem about small-town American life. Boasting a fresh script courtesy of James C. Strouse, the film begins when 27-year-old Jim (Casey Affleck) returns to his small Indiana town after having failed to make a dent as a writer in New York City. Depressed beyond comprehension, Jim must contend with his actively suicidal brother (Kevin Corrigan), insane mother (Mary Kay Place), and dangerously clueless uncle (Mark Boone Junior). Along the way, he meets a too-good-to-be-true nurse, Anika (Liv Tyler), and begins coaching his niece's hapless basketball squad. As time passes, the fog threatens to hang around forever, making Jim wonder if returning home might have been the worst mistake of all. Hilarious in its honesty, tender in its performances, and compassionate in its direction, LONESOME JIM is an example of superior independent filmmaking. Casey Affleck and Liv Tyler deliver especially wonderful performances, giving three-dimensional depth to characters that could potentially have come off as one-note clichés. One can only hope that audiences will see through the low-budget production values and embrace the film's universal themes. [More]
Starring: Casey Affleck, Liv Tyler, Mary Kay Place, Seymour Cassel
Starring: Casey Affleck, Liv Tyler, Mary Kay Place, Seymour Cassel, Kevin Corrigan, Mark Boone
Director: Steve Buscemi
Director: Steve Buscemi
Screenwriter: James C. Strouse
Producer: Celine Rattray, Jake Abraham
Studio: IFC Films
Reviews for Lonesome Jim
It is packed with delightfully silly vignettes that had me squirming in my seat with laughter.
The script is adroit: It doesn't force the humor, and it steadily keeps track of Jim's growing maturity.
In the end, Lonesome Jim is an enormously hopeful and, I think, realistic film.
[T]his is an intriguing portrait of near-suicidal misery... until, ironically, it tries to lend Jim some hope.... [N]o one seems to know where to take things from there.
Buscemi's small story of failure, depression -- and ultimately, love -- in one Indiana town rings painfully true-to-life.
Everything from the film's washed out, grainy look to the dialogue rings false.
Sweet and darkly funny for most of its 91 minutes, it falters only in a dawdling final stretch.
Jim's characters may grow on you after a slow setup and, like a hot plate of grits, may stick with you.
Mr. Affleck is burdened with the difficult task of making moroseness seem interesting. He doesn't succeed, and neither does the movie.
(Casey) Affleck has the presence of a stump and the charisma of mold and Buscemi's deadpan direction only enhances his absence.
Slight, deadpan, mild and understated, but enjoyable in a quiet, almost throwaway fashion.
The light, understated gallows humor often demonstrates the lack of any clear line separating the comic and the tragic.
Nothing in this well-intentioned but lifeless indie draws the hard laughter that comes from creating characters that somehow get to you.
Buscemi's prior films (Trees Lounge, Animal Factory) displayed a keen eye for detail, and that is evident everywhere here.
Feels like a first film, but "Jim" is Buscemi's third feature and because it marks a technical decline from his earlier efforts, I can't help but greet it with disappointment.
A wonderful little movie directed by Steve Buscemi ... [Hi]is humor flickers through the story like fairy lights on a gray and unpromising day.
Place [has] played overly chirpy, middle-class mothers/wives before, but the mom here is slowly revealed, through the subtlest changes of expression, to be much more than a caricature.
The supposed randomness takes on an artificial, movie quality -- precisely the thing that Cassavetes worked so hard to avoid.
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