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Look at Me (2005)
Rated: 12A
Runtime: 1 hr 51 mins
Theatrical Release: 05-11-2004
Synopsis: In this realistic slice-of-life film from French director Agnes Jaoui, a young woman named Lolita (Marilou Berry) with a powerful singing voice and a pouty disposition strives to be everything she is not--perfect, beautiful, popular, and the object of her father's affections. Her father... In this realistic slice-of-life film from French director Agnes Jaoui, a young woman named Lolita (Marilou Berry) with a powerful singing voice and a pouty disposition strives to be everything she is not--perfect, beautiful, popular, and the object of her father's affections. Her father Etienne (Jean-Pierre Bacri) is a famous book publisher who is miserably self-absorbed, even neglecting Lolita's svelte young step-mom (Virginie Desarnauts). The one person who makes Lolita feel appreciated is her singing teacher, Sylvia (Jaoui), who she admires. So when Lolita learns that Sylvia's husband, Pierre (Laurent Grevill), is a struggling author, she sees a way to use her powerful father to her advantage. By inviting Sylvia and Pierre to meet her dad, Lolita opens up a Pandora's Box of politics and personal entanglements. While Etienne agrees to publish Pierre's next novel--a huge favor that will catapult his career forward--the pressure is on Sylvia to try to make a singing success and a happy girl of the stubborn Lolita. Portraying the complexity of both positive and negative relationships with a rare honesty, LOOK AT ME is about nothing and everything simultaneously. Viewers peer at this small group of people whose lives intersect for a brief period of weeks, and in the process learn about their personal hang-ups, their relationship problems, and the strange and funny episodes of their day-to-day lives. The result is a thoroughly enjoyable picture with true depth. [More]
Genre: Foreign Films
Starring: Marilou Berry, Agnes Jaoui, Jean-Pierre Bacri, Laurent Grevill, Virginie Desarnauts
Screenwriter: Agnes Jaoui
Producer: Jean-Philippe Andraca, Judith Havas, Christian Berard
Composer: Philippe Rombi
DVD Info
Release:
Sep 8, 2005
DVD Features:
- Anamorphic - 2.35
Audio:
- Dolby Digital 5.1 - English
- Subtitles - English, Spanish - Optional
Additional Release Material:
- Behind the Scenes - Making Of
- (8) Deleted Scenes
Reviews
A wry, understated, comic gem populated with wonderful characters, fine performances and, crucially, a great amount of compassion.
A sharp sense of humour and irony keeps this from being yet another talky French film, but only just.
Examines a variety of questions, such as superficiality versus substance, materialism versus self-worth, and taking advantage of others versus forming sincere relationships.
Este tipo de cine puede resultar absolutamente refrescante, en especial cuando la cartelera está llena de cine-consumo, extraño a la vida y enemigo de las neuronas.
Sadly, too much focus is spent on showing character traits that any kind of coherent story or compassion for characters is destroyed.
Forces the audience to ride the waves of some complicated relationships without having a built-in hero or heroine for which to root.
a sharp illustration of how it feels to resent someone you know you're supposed to love.
Agnès Jaoui’s second film is the type of light, Foucauldian romantic comedy that only the French can make.
(...) Una comedia humana que incluso depara, según la sensibilidad de cada uno, varias notas de emoción.
The work of a wry, generous filmmaker who wants to sympathize with even her most self-centered characters...
A biting and insightful tale of life in Parisian literary circles, and how celebrity and ambition can send ripples through relationships.
Bacri and Jaoui happens to have a soft spot for their countrymen, which results in a warm, funny movie for us to like, too.
Perhaps because she is also an actress, Jaoui understands motivation and interaction, and, with co-star Jean-Pierre Bacri, who plays the father, creates characters of substance and dimension out of scraps of human weakness.
The pleasure of the film, as in many French films from Renoir to Rohmer, is in the exactitude of observation, the accuracy of the portrait and the elegance of the writing.
Jaoui is something of a romantic, yes, but she's also a bit of a cynic – or at least an amused realist.
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