The preponderance of nudging innuendo was enough to earn the film a '12' certificate, thus excluding the audience of younger children who might otherwise have enjoyed the movie.
Look Who's Talking Now (1993)
Tomatometer
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Reviews Counted:22
Fresh:0
Rotten:22
Average Rating:2.4/10
Runtime: 1 hr 35 mins
Genre: Comedies
Synopsis: In this sequel, James and Mollie Urbiacco (John Travolta and Kirstie Ally) and their two kids have two new talking additions to the family: a pair of dogs named Rocks (DeVito) and Daphne (Keaton).... In this sequel, James and Mollie Urbiacco (John Travolta and Kirstie Ally) and their two kids have two new talking additions to the family: a pair of dogs named Rocks (DeVito) and Daphne (Keaton). James has obtained his pilot's licence and now commands the private plane for the head of a cosmetics company (Lysette Anthony). When he must fly her on Christmas Eve, he realizes that she may have designs on him, leaving Mollie and the kids to try and get to him before something terrible happens. [More]
Starring: John Travolta, Kirstie Alley, Lysette Anthony, Danny DeVito
Starring: John Travolta, Kirstie Alley, Lysette Anthony, Danny DeVito, Diane Keaton, Olympia Dukakis, George Segal, Charles Barkley
Director: Tom Ropelewski
Director: Tom Ropelewski
Screenwriter: Tom Ropelewski, Leslie Dixon
Reviews for Look Who's Talking Now
Although Tim Burton had nothing to do with it, this is certainly a nightmare before Christmas.
The first film had maybe a shred of realism to flavor its romantic comedy. This one looks like it was chucked up by an automatic screenwriting machine.
Most of the way this is pretty cheesy stuff, too stupid for adults and too vulgar for children. And it's even worse when it goes for cheap sentiment.
As fun as talking babies were, the buck stops here with talking dogs. Gone is the witty humour and sexual innuendo of the first film, and in it's place is a script just ripe for any 8 year old, but stale to anyone in the double digits.
A movie so eager to shine that it arrives draped in several layers of sentimental tinsel and cutesy-pie decorations.
While formulaic and predictable, the parallel human and animal plots offer enough dream sequences, guest star appearances, musical interludes and holiday spirit to keep both children and adults moderately entertained.
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